7 items found
Page 1 of 1
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George III bacon settle
£7,500George III bacon settle
panelled throughout to front and back, the top cupboard accessible via three smaller doors, main cabinet with large wrought iron hooks, the seat with drawers below. Primarily constructed in figured field-grown ash, some other native hedgerow timber species present. Fantastically figured and patinated throughout.£7,500 -
Antique oak canopied box settle
£1,250Antique oak canopied box settle
with panelled back and barrell-turned arms, the seat opening to reveal storage, likely constructed in the late nineteenth century using earlier salvaged elements.£1,250 -
An English oak “monk’s bench”
£1,200An English oak “monk’s bench”
the rectangular backrest with side rails, can be articulated to form a table top, above a box base with a lid incorporated in the seat and carved arm rests to each end,£1,200 -
A small English oak and elm settle
£875A small English oak and elm settle
the rectangular panelled backrest above the rectangular seat raised on square section legs linked by three stretchers, carved arm rests to each end, old iron restorations and straps,£875 -
An English timber and wrought-iron garden seat,
£590An English timber and wrought-iron garden seat,
the strap-iron ends with scrolled arms united by timber slats and back, distressed paintwork all over,£590 -
An English timber and wrought-iron garden seat,
£480An English timber and wrought-iron garden seat,
the shaped strap-iron ends united by timber slats and back, paint finish distressed all over,£480 -
A cast-iron loveseat
£465A cast-iron loveseat
the shaped back and arms of repeating scroll design, the conforming seat slightly dished, cabriole legs to the front, painted light blue; wear, paint loss and some rust showing,£465
Featured Items
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Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800