15 items found
Page 1 of 1
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Large mid-nineteenth century gilt mantel-mirror,
£8,500Large mid-nineteenth century gilt mantel-mirror,
with elaborate feather, cabochon and foliate cresting in the Rococo style, the frame with trails of foliage, flowers and acanthus fronds surrounding original plate-glass mirror.£8,500 -
Regency gilded convex mirror
£3,250Regency gilded convex mirror
surmounted by cresting of an eagle perched and poised on rocks, the circular frame with balls and delicate lambrequin mould, a generous reeded and ebonised slip within and surrounding the original convex mirror-plate.£3,250 -
Nineteenth century overmantel mirror,
£3,000Nineteenth century overmantel mirror,
giltwood and composition, the frame elaborately formed of vines laden with grapes, surmounted by foliate cresting, with some losses to the composition, the plate-glass with heavy foxing.£3,000 -
Regency giltwood convex mirror,
£2,800Regency giltwood convex mirror,
having a well carved eagle on a rocky outcrop above interlocking leaf and scrolls leading to detailed circular frame including giltwood ball decoration, reeded ebonised slip and foxed mirror plate.£2,800 -
Nineteenth century gilt composition mirror
£1,750 -
Giltwood pier mirror
£1,500Giltwood pier mirror
the cushion moulded frame with foliate bosses, the gilding pleasingly worn, with original plate-glass.£1,500 -
Early nineteenth century gilt framed pier mirror,
£1,250Early nineteenth century gilt framed pier mirror,
with coloured engraving after 'Shipwreck' by Peter Monamy (1681 - 1749) set above the original plate.£1,250 -
Regency giltwood pier mirror,
£1,250 -
Small Regency gilt convex mirror
£1,200Small Regency gilt convex mirror
surmounted by eagle, with ebonsied slip surrounding the frame£1,200 -
Florentine giltwood and gesso wall mirror,
£1,100 -
Nineteenth century Florentine giltwood mirror
£750Nineteenth century Florentine giltwood mirror
the frame composed of scrolling acanthus, with later plate-glass£750 -
Arts and Crafts copper mirror,
£550Arts and Crafts copper mirror,
richly patinated sheet metal frame, with with enamel cabouchon to the centre.£550 -
Pair of Edwardian parcel-gilt carved mahogany mirrors
£450Pair of Edwardian parcel-gilt carved mahogany mirrors
with starburst spandrels enclosing the bevelled mirror plates.£450 -
Late nineteenth century Aesthetic wall sconce,
£425Late nineteenth century Aesthetic wall sconce,
repousse brass with inset bevelled mirror plate, c.1880£425
Featured Items
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Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800