16 items found
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Set of Victorian pressed brass finger plates
£550 the setSet of Victorian pressed brass finger plates
eleven to the set, with bead and reel mouldings.£550 the set -
Set of early Victorian pressed brass finger-plates
£550 -
Set of antique ‘Hopes’ bronze finger plates
£450 the set -
Late nineteenth century Aesthetic wall sconce,
£425Late nineteenth century Aesthetic wall sconce,
repousse brass with inset bevelled mirror plate, c.1880£425 -
Antique brass door knocker
£400 -
Brass model of a rearing horse,
£400 -
William Tonks and Sons brass door plates,
£350 -
Front door centre ring pull
£325 -
Victorian brass deadlock
£300 -
1920s rose brass door pulls
£240 the pair -
Antique rose brass Suffolk latch
£200 -
Early twentieth century octagonal door centre pull
£200 -
Pair of Victorian brass finger plates
£100 the pair -
Early twentieth century finger plates
£45 each -
Old iron coat hooks,
£20 each -
Old brass-plated single hooks
£20 eachOld brass-plated single hooks
sold individually, sizes vary slightly, iron body. If sets are ordered we will do our best to ensure consistent sizing.£20 each
Featured Items
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Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500