16 items found
Page 1 of 1
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Set of Victorian pressed brass finger plates
£550 the setSet of Victorian pressed brass finger plates
eleven to the set, with bead and reel mouldings.£550 the set -
Set of early Victorian pressed brass finger-plates
£550 -
Set of antique ‘Hopes’ bronze finger plates
£450 the set -
Late nineteenth century Aesthetic wall sconce,
£425Late nineteenth century Aesthetic wall sconce,
repousse brass with inset bevelled mirror plate, c.1880£425 -
Antique brass door knocker
£400 -
Brass model of a rearing horse,
£400 -
William Tonks and Sons brass door plates,
£350 -
Front door centre ring pull
£325 -
Victorian brass deadlock
£300 -
1920s rose brass door pulls
£240 the pair -
Antique rose brass Suffolk latch
£200 -
Early twentieth century octagonal door centre pull
£200 -
Pair of Victorian brass finger plates
£100 the pair -
Early twentieth century finger plates
£45 each -
Old iron coat hooks,
£20 each -
Old brass-plated single hooks
£20 eachOld brass-plated single hooks
sold individually, sizes vary slightly, iron body. If sets are ordered we will do our best to ensure consistent sizing.£20 each
Featured Items
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Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800