455 items found
Page 4 of 5
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Linden Botanicals, Cleisostoma Crassifolium,
£175 eachLinden Botanicals, Cleisostoma Crassifolium,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals, Eriopsis Rutidobulbon,
£175 eachLinden Botanicals, Eriopsis Rutidobulbon,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals, Odontoglossum Crispum,
£175 eachLinden Botanicals, Odontoglossum Crispum,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals, Oncidium Papilio,
£175 eachLinden Botanicals, Oncidium Papilio,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals, Rodriguezia Bungerothi,
£175 eachLinden Botanicals, Rodriguezia Bungerothi,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals, Catasetum Bungerothi,
£175 eachLinden Botanicals, Catasetum Bungerothi,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals,
£175 eachLinden Botanicals,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Two Victorian Rococo brass centre pulls
£175 eachTwo Victorian Rococo brass centre pulls
c.1860s, with central cabochon to each handle. Sold separately.£175 each -
Linden Botanicals
£175 eachLinden Botanicals
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals
£175 eachLinden Botanicals
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals
£175 eachLinden Botanicals
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Chess,
£175Chess,
Framed chromolithograph by APE (Carlo Pellegrini) picturing Joseph Henry Blackburne, British chess master nicknamed 'The Black Death'. Despite only taking up the game at the age of 17 Blackburn became a world champion many times over and an icon of 'Romantic Chess'.£175 -
Steam
£175Steam
A framed chromolithograph by SPY (Leslie Ward) depicting Frederic Abernethy Coleman, writer, journalist, military historian & motoring pioneer. He popularised the White Steam Car in England and was a fierce opponent of the 'petrol car brigade' preferring and championing steam powered motorcars. Steam powered cars had the ascendancy in early British motoring, particularly in hill-climbs until they were banned from competition by advocates of the petrol engine,£175 -
Her Majesty the Queen Empress,
£170 -
In His Military Capacity,
£170In His Military Capacity,
Framed Chromolithograph by SPY (Leslie Ward) depicting Mr Montagu Williams QC, teacher, British Army officer, actor, playwright, barrister and magistrate. His succesful defence of Mr John Young in his manslaughter trial, after the death of an opponent in the boxing ring, established a legal precedent around the sport.£170 -
Balliol,
£170Balliol,
Framed Chromolithograph by Spy (Leslie Ward) depicting Edward Caird FRSA FBA. Scottish philosopher on the latter part of the 19th century, Caird is considered one of the fathers of the British Idealist school, a philosophical movement that was influential in Britain from the mid-nineteenth century until its overthrow by the Analytic Philosophy associated with Bertrand Russell. He served as Master of Balliol college until 1907.£170 -
First Violin,
£170First Violin,
Framed Chromolithograph by Spy (Leslie Ward) picturing HRH The Duke of Edinburgh, Alfred Ernest Albert, later Duke of Saxe Coburg and Gotha. The second son of Victoria and Albert he joined the Royal Navy at 14, he rose through the ranks to attain the position of Admiral of the Fleet by 1893 having served as Cadet, Lieutenant and Captain of HMS Galatea which he commanded in the Pacific Ocean. He commanded both the Channel fleet and, later, the Mediterranean Fleet from his flagship HMS Alexandra. The Duke survived an assassination attempt while visiting Sydney Australia and went on to marry a Grand Duchess of Russia. Alfred was a musical enthusiast and took a leading role in the establishment of the the Royal College of Music in 1882. He was a particularly keen violinist although his playing was not of the first quality. After a dinner party given by one of his brothers where he was persuaded to play Sir Henry Ponsonby would write: 'Fiddle out of tune and noise abominable'£170 -
Eduard Strauss,
£170Eduard Strauss,
Framed Chromolithograph signed EBN depicting the Austrian composer and conductor Eduard Strauss, brother of Johann II and Josef Strauss.£170 -
Crystal Palace,
£170Crystal Palace,
Framed Chromolithograph by Spy (Leslie Ward) picturing Sir August Friedrich Manns, German born British Composer and a key figure in the musical life of the Crystal Palace where he conducted a 90 piece orchestra.£170 -
Jimmy,
£170Jimmy,
Framed chromolithograph picturing the Revd. James Leigh Jones, English clergyman and schoolmaster at Eton College. Teacher of Swinburne and the Duke of Argyll. Famed for his application of the birching rod and his regular flogging of his pupils.£170 -
Four in hand,
£170Four in hand,
A framed chromolithograph by SPY (Sir Leslie Ward) picturing Adolph Wilhelm Reichmann, Baron of Prussia, Knight of the Iron Cross, German businessman and naturalised British subject he oversaw the banking house of Horstmann and Company. A keen carriage driver he was a member of many driving clubs including the Four In Hand and Carriage Clubs. His posterity became a subject of Parliamentary controversy as his sons left England to fight for the Kaiser in 1914 while his widow, the Baroness von Deichman, remained to steward his company which managed loans for prominent members of the German military and aristocracy.£170 -
William IV gilt-brass coat hook
£160 -
The American Lobster 1896
£150The American Lobster 1896
Francis Hobart Herrick (1858-1940) was for many decades Professor of Biology at Western Reserve University, Ohio. His early research focused on the American lobster in New England. His work revealed that over-harvesting egg-producing adult lobsters was threatening the species and risking destruction of the American lobster industry.£150 -
The American Lobster 1896
£150The American Lobster 1896
Francis Hobart Herrick (1858-1940) was for many decades Professor of Biology at Western Reserve University, Ohio. His early research focused on the American lobster in New England. His work revealed that over-harvesting egg-producing adult lobsters was threatening the species and risking destruction of the American lobster industry.£150 -
The American Lobster 1896
£150The American Lobster 1896
Francis Hobart Herrick (1858-1940) was for many decades Professor of Biology at Western Reserve University, Ohio. His early research focused on the American lobster in New England. His work revealed that over-harvesting egg-producing adult lobsters was threatening the species and risking destruction of the American lobster industry.£150 -
The American Lobster 1896
£150The American Lobster 1896
Francis Hobart Herrick (1858-1940) was for many decades Professor of Biology at Western Reserve University, Ohio. His early research focused on the American lobster in New England. His work revealed that over-harvesting egg-producing adult lobsters was threatening the species and risking destruction of the American lobster industry.£150 -
Waterloo Bridge,
£150Waterloo Bridge,
Hand colured and engraved, framed and mounted print depicting John Rennie's Waterloo Bridge by the artist and engraver John Shury after a painting by W.G. Moss.£150 -
Tracks and Triggers,
£150Tracks and Triggers,
A Framed chromolithograph by WHO picturing Mr Walter Winans, American marksman, hunter and artist. Author The Art of Revolver Shooting, Winans owned hunting and shooting rights to 250,000 acres in the Scottish Highlands across Glen Strathfarrar, Glen Cannich and Glen Affric. In 1884 he attempted to prosecute a Scotsman, Muirdoch Macrae, for grazing a lamb on the ancestral lands of Clan McCrae but owned in law by Winans. The failure of Winans' prosecution established the right to roam which was a key element in opening British parklands to the public.£150 -
Force No Remedy
£150Force No Remedy
A framed chromolithograph by Harry Furniss picturing a prison warder, Charles Stewart Parnell and John Dillon pictured on remand in Kilmainham Gaol, Dublin. Parnell and Dillon were united in opposition to the Irish Land Act of 1881 which aimed to resolve landlord tenant relations in late 19th Century Ireland and neutralise the militancy of the Irish Land League. Accused of "sabotaging the Land Act", the pair were arrested on the 12th of October 1881 for their role in the declaration and propagation of the No Rent Manifesto, a radical proposal by the Land League calling for a campaign of passive resistance by the small tenant farmers of Ireland and the withholding of rent to landlords.£150 -
The New Judge
£150The New Judge
A framed chromolithograph by SPY (Sir Leslie Ward) picturing the Hon. Sir Arthur Charles who presided over the first trial of Oscar Wilde for sodomy and gross indecency in which the Jury failed to agree a verdict.£150 -
Birth, Behaviour and Business,
£145Birth, Behaviour and Business,
Framed Chromolithograph by T (Theobald Chartran) showing Her Majesty's loyal opposition. The front back consists of three survivors of Lord Salisbury's collapsed administration. Lord John Manners, once Postmaster General and later 7th Duke of Rutland, Sir Stafford Northcote, former Chancellor of the Exchequer and Richard Assheton Cross, former Home Secretary. All three were seen as emblematic of the lethargy and inertia of the Conservative party of the period.£145 -
The Cabinet Council, 1883,
£145The Cabinet Council, 1883,
Framed Chromolithograph showing Gladstone's 1883 Liberal Cabinet. The second Gladstone administration was responsible for, among other things, the introduction of compulsory elementary education up to the age of 14 and the Married Woman's Property Act which returned to women the legal ability to own property in their own right. Depicted alongside the Prime Minister are his 13 cabinet colleagues including the MP for Birmingham Joseph Chamberlain, The 8th Duke of Devonshire, the 15th Earl of Derby and Sir William Vernon Harcourt.£145 -
2nd Commissioner
£1452nd Commissioner
A framed chromolithograph by SPY (Sir Leslie Ward) picturing The Hon. Sir John Charles Frederick Sigismund Day a High Court Judge and art collector. One of the first Roman Catholic judges to be appointed to the English bench since the Reformation, he was called to the bench in 1882. Well known for sentencing criminals to lashes, in his latter years, he would sometimes listen intently to cases with his eyes closed, opening an eye suddenly if something significant were said, a mannerism which was jokingly referred to as "the peep of Day". He sat on the Parnell Commission, a judicial inquiry into allegations of crimes by Irish parliamentarian Charles Stewart Parnell which resulted in his acquittal and vindication. At the time it was said that it was on his insistence that Richard Pigott was put into the witness box and his forged letters, implicating Parnell in the Pheonix Park murders of 1882 exposed as fraudulent. He retired from the High Court of Justice in 1901, when he was granted an annuity of £3,500. In March the following year he was appointed to the Privy council. His portrait hangs in the Royal Courts of Justice.£145 -
Nineteenth century, Bird-Egg lithographs,
£140Nineteenth century, Bird-Egg lithographs,
Carl Hoffmann (fl. ca. 1833-42) was a printer and publisher in Stuttgart£140 -
Nineteenth century, Bird-Egg lithographs,
£140Nineteenth century, Bird-Egg lithographs,
Carl Hoffmann (fl. ca. 1833-42) was a printer and publisher in Stuttgart£140 -
Nineteenth century, Bird-Egg lithographs,
£140Nineteenth century, Bird-Egg lithographs,
Carl Hoffmann (fl. ca. 1833-42) was a printer and publisher in Stuttgart£140 -
Nineteenth century, Bird-Egg lithographs,
£140Nineteenth century, Bird-Egg lithographs,
Carl Hoffmann (fl. ca. 1833-42) was a printer and publisher in Stuttgart£140 -
Nineteenth century arboreal prints,
£140 eachNineteenth century arboreal prints,
European trees published in London c1880. Mounted in cream framed in pale gold. 'Hawthorn'£140 each -
Nineteenth century arboreal prints,
£140 eachNineteenth century arboreal prints,
European trees published c1880. Mounted in cream framed in pale gold. 'Mountain Ash'£140 each -
Nineteenth century arboreal prints,
£140 eachNineteenth century arboreal prints,
European trees published c1880. Mounted in cream framed in pale gold. 'Holly'.£140 each -
The Comforts of Bath, published 1858
£140 eachThe Comforts of Bath, published 1858
The Comforts of Bath is a series of 12 etchings by Thomas Rowlandson. Each etching is accompanied by verse extracts from Christopher Anstey’s 'New Bath Guide'£140 each -
The Comforts of Bath, published 1858
£140 eachThe Comforts of Bath, published 1858
The Comforts of Bath is a series of 12 etchings by Thomas Rowlandson. Each etching is accompanied by verse extracts from Christopher Anstey’s 'New Bath Guide'£140 each -
The Comforts of Bath, published 1858
£140 eachThe Comforts of Bath, published 1858
The Comforts of Bath is a series of 12 etchings by Thomas Rowlandson. Each etching is accompanied by verse extracts from Christopher Anstey’s 'New Bath Guide'£140 each -
The Comforts of Bath, published 1858
£140 eachThe Comforts of Bath, published 1858
The Comforts of Bath is a series of 12 etchings by Thomas Rowlandson. Each etching is accompanied by verse extracts from Christopher Anstey’s 'New Bath Guide'£140 each -
The Comforts of Bath, published 1858
£140 eachThe Comforts of Bath, published 1858
The Comforts of Bath is a series of 12 etchings by Thomas Rowlandson. Each etching is accompanied by verse extracts from Christopher Anstey’s 'New Bath Guide'£140 each -
The Comforts of Bath, published 1858
£140 eachThe Comforts of Bath, published 1858
The Comforts of Bath is a series of 12 etchings by Thomas Rowlandson. Each etching is accompanied by verse extracts from Christopher Anstey’s 'New Bath Guide'£140 each -
The Comforts of Bath, published 1858
£140 eachThe Comforts of Bath, published 1858
The Comforts of Bath is a series of 12 etchings by Thomas Rowlandson. Each etching is accompanied by verse extracts from Christopher Anstey’s 'New Bath Guide'£140 each -
The Comforts of Bath, published 1858
£140 eachThe Comforts of Bath, published 1858
The Comforts of Bath is a series of 12 etchings by Thomas Rowlandson. Each etching is accompanied by verse extracts from Christopher Anstey’s 'New Bath Guide'£140 each -
The Comforts of Bath, published 1858
£140 eachThe Comforts of Bath, published 1858
The Comforts of Bath is a series of 12 etchings by Thomas Rowlandson. Each etching is accompanied by verse extracts from Christopher Anstey’s 'New Bath Guide'£140 each -
Pridham
£125Pridham
A framed chromolithograph by ELF showing Henry Pridham Wippell, a prominent Edwardian barrister.£125 -
19th Century English School Botanical Studies, Sandwort,
£120 each -
19th Century English School Botanical Studies, Wood Sorrel,
£120 each -
19th Century English School Botanical Studies, Hoary Plantain,
£120 each -
19th Century English School Botanical Studies, Wayfaring Tree,
£120 each -
19th Century English School Botanical Studies, Water Scorpion Grass,
£120 each -
19th Century English School Botanical Studies, Common Primrose,
£120 each -
19th Century English School Botanical Studies,
£120 each -
19th Century English School Botanical Studies, Common Guelder Rose,
£120 each -
19th Century English School Botanical Studies, Blackberry Bramble,
£120 each -
19th Century English School Botanical Studies, Comfrey,
£120 each -
19th Century English School Botanical Studies, Moschatel,
£120 each -
19th Century English School Botanical Studies, Corncockle,
£120 each -
19th Century English School Botanical Studies, Curled Dock,
£120 each -
19th Century English School Botanical Studies,
£120 each -
19th Century English School Botanical Studies, Water Parsnip,
£120 each -
19th Century English School Botanical Studies, Woody Nightshade Bittersweet,
£120 each -
19th Century English School Botanical Studies, Viburnum Opulus,
£120 each -
19th Century English School Botanical Studies, Common Elder,
£120 each -
19th Century English School Botanical Studies, Field Scabious,
£120 each -
19th Century English School Botanical Studies, Yellow Pimpernel,
£120 each -
19th Century English School Botanical Studies,
£120 each -
19th Century English School Botanical Studies, Common Gromwell,
£120 each -
19th Century English School Botanical Studies, Rosa Arvensis,
£120 each -
19th Century English School Botanical Studies, Germander Speedwell,
£120 each -
19th Century English School Botanical Studies, Seaside Goosefoot,
£120 each -
19th Century English School Botanical Studies, Goose Grass,
£120 each -
19th Century English School Botanical Studies, Upright Bedstraw,
£120 each -
19th Century English School Botanical Studies, Knotweed,
£120 each -
19th Century English School Botanical Studies, Meadow Soft Grass,
£120 each -
19th Century English School Botanical Studies, Marsh Valerian,
£120 each -
19th Century English School Botanical Studies, Bladder Catchfly,
£120 each -
19th Century English School Botanical Studies, Woodbine Honeysuckle,
£120 each -
19th Century English School Botanical Studies, Common Holly,
£120 each -
British Dogs 1882 – Scotch Terrier & Welsh Terrier,
£120 each -
British Dogs 1882 – Great Dane
£120 each -
British Dogs 1882 – Gordon Setter,
£120 each -
British Dogs 1882 – Fox Terriers,
£120 each -
British Dogs 1882 – Mastiff,
£120 each -
British Dogs 1882 – St. Bernard,
£120 each -
British Dogs 1882 – Deerhound,
£120 each -
British Dogs 1882 – Black & Tan Terrier, Yorkshire Terrier, Italian Greyhound,
£120 eachBritish Dogs 1882 – Black & Tan Terrier, Yorkshire Terrier, Italian Greyhound,
Illustrations of 'Dogs of the Day'£120 each -
Bridge, Church Street, Vauxhall.
£120Bridge, Church Street, Vauxhall.
This view shows Bridge Street which was the Thames end of Lambeth Road and famously appeared 100 years later in the Ealing film, Passport to Pimlico!£120 -
Collapse of the Conference,
£120 -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each
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