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16 items found

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  • Don-Bar ‘7000 series’ suspended steel fireplace

    £5,000 Stock code: 79318
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    Don-Bar ‘7000 series’ suspended steel fireplace

    the grate sitting within patinated steel body of faceted form typical of its period.
    Dimensions: 248cm (97¾") High, 120cm (47¼") Wide, 60cm (23½") Deep
    Stock code: 79318
    £5,000
  • 1973 London Underground by Paul E. Garbutt

    £1,800 Stock code: AD1659
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    1973 London Underground by Paul E. Garbutt

    An original 1973 London Underground map, in 'Quad Royal' size, showing the construction of the Picadilly line extension from Hounslow West to Heathrow Central. Designed by Paul Garbutt and based on the original diagrammatic principles of HC Beck. Printed by Waterlow & Sons for London Transport.
    Dimensions: 1cm (0½") Wide
    Stock code: AD1659
    £1,800
  • Blue Bicycle by Gary Sargeant

    £750 Stock code: AD1582
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    Blue Bicycle by Gary Sargeant

    Framed oil on panel painting of a blue bicycle in the foreground of a derelict industrial scene by the acclaimed and widely exhibited blind painter, Gary Sergeant.
    Dimensions: 89.5cm (35¼") High, 120cm (47¼") Wide
    Stock code: AD1582
    £750
  • Joan Miró, lithographs

    £180 Stock code: P01060 P
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    Joan Miró, lithographs

    In 1967, printer Robert Dutrou introduced Joan Miró to a new printmaking technique: Silicon carbide engraving. More commonly known as carborundum, this technique became the artist’s final technical development in his graphic work.
    Dimensions: 39cm (15¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01060 P
    £180
  • Joan Miró, lithographs

    £180 Stock code: P01060 O
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    Joan Miró, lithographs

    In 1967, printer Robert Dutrou introduced Joan Miró to a new printmaking technique: Silicon carbide engraving. More commonly known as carborundum, this technique became the artist’s final technical development in his graphic work.
    Dimensions: 39cm (15¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01060 O
    £180
  • Joan Miró, lithographs

    £180 Stock code: P01060 N
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    Joan Miró, lithographs

    In 1967, printer Robert Dutrou introduced Joan Miró to a new printmaking technique: Silicon carbide engraving. More commonly known as carborundum, this technique became the artist’s final technical development in his graphic work.
    Dimensions: 39cm (15¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01060 N
    £180
  • Joan Miró, lithographs

    £180 Stock code: P01060 M
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    Joan Miró, lithographs

    In 1967, printer Robert Dutrou introduced Joan Miró to a new printmaking technique: Silicon carbide engraving. More commonly known as carborundum, this technique became the artist’s final technical development in his graphic work.
    Dimensions: 39cm (15¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01060 M
    £180
  • Joan Miró, lithographs

    £180 Stock code: P01060 L
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    Joan Miró, lithographs

    In 1967, printer Robert Dutrou introduced Joan Miró to a new printmaking technique: Silicon carbide engraving. More commonly known as carborundum, this technique became the artist’s final technical development in his graphic work.
    Dimensions: 39cm (15¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01060 L
    £180
  • Joan Miró, lithographs

    £180 Stock code: P01060 K
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    Joan Miró, lithographs

    In 1967, printer Robert Dutrou introduced Joan Miró to a new printmaking technique: Silicon carbide engraving. More commonly known as carborundum, this technique became the artist’s final technical development in his graphic work.
    Dimensions: 39cm (15¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01060 K
    £180
  • Joan Miró, lithographs

    £180 Stock code: P01060 I
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    Joan Miró, lithographs

    In 1967, printer Robert Dutrou introduced Joan Miró to a new printmaking technique: Silicon carbide engraving. More commonly known as carborundum, this technique became the artist’s final technical development in his graphic work.
    Dimensions: 39cm (15¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01060 I
    £180
  • Joan Miró, lithographs

    £180 Stock code: P01060 G
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    Joan Miró, lithographs

    In 1967, printer Robert Dutrou introduced Joan Miró to a new printmaking technique: Silicon carbide engraving. More commonly known as carborundum, this technique became the artist’s final technical development in his graphic work.
    Dimensions: 39cm (15¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01060 G
    £180
  • Joan Miró, lithographs

    £180 Stock code: P01060 F
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    Joan Miró, lithographs

    In 1967, printer Robert Dutrou introduced Joan Miró to a new printmaking technique: Silicon carbide engraving. More commonly known as carborundum, this technique became the artist’s final technical development in his graphic work.
    Dimensions: 39cm (15¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01060 F
    £180
  • Joan Miró, lithographs

    £180 Stock code: P01060 E
    Add to Wishlist

    Joan Miró, lithographs

    In 1967, printer Robert Dutrou introduced Joan Miró to a new printmaking technique: Silicon carbide engraving. More commonly known as carborundum, this technique became the artist’s final technical development in his graphic work.
    Dimensions: 39cm (15¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01060 E
    £180
  • Joan Miró, lithographs

    £180 Stock code: P01060 C
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    Joan Miró, lithographs

    In 1967, printer Robert Dutrou introduced Joan Miró to a new printmaking technique: Silicon carbide engraving. More commonly known as carborundum, this technique became the artist’s final technical development in his graphic work.
    Dimensions: 39cm (15¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01060 C
    £180
  • Joan Miró, lithographs

    £180 Stock code: P01060 A
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    Joan Miró, lithographs

    In 1967, printer Robert Dutrou introduced Joan Miró to a new printmaking technique: Silicon carbide engraving. More commonly known as carborundum, this technique became the artist’s final technical development in his graphic work.
    Dimensions: 39cm (15¼") High, 33cm (13") Wide, 2cm (0¾") Deep
    Stock code: P01060 A
    £180
  • Number of industrial pendant lights from Elektrosvit,

    £120 each Stock code: 31089
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    Number of industrial pendant lights from Elektrosvit,

    the heavy steel gallery features two access points for cabling, an in built hook hole for hanging and a heavy duty explosion proof glass shade.  Some colour variation.  Re-wired.
    Dimensions: 36cm (14¼") High, 27cm (10¾") Wide, 24cm (9½") Deep
    Stock code: 31089
    £120 each

Featured Items

  • Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 A
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    Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 A
    £800
  • Henri Matisse, 'The Last Works of Henri Matisse'

    Henri Matisse, ‘The Last Works of Henri Matisse’

    £900 each Stock code: P01059Z AZ
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    Henri Matisse, ‘The Last Works of Henri Matisse’

    From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01059Z AZ
    £900 each
  • The Sun by André Masson, Verve Vol. 1 / No. 2.

    £600 Stock code: P01272 B
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    The Sun by André Masson, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01272 B
    £600
  • Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.

    £600 Stock code: P01274 C
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    Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01274 C
    £600