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An early George III style carved limestone chimneypiece,
£12,500An early George III style carved limestone chimneypiece,
the breakfront moulded rectangular shelf above a frieze carved in relief with repeating anthemia, flanked by endblocks - each bearing a lion-mask, the jambs bracketed with spirally carved volutes raised on block feet,£12,500 -
An early George III cast iron hob grate
£1,950An early George III cast iron hob grate
the rectangular backplate above the bowed railed basket with a pierced steel apron, the panelled hob-fronts with guilloche borders cast in relief with pineapples,£1,950 -
A nicely cast late George III cast iron hob grate
£1,750A nicely cast late George III cast iron hob grate
the backplate with foliate crestings above the bowed railed basket with an apron cast with fruiting vines, the hob-fronts modelled as pilasters with guilloche wreaths, the cheeks with lambrequin bordered panels,£1,750 -
A George III cast iron hob grate
£1,735A George III cast iron hob grate
the later rectangular backplate above the hob-plates with moulded edges, the duck's-nest basket with bowed rails (later re-seated), the hob-fronts cast in relief with delicate neo-classical motifs, baskets of flowers, bell-flower pendants and scrolls,£1,735 -
A George III cast iron hob grate
£1,635A George III cast iron hob grate
the rectangular backplate - shaped and worn from much use above the hob-plates with moulded edges, the duck's-nest basket with bowed rails (later re-seated), the hob-fronts cast in relief with delicate neo-classical motifs, baskets of flowers, bell-flower pendants and scrolls,£1,635 -
An Arts and Crafts wrought iron fire basket
£1,175An Arts and Crafts wrought iron fire basket
the small backplate with heart shaped finials above the shaped railed basket integrating standards with knopped surmounts,£1,175 -
A small Regency gothick cast iron hob grate
£1,150A small Regency gothick cast iron hob grate
the rectangular backplate, probably later, cast with repeating foliate loops above the railed basket flanked by hob-fronts cast with lancet-arched recesses, the apron pierced with quatrefoils above the aperture cast as a Tudor arch,£1,150 -
A late Victorian cast iron firegrate
£925A late Victorian cast iron firegrate
the arched backplate centred with a sunflower boss, the railed basket with knopped central bar and topped with ball finials, raised on baluster supports,£925 -
A small French cast iron free-standing hob grate
£875A small French cast iron free-standing hob grate
the tall pierced backplate cast with Baroque ornament and a pair of seated figures supporting a vase and bearing the founder's stamp, above the bowed railed basket, flanked by caryatid putti and raised on shaped supports,£875 -
A late George III cast iron hob grate,
£440A late George III cast iron hob grate,
the rectangular reeded backplate and railed basket flanked by narrow hobs, the hob fronts and apron cast in relief with raised foliate ornament,£440 -
A late George III cast iron hob grate,
£325A late George III cast iron hob grate,
the railed basket flanked by narrow hobs, the hob fronts and apron cast in relief with acanthine strapwork ornament,£325
Featured Items
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Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800