114 items found
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A spectacular George V stained glass east window
POAA spectacular George V stained glass east window
each of the lancet-arched leaded lights with an ogee header incorporating gothic architectural crestings framing the Risen Christ appearing in a golden sunburst framed with rolling clouds to the seven witnesses - receiving the vision within a verdant landscape -all set within architectural borders, Signed: "Atkinson Bros. Newcastle Upon Tyne" in the bottom margin
POA -
Large Regency Statuary marble fireplace
£15,000Large Regency Statuary marble fireplace
a substantial statuary marble fireplace, c.1820-1830 in the manner of Thomas Hope, the moulded rectangular shelf above plain frieze flanked by raised and fielded panel jambs with foliate and acanthus carved capitals, on block feet.£15,000 -
A pair of George V stained glass church windows
£12,500 the pairA pair of George V stained glass church windows
each lancet-arched leaded window with an ogee header painted with a New Testament scene, one light depicting Christ "The Good Shepherd" relating to John 10:1–21, the other “Behold I stand at the door and knock” Revelation 3:20, the Christ figure standing at a threshold, a garden behind Him and holding a lit lantern; both lights with the figures set within an abundant garden within Gothic architectural borders, the original window dedication is given below to the Todd family of Sunderland in 1915 and 1922.£12,500 the pair -
A pair of George V stained glass church windows
£12,000 the pairA pair of George V stained glass church windows
each lancet-arched leaded window with an ogee header painted with an Angel, one light depicting "Faith", the standing figure holding attributes of the cross and a lily, the other light depicting, "Hope" , the standing figure holding an anchor and a palm frond, both figures set within an abundant landscape within Gothic architectural borders, the original window dedication was given to Sarah Grace in 1928 but was damaged on removal, *Signed "Atkinson Bros. N/C" in the bottom margin*£12,000 the pair -
A pair of good late Victorian stained glass church windows
£12,000 the pairA pair of good late Victorian stained glass church windows
each lancet-arched leaded window eloquently painted with an early New Testament scene, one light depicting The Annunciation - Mary being visited by the holy dove and an angel, the other light depicting Jesus learning joinery from St. Joseph and glancing at the wooden cross his unknowing father has created, Mary is depicted spinning wool in the house yonder,£12,000 the pair -
A pair of George V stained glass church windows
£11,000 the pairA pair of George V stained glass church windows
each lancet-arched leaded window with an ogee header painted with a New Testament scene, one light depicting "I will give unto thee a Crown of Life", Revelation 2:10, Christ standing and proffering the martyr's crown to a supplicant, the other light depicting, "I am the Light of the World" John 8:12, the angel indicating the Ascension of Christ, both lights with the figures set within an abundant garden within Gothic architectural borders, the original window dedication is given below to the Alder family in 1915 and 1922.£11,000 the pair -
Louis XVI style Carrara marble and ormolu mounted fireplace,
£7,500Louis XVI style Carrara marble and ormolu mounted fireplace,
the shaped and moulded shelf above frieze centred by fluted panel adorned with trails of foliage and ribbons, the paterae endblocks with beaded border raised on acanthus clasped scrolled and moulded jambs with imbricated decoration to the centre, on blockfeet, the returns with carved panel ornament.£7,500 -
A set of five Victorian leaded stained glass portrait windows,
£6,000 the five panelsA set of five Victorian leaded stained glass portrait windows,
each rectangular window with an arched top centred by a portrait oval of one of the great English poets, respectively: Spenser, Byron, Chaucer, Milton and Dryden, each within a strapwork cartouche - with a fruiting swag above and name-scroll below, each mounted in a later decorative scrolled steel frame,£6,000 the five panels -
Two twentieth century cut and moulded glass twelve light chandeliers,
£3,850 eachTwo twentieth century cut and moulded glass twelve light chandeliers,
in the eighteenth century style, with two tiers of six branches, all hung with faceted droplets. Sold individually£3,850 each -
Eighteen light brass Flemish style chandelier,
£3,500Eighteen light brass Flemish style chandelier,
with some wear to the lacquered finish, re-wired and PAT tested, will require chain and ceiling rose.£3,500 -
Brass Flemish style chandelier,
£3,500 eachBrass Flemish style chandelier,
with two tiers of six scrolled arms each with turned nozzles and drip pans.£3,500 each -
A carved limestone urn on pedestal
£2,900 eachA carved limestone urn on pedestal
the gadrooned body beneath a beaded band, the panelled pedestal en suite,£2,900 each -
St George Street glass and brass Italian chandelier,
£2,000 eachSt George Street glass and brass Italian chandelier,
the six curved glass arms with brass collars and opal glass shades issuing from central brass stem.£2,000 each -
A pair of large late Victorian stained glass windows
£1,800 the pairA pair of large late Victorian stained glass windows
each square window of leaded polychrome glass on an obscured glass field, centred with a large quatrefoil, with foliate painted ornament and inset with bullion roundels,£1,800 the pair -
Stable back lamps,
£1,650 eachStable back lamps,
copper with detachable reflector plates. We currently have one in stock, if you would like more please contact us.£1,650 each -
French early twentieth century style glazed lantern,
£1,500French early twentieth century style glazed lantern,
of typical form with spun top above tapered body, with four light fitting within, all painted dark green.£1,500 -
The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200 -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Large gold plated Louis XV style appliques,
£850 each -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
A trio of Victorian carved Portland stone pedestals,
£725 eachA trio of Victorian carved Portland stone pedestals,
each solid stone block, square in section, carved to the front facade with a ribbon-tied graduating bell-flower pendant,£725 each -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Joiner’s workbench,
£550 eachJoiner’s workbench,
A number of joinery workshop benches available. 'EMIR Made in London', England, removed from The Central School of Art & Design, Southampton Row, Bloomsbury, London; established by the L.C.C (London County Council) in 1896 influenced by C. R. Ashbee's Guild of Handicrafts. W. R. Lethaby was the building's architect and first principal. Notable alumni include Lucian Freud, Eric Gill, Victor Pasmore, Viv Stanshall, Joe Strummer, Antony Gormley.£550 each -
Small English lead planter,
£550 eachSmall English lead planter,
square in section, each side cast with a panel centred by a lion mask. We have a larger one stock ref. 91074, which is 36 cm x 46 cm high.
£550 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
A number of cast iron lamp posts
£500 each -
An attractive narrow Victorian double-hung stained glass sash window
£495 the two sashesAn attractive narrow Victorian double-hung stained glass sash window
each rectangular pine sash with leaded polychrome glass painted with a stylised foliate ornament and a scarlet ribbon border - the design uniting the two windows,£495 the two sashes -
Single reeded pewter chargers,
£400 eachSingle reeded pewter chargers,
the rims engraved with the Coat of Arms of the Worshipful Company of FIshmongers, flanked by varying numerals, with hallmarks and touchmarks to rear.
Nine stamped 'J.STOREY' (sometimes stamped I.S.), c.1710-1730, one 'JOSEPH SPACKMAN', second half eighteenth century.
The single reeded rim is typical of English sadware from the early eighteenth century (1700-1730).
£400 each -
A run of grey enamelled factory pendant lamps
£380 eachA run of grey enamelled factory pendant lamps
two part domes, the upper section of ogee form, creating an elegant silhouette with the everted steel gallery, supplied re-wired and fitted with new lampholders, 10 available,£380 each -
Silver communion dishes on stands,
£350 eachSilver communion dishes on stands,
both engraved with sunburst detail and crucifix to centre. One is dated 1878, the other 1877. 285g£350 each -
A series of English spun steel and aluminium factory downlighters,
£345 eachA series of English spun steel and aluminium factory downlighters,
each with a large domed shade hung from a ventilated gallery, most with a safety cage protecting the lamp, rewired,£345 each -
A series of Art Deco steel-framed curved glass light panels,
£315 eachA series of Art Deco steel-framed curved glass light panels,
each with a frosted glass square cut with sinuous curvilinear marks and each centred with a gilded square intended to obscure a light source,£315 each -
Concrete lidded urn finial,
£300 each -
17th century copper-engravings of Classical Sculptures
£295 each17th century copper-engravings of Classical Sculptures
These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black. Showing Marsyas.£295 each -
17th century copper-engravings of Classical Sculptures
£295 each17th century copper-engravings of Classical Sculptures
These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black.£295 each -
17th century copper-engravings of Classical Sculptures
£295 each17th century copper-engravings of Classical Sculptures
These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black.£295 each -
17th century copper-engravings of Classical Sculptures
£295 each17th century copper-engravings of Classical Sculptures
These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black.£295 each -
Poul Henningsen style pendant light,
£250Poul Henningsen style pendant light,
after the PH 4/3 design for Louis Poulsen originally designed 1966, removed from UCLH, Russell Square. Re-wired and PAT tested.£250 -
Rolanda pendant light,
£250 eachRolanda pendant light,
A decorative stainless steel banded pendant light by Bover, Barcelona.£250 each -
A series of English printed posters, automotive exploded-view diagrams,
£240 eachA series of English printed posters, automotive exploded-view diagrams,
the posters, landscape in format, demonstrating the components of the British-made family saloon: "Engine External Components". Rear Suspension and Drum Brakes" etc.£240 each -
The Victorian auction bill posters of Jonas Paxton,
£195 eachThe Victorian auction bill posters of Jonas Paxton,
each of the advertisements printed on paper, advertising the location and prime lots at an upcoming auction,£195 each -
The Victorian auction bill posters of Jonas Paxton,
£195 eachThe Victorian auction bill posters of Jonas Paxton,
each of the advertisements printed on paper, advertising the location and prime lots at an upcoming auction,£195 each -
The Victorian auction bill posters of Jonas Paxton,
£195 eachThe Victorian auction bill posters of Jonas Paxton,
each of the advertisements printed on paper, advertising the location and prime lots at an upcoming auction,£195 each -
The Victorian auction bill posters of Jonas Paxton,
£195 eachThe Victorian auction bill posters of Jonas Paxton,
each of the advertisements printed on paper, advertising the location and prime lots at an upcoming auction,£195 each -
The Victorian auction bill posters of Jonas Paxton,
£180 eachThe Victorian auction bill posters of Jonas Paxton,
each of the advertisements printed on paper, advertising the location and prime lots at an upcoming auction,£180 each -
Anatomical prints,
£175 eachAnatomical prints,
reproduction based on the 1765 work by the Rev. Middleton. In black frame. 'Facing Muscle Plate LX'.£175 each -
The Victorian auction bill posters of Jonas Paxton,
£175 eachThe Victorian auction bill posters of Jonas Paxton,
each of the advertisements printed on paper, advertising the location and prime lots at an upcoming auction,£175 each -
The Victorian auction bill posters of Jonas Paxton,
£170 eachThe Victorian auction bill posters of Jonas Paxton,
each of the advertisements printed on paper, advertising the location and prime lots at an upcoming auction,£170 each -
A wrought steel gate,
£165 each -
Phycologia Britannica – A History of British sea-weeds,
£85 eachPhycologia Britannica – A History of British sea-weeds,
original colour lithographs by Reeve Brothers for William Henry Harvey. Framed. Plate CXCIII£85 each -
Phycologia Britannica – A History of British sea-weeds,
£85 eachPhycologia Britannica – A History of British sea-weeds,
original colour lithographs by Reeve Brothers for William Henry Harvey. Framed. Plate CCXXX£85 each -
Phycologia Britannica – A History of British sea-weeds,
£85 eachPhycologia Britannica – A History of British sea-weeds,
original colour lithographs by Reeve Brothers for William Henry Harvey. Framed. Plate CCXIX£85 each -
Phycologia Britannica – A History of British sea-weeds,
£85 eachPhycologia Britannica – A History of British sea-weeds,
original colour lithographs by Reeve Brothers for William Henry Harvey. Framed. Plate CLXXIX£85 each -
Phycologia Britannica – A History of British sea-weeds,
£85 eachPhycologia Britannica – A History of British sea-weeds,
original colour lithographs by Reeve Brothers for William Henry Harvey. Framed. Plate C£85 each -
Phycologia Britannica – A History of British sea-weeds,
£85 eachPhycologia Britannica – A History of British sea-weeds,
original colour lithographs by Reeve Brothers for William Henry Harvey. Framed. Plate CCLXXXI.£85 each -
Old Carnations and Pinks
£75 eachOld Carnations and Pinks
Based on the paintings of Rory McEwen and printed by Van Leer of Amsterdam. Framed in natural oak. 'Paisley Gem, William Brownhill, Murray's Laced Pink'.£75 each -
Old Carnations and Pinks
£75 eachOld Carnations and Pinks
Based on the paintings of Rory McEwen and printed by Van Leer of Amsterdam. Framed in natural oak. 'Nutmeg Clove'.£75 each -
Weathered keystones,
£75 each -
Industrial style enamelled lampshades
£75 each -
London City Suburbs, original half-tone prints published 1893
£55 eachLondon City Suburbs, original half-tone prints published 1893
Evocative prints based on the work of painter and illustrator William Luker which were engraved in Paris by Ch. Guillaume & Cie. for the Leadenhall Press publication "London City Suburbs" This prints are probably the only illustrations that show the London suburbs just before the 20th century. 'View from Furze Hill, Sydenham'.£55 each -
Edible and Poisonous Fungi lithographs,
£48 eachEdible and Poisonous Fungi lithographs,
printed in 1945 by John Swain Ltd. 'Amanita verna, Amanita virosa'.£48 each -
Edible and Poisonous Fungi lithographs,
£48 eachEdible and Poisonous Fungi lithographs,
printed in 1945 by John Swain Ltd. 'Marasmius oreades'.£48 each -
Edible and Poisonous Fungi lithographs,
£48 eachEdible and Poisonous Fungi lithographs,
printed in 1945 by John Swain Ltd. 'Boletus felleus'.£48 each -
Edible and Poisonous Fungi lithographs,
£48 eachEdible and Poisonous Fungi lithographs,
printed in 1945 by John Swain Ltd. 'Lepiota procera'.£48 each -
Edible and Poisonous Fungi lithographs,
£48 eachEdible and Poisonous Fungi lithographs,
printed in 1945 by John Swain Ltd. 'Boletus versipellis'.£48 each -
Edible and Poisonous Fungi lithographs,
£48 eachEdible and Poisonous Fungi lithographs,
printed in 1945 by John Swain Ltd. 'Amanita pantherina'.£48 each -
Edible and Poisonous Fungi lithographs,
£48 eachEdible and Poisonous Fungi lithographs,
printed in 1945 by John Swain Ltd. 'Psalliota campestris'.£48 each -
Edible and Poisonous Fungi lithographs,
£48 eachEdible and Poisonous Fungi lithographs,
printed in 1945 by John Swain Ltd. 'Sparassis crispa'.£48 each -
A series of framed coloured prints depicting marine flora
£48 eachA series of framed coloured prints depicting marine flora
each plate depicting a species of seaweed or algae in a single colour, in square edged, solid oak frames, approximately 50 available,£48 each -
An Edwardian brass fingerplate,
£22 eachAn Edwardian brass fingerplate,
each repousse push plate with a shaped edge, hammered field and raised ornament mouldings to the centre,£22 each -
An Edwardian brass fingerplate,
£20 eachAn Edwardian brass fingerplate,
the repousse brass rectangular plate with a scalloped edge and foliate relief castings,,£20 each -
French enamelled house numbers,
£20 each -
French enamelled house numbers,
£20 each -
French enamelled house numbers,
£20 each -
French enamelled house numbers,
£20 each -
French enamelled house numbers,
£20 each
Featured Items
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Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800