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A pair of good late Victorian stained glass church windows
£12,000 the pairA pair of good late Victorian stained glass church windows
each lancet-arched leaded window eloquently painted with an early New Testament scene, one light depicting The Annunciation - Mary being visited by the holy dove and an angel, the other light depicting Jesus learning joinery from St. Joseph and glancing at the wooden cross his unknowing father has created, Mary is depicted spinning wool in the house yonder,£12,000 the pair -
Louis XVI style Carrara marble and ormolu mounted fireplace,
£7,500Louis XVI style Carrara marble and ormolu mounted fireplace,
the shaped and moulded shelf above frieze centred by fluted panel adorned with trails of foliage and ribbons, the paterae endblocks with beaded border raised on acanthus clasped scrolled and moulded jambs with imbricated decoration to the centre, on blockfeet, the returns with carved panel ornament.£7,500 -
A set of five Victorian leaded stained glass portrait windows,
£6,000 the five panelsA set of five Victorian leaded stained glass portrait windows,
each rectangular window with an arched top centred by a portrait oval of one of the great English poets, respectively: Spenser, Byron, Chaucer, Milton and Dryden, each within a strapwork cartouche - with a fruiting swag above and name-scroll below, each mounted in a later decorative scrolled steel frame,£6,000 the five panels -
Two twentieth century cut and moulded glass twelve light chandeliers,
£3,850 eachTwo twentieth century cut and moulded glass twelve light chandeliers,
in the eighteenth century style, with two tiers of six branches, all hung with faceted droplets. Sold individually£3,850 each -
Brass Flemish style chandelier,
£3,500 eachBrass Flemish style chandelier,
with two tiers of six scrolled arms each with turned nozzles and drip pans.£3,500 each -
A carved limestone urn on pedestal
£2,900 eachA carved limestone urn on pedestal
the gadrooned body beneath a beaded band, the panelled pedestal en suite,£2,900 each -
An Art Deco stained leaded-glass window,
£2,500An Art Deco stained leaded-glass window,
comprising geometric panels of stained glass in a painted steel frame, with eight lights forming an abstract design of textured and coloured glass,£2,500 -
St George Street glass and brass Italian chandelier,
£2,000 eachSt George Street glass and brass Italian chandelier,
the six curved glass arms with brass collars and opal glass shades issuing from central brass stem.£2,000 each -
A pair of large late Victorian stained glass windows
£1,800 the pairA pair of large late Victorian stained glass windows
each square window of leaded polychrome glass on an obscured glass field, centred with a large quatrefoil, with foliate painted ornament and inset with bullion roundels,£1,800 the pair -
French early twentieth century style glazed lantern,
£1,500French early twentieth century style glazed lantern,
of typical form with spun top above tapered body, with four light fitting within, all painted dark green.£1,500 -
Stable back lamps,
£1,150 eachStable back lamps,
copper with detachable reflector plates. We currently have one in stock, if you would like more please contact us.£1,150 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Large gold plated Louis XV style appliques,
£850 each -
Head of a Girl by Paul Klee, Verve Vol 2 / No. 5-6.
£800Head of a Girl by Paul Klee, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.
£800Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
A George I wrought iron bracket spindle
£800 eachA George I wrought iron bracket spindle
the open scrollwork body applied with leafy ornament, two available,£800 each -
A trio of Victorian carved Portland stone pedestals,
£725 eachA trio of Victorian carved Portland stone pedestals,
each solid stone block, square in section, carved to the front facade with a ribbon-tied graduating bell-flower pendant,£725 each -
An English relief carved limestone plaque,
£640An English relief carved limestone plaque,
the weathered carving of a pair of winged armorini above a swagged, tasselled drape, one face damaged,£640 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.
£600Divagations II, by Henri Matisse, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Fire by Abraham Rattner, Verve Vol. 1 / No. 1.
£600The Four Elements, Fire by Abraham Rattner, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Sun by André Masson, Verve Vol. 1 / No. 2.
£600The Sun by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Joiner’s workbench,
£550 eachJoiner’s workbench,
A number of joinery workshop benches available. 'EMIR Made in London', England, removed from The Central School of Art & Design, Southampton Row, Bloomsbury, London; established by the L.C.C (London County Council) in 1896 influenced by C. R. Ashbee's Guild of Handicrafts. W. R. Lethaby was the building's architect and first principal. Notable alumni include Lucian Freud, Eric Gill, Victor Pasmore, Viv Stanshall, Joe Strummer, Antony Gormley.£550 each -
Small English lead planter,
£550 eachSmall English lead planter,
square in section, each side cast with a panel centred by a lion mask. We have a larger one stock ref. 91074, which is 36 cm x 46 cm high.
£550 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
A number of cast iron lamp posts
£500 each -
An attractive narrow Victorian double-hung stained glass sash window
£495 the two sashesAn attractive narrow Victorian double-hung stained glass sash window
each rectangular pine sash with leaded polychrome glass painted with a stylised foliate ornament and a scarlet ribbon border - the design uniting the two windows,£495 the two sashes -
Polished aluminium bar stool bases,
£475 eachPolished aluminium bar stool bases,
These are reproduction items cast from an original one-off batch acquired some time ago.£475 each -
Single reeded pewter chargers,
£400 eachSingle reeded pewter chargers,
the rims engraved with the Coat of Arms of the Worshipful Company of FIshmongers, flanked by varying numerals, with hallmarks and touchmarks to rear.
Nine stamped 'J.STOREY' (sometimes stamped I.S.), c.1710-1730, one 'JOSEPH SPACKMAN', second half eighteenth century.
The single reeded rim is typical of English sadware from the early eighteenth century (1700-1730).
£400 each -
A run of grey enamelled factory pendant lamps
£380 eachA run of grey enamelled factory pendant lamps
two part domes, the upper section of ogee form, creating an elegant silhouette with the everted steel gallery, supplied re-wired and fitted with new lampholders, 10 available,£380 each -
Silver communion dishes on stands,
£350 eachSilver communion dishes on stands,
both engraved with sunburst detail and crucifix to centre. One is dated 1878, the other 1877. 285g£350 each -
A series of English spun steel and aluminium factory downlighters,
£345 eachA series of English spun steel and aluminium factory downlighters,
each with a large domed shade hung from a ventilated gallery, most with a safety cage protecting the lamp, rewired,£345 each -
A series of Art Deco steel-framed curved glass light panels,
£315 eachA series of Art Deco steel-framed curved glass light panels,
each with a frosted glass square cut with sinuous curvilinear marks and each centred with a gilded square intended to obscure a light source,£315 each -
Concrete lidded urn finial,
£300 each -
17th century copper-engravings of Classical Sculptures
£295 each17th century copper-engravings of Classical Sculptures
These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black. Showing Marsyas.£295 each -
17th century copper-engravings of Classical Sculptures
£295 each17th century copper-engravings of Classical Sculptures
These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black.£295 each -
17th century copper-engravings of Classical Sculptures
£295 each17th century copper-engravings of Classical Sculptures
These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black.£295 each -
17th century copper-engravings of Classical Sculptures
£295 each17th century copper-engravings of Classical Sculptures
These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black.£295 each -
Poul Henningsen style pendant light,
£250Poul Henningsen style pendant light,
after the PH 4/3 design for Louis Poulsen originally designed 1966, removed from UCLH, Russell Square. Re-wired and PAT tested.£250 -
Rolanda pendant light,
£250 eachRolanda pendant light,
A decorative stainless steel banded pendant light by Bover, Barcelona.£250 each -
A series of English printed posters, automotive exploded-view diagrams,
£240 eachA series of English printed posters, automotive exploded-view diagrams,
the posters, landscape in format, demonstrating the components of the British-made family saloon: "Engine External Components". Rear Suspension and Drum Brakes" etc.£240 each -
The Victorian auction bill posters of Jonas Paxton,
£195 eachThe Victorian auction bill posters of Jonas Paxton,
each of the advertisements printed on paper, advertising the location and prime lots at an upcoming auction,£195 each -
The Victorian auction bill posters of Jonas Paxton,
£195 eachThe Victorian auction bill posters of Jonas Paxton,
each of the advertisements printed on paper, advertising the location and prime lots at an upcoming auction,£195 each -
The Victorian auction bill posters of Jonas Paxton,
£195 eachThe Victorian auction bill posters of Jonas Paxton,
each of the advertisements printed on paper, advertising the location and prime lots at an upcoming auction,£195 each -
The Victorian auction bill posters of Jonas Paxton,
£195 eachThe Victorian auction bill posters of Jonas Paxton,
each of the advertisements printed on paper, advertising the location and prime lots at an upcoming auction,£195 each -
The Victorian auction bill posters of Jonas Paxton,
£180 eachThe Victorian auction bill posters of Jonas Paxton,
each of the advertisements printed on paper, advertising the location and prime lots at an upcoming auction,£180 each -
Anatomical prints,
£175 eachAnatomical prints,
reproduction based on the 1765 work by the Rev. Middleton. In black frame. 'Facing Muscle Plate LX'.£175 each -
The Victorian auction bill posters of Jonas Paxton,
£175 eachThe Victorian auction bill posters of Jonas Paxton,
each of the advertisements printed on paper, advertising the location and prime lots at an upcoming auction,£175 each -
The Victorian auction bill posters of Jonas Paxton,
£170 eachThe Victorian auction bill posters of Jonas Paxton,
each of the advertisements printed on paper, advertising the location and prime lots at an upcoming auction,£170 each -
A wrought steel gate,
£165 each -
Reclaimed small green enamel pendant lights,
£150Reclaimed small green enamel pendant lights,
with glass dome and aluminium suspension hook, re-wired with brown braided flex and PAT tested. Ceiling rose not provided. Some shades with minor chips, dings and dents.£150 -
Fruit published by William Mackenzie
£95 eachFruit published by William Mackenzie
These chromolithographs by Belgian lithographer Severyns are based on J Macfarlane and published by William Mackenzie. Mackenzie specialized in horticulture based on the latest discoveries from around the world. Framed in natural oak. 'Brunswick Fig'.£95 each -
Fruit published by William Mackenzie
£95 eachFruit published by William Mackenzie
These chromolithographs by Belgian lithographer Severyns are based on J Macfarlane and published by William Mackenzie. Mackenzie specialized in horticulture based on the latest discoveries from around the world. Framed in natural oak. 'Madresfield Court Grape'.£95 each -
Silver plated communion cups,
£95 each -
Original 18th century Anatomical prints
£95 each -
Original 18th century Anatomical prints
£95 each -
Original 18th century Anatomical prints
£95 each -
Original 18th century Anatomical prints
£95 each -
Nineteenth century framed pigeon chromolithographs,
£90 eachNineteenth century framed pigeon chromolithographs,
original chromolithographs based on the drawings of Harrison Weir, published by George Routledge and Sons, circa 1875. 'Magpies. Ice Pigeons'.£90 each -
Phycologia Britannica – A History of British sea-weeds,
£85 eachPhycologia Britannica – A History of British sea-weeds,
original colour lithographs by Reeve Brothers for William Henry Harvey. Framed. Plate CXCIII£85 each -
Phycologia Britannica – A History of British sea-weeds,
£85 eachPhycologia Britannica – A History of British sea-weeds,
original colour lithographs by Reeve Brothers for William Henry Harvey. Framed. Plate CCXXX£85 each -
Phycologia Britannica – A History of British sea-weeds,
£85 eachPhycologia Britannica – A History of British sea-weeds,
original colour lithographs by Reeve Brothers for William Henry Harvey. Framed. Plate CCXIX£85 each -
Phycologia Britannica – A History of British sea-weeds,
£85 eachPhycologia Britannica – A History of British sea-weeds,
original colour lithographs by Reeve Brothers for William Henry Harvey. Framed. Plate CLXXIX£85 each -
Phycologia Britannica – A History of British sea-weeds,
£85 eachPhycologia Britannica – A History of British sea-weeds,
original colour lithographs by Reeve Brothers for William Henry Harvey. Framed. Plate C£85 each -
Phycologia Britannica – A History of British sea-weeds,
£85 eachPhycologia Britannica – A History of British sea-weeds,
original colour lithographs by Reeve Brothers for William Henry Harvey. Framed. Plate CCLXXXI.£85 each -
Fish. Hand-coloured steel engravings, based on the work of Lorenz Oken c1835
£85 eachFish. Hand-coloured steel engravings, based on the work of Lorenz Oken c1835
Olken was influenced by Pythagorean mysticism, becoming a self-proclaimed pantheist.To Oken, God exhibited himself in nature, and when God meets man he meets himself, for man is a god created by God.£85 each -
Old Carnations and Pinks
£75 eachOld Carnations and Pinks
Based on the paintings of Rory McEwen and printed by Van Leer of Amsterdam. Framed in natural oak. 'Paisley Gem, William Brownhill, Murray's Laced Pink'.£75 each -
Old Carnations and Pinks
£75 eachOld Carnations and Pinks
Based on the paintings of Rory McEwen and printed by Van Leer of Amsterdam. Framed in natural oak. 'Nutmeg Clove'.£75 each -
Gazette of Fashion,
£75 each -
Gazette of Fashion,
£75 each -
Gazette of Fashion,
£75 each -
Natural History, original hand-coloured wood engravings published c1850
£75 eachNatural History, original hand-coloured wood engravings published c1850
The Society for Promoting Christian Knowledge (SPCK) is the third oldest publishing house in England, after the Oxford and Cambridge University Presses. It was founded in 1698 by an Anglican priest, Thomas Bray who believed passionately in the power of the printed word. In its first two hundred years, the Society founded many charity schools for poor students in the 7 to 11 age group. It is from these schools that the modern concept of primary and secondary education has grown. Although the SPCK originally dealt with just Christian subjects, from the 1830s onwards it was publishing general educational topics as well. SPCK's early publications were distributed through a network of supporters who received books and tracts to sell or give away in their own localities. Large quantities of Christian literature were provided for the Navy, and the Society actively encouraged the formation of parish libraries and was also an early provider of teacher training.£75 each -
Weathered keystones,
£75 each -
Mid-eighteenth century pewter plates,
£75 each -
Industrial style enamelled lampshades
£75 each -
British Fungi, original chromolithograph published c1891
£65 eachBritish Fungi, original chromolithograph published c1891
Rare print by Mordecai Cubitt Cooke, founder the Society of Amateur Botanists and of the Quekett Microscopical Club! 'Cortinarius (Inoloma) Tophaceus, in beech woods, Rothiemurchas, Aug. 1883'.£65 each
Featured Items
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Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Sun by André Masson, Verve Vol. 1 / No. 2.
£600The Sun by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800