LASSCO Archive
2886 items found
Page 221 of 241
-
Original chromolithograph botanical prints,
Original chromolithograph botanical prints,
published in Ghent c1875, framed. ‘Draecaena (Cordyline) Indivisa forst. var. Doucetiana’. -
Original chromolithograph botanical prints,
Original chromolithograph botanical prints,
published in Ghent c1875, framed. ‘Cordyline Lineata var. Purpurascens Rod.’ -
Original chromolithograph botanical prints,
Original chromolithograph botanical prints,
published in Ghent c1875, framed. ‘Aglaonema Nebulosum N. E. Brown’. -
Original chromolithograph botanical prints,
Original chromolithograph botanical prints,
published in Ghent c1875, framed. ‘Begonia Clementinae (Bruant)’. -
Original chromolithograph botanical prints,
Original chromolithograph botanical prints,
published in Ghent c1875, framed. ‘Dracaena (Cordyline) Cuprea’. -
1920s brass door knobs,
-
Dick Whittington pantomime poster,
-
Picasso ‘Mes dessins d’Antibes’ Lithograph,
Picasso ‘Mes dessins d’Antibes’ Lithograph,
Picasso’s series “Mes dessins d’Antibes” is a fantastic study of Homeric, mythological Antibes (Greek Antypolis). He stayed barely three months in the southern Provencal port yet his output was prodigious. In what has been called Picasso’s ‘Age Of Renewal’ he produced 23 paintings and 44 drawings. In these lithographs, first published in Paris in 1958, Picasso committed to print the austere and mysterious forms of the Centaur, the Nymph and the Faun that had so renewed his art in the Antibes. -
Picasso ‘Mes dessins d’Antibes’ Lithograph,
Picasso ‘Mes dessins d’Antibes’ Lithograph,
Picasso’s series “Mes dessins d’Antibes” is a fantastic study of Homeric, mythological Antibes (Greek Antypolis). He stayed barely three months in the southern Provencal port yet his output was prodigious. In what has been called Picasso’s ‘Age Of Renewal’ he produced 23 paintings and 44 drawings. In these lithographs, first published in Paris in 1958, Picasso committed to print the austere and mysterious forms of the Centaur, the Nymph and the Faun that had so renewed his art in the Antibes. -
George III style statuary and sienna marble chimneypiece,
George III style statuary and sienna marble chimneypiece,
the inverse breakfront moulded shelf above frieze with floral swags centred by tablet depicting playing putti and a ram, the pilaster jambs with classical urn above oval plaque centred by rosette, hung with trailing bellflowers, on plain footblocks. -
A painted steel industrial parts bin
A painted steel industrial parts bin
incorporating thirty five separate bins in seven columns and five rows, the columns narrowing from the centre to the edges, cracked paint visible, along with hand painted notations of parts type, -
George III statuary marble fireplace,
George III statuary marble fireplace,
the inverse breakfront shelf above fluted frieze flanked by oval paterae endblocks and centred with tablet depicting Urania (Muse of Astronomy), the pilaster jambs with acanthus volutes hung with bellflower pendants on square footblocks.