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LASSCO Archive
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Page 179 of 181
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Carpathian Oak Chevron Parquet
Carpathian Oak Chevron Parquet
Reclaimed solid Oak chevron parquet. These Chevron blocks are cut to shape from reclaimed batches of 19th century Oak. The timber is sourced from disused agricultural buildings on the Orsova region of the Carpathian Mountains and cut to shape, ready to lay. The timber is clean and smooth all over without any residual bark or the bitumen coat one has to manage in other reclaimed blocks. It is highly characterful and, as it is old-growth oak, stable and solid. Batches of any size can be handled with a lead time of 4-6 weeks and we encourage customers to call our flooring office for further information. -
A Victorian pine pew front with carved termini
A Victorian pine pew front with carved termini
the slope top above the facade with repeating stop-chamfered recessed panels, the ends with carved leafy surmounts; together with five associated panels, -
Nickel plated door pulls,
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A composition stone keystone
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A pine six panel door
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A large Empire style tent and bag chandelier
A large Empire style tent and bag chandelier
the gilt brass frame with upright anthemions, supporting 6 arms, 18 lamps in total, -
A number of 19th century lead planters
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A large run of cast iron spindles
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A mahogany half glazed pub door,
A mahogany half glazed pub door,
the glazed top panel acid etched with foliate ornament, above the raised and fielded lower panel, -
An Aesthetic Movement cast iron ‘Parson’s Grate’ with original tiled cheeks
An Aesthetic Movement cast iron ‘Parson’s Grate’ with original tiled cheeks
the six bar grate with guillotine beneath a frieze panel cast in low relief, the field of geometric design with ‘mon’ crysanthamum roundels, flanked by panels each containing twelve blue and white tiles, edged with reeded cast iron trim with repeating chrysanthemum segments, some damage to the tiles, -
Soda Crystals
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An Italian reconstituted marble putto personifying ‘Winter’
An Italian reconstituted marble putto personifying ‘Winter’
the young boy pulling on a shawl for warmth, reclining on a “C-scroll” and turning to look over his left shoulder,