LASSCO Archive
2969 items found
Page 165 of 248
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Victorian style ebonised and parcel-gilt tray top table,
Victorian style ebonised and parcel-gilt tray top table,
papier-mache and stained timber, late twentieth century -
Victorian ebonised and parcel-gilt etagere,
Victorian ebonised and parcel-gilt etagere,
the beaded brass detail to the shelf edges with some damage. -
Senufo tribe hardwood throne,
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Louis XV style Brocatello marble Pompadour fireplace,
Louis XV style Brocatello marble Pompadour fireplace,
the shaped shelf above conforming shaped and panelled frieze, with canted and panelled jambs on footblocks. -
Large driftwood sculpture,
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Pair of nineteenth century Bleu Turquin marble pedestals,
Pair of nineteenth century Bleu Turquin marble pedestals,
the fluted shafts with turned torus and square plinth base. -
Faux-marble occasional table,
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French Holophane frosted prismatic glass pendant lights,
French Holophane frosted prismatic glass pendant lights,
re-wired with braided silk flex, circa 1960-1980. 23kg. Smaller size available to a similar design, see stock #77391. Each with minor nicks and blemishes. No ceiling rose/hook provided. -
French Holophane frosted prismatic glass pendant lights,
French Holophane frosted prismatic glass pendant lights,
with spun brass caps and conical finial to the base, re-wired with braided silk flex, circa 1960-1980. 23kg. Smaller size available to a similar design, see stock #77391. Each with minor nicks and blemishes. No ceiling rose/hook provided. -
Black Hill, Studio, by Gordon House
Black Hill, Studio, by Gordon House
Gordon House was a graphic designer and abstract painter. He went to art school in Luton, then later, won a scholarship to St. Albans. During the 1950’s he spent much time in Letchworth, Welwyn and working for Imperial Chemical Industries (ICI) becoming aware of a modernist style of graphics through the design of European pharmaceutical packaging. This style was new to British eyes at the time and he went on to design the graphics for many galleries during the 1960’s. Mixing in new circles he collaborated with leading artists like Peter Blake and Richard Hamilton. He was responsible for the white on white emboss of the band’s name across the record sleeve on the Beatles White album against the wishes of Hamilton, who wanted to leave the sleeves totally blank, save for the stamp of a unique issue number. The Tate Gallery holds more than 100 of his prints and his work is also represented in many important public collections including the Arts Council, the British Council, the Victoria & Albert Museum and the M.O.M.A. in New York. -
Black Hill, Bench, by Gordon House
Black Hill, Bench, by Gordon House
Gordon House was a graphic designer and abstract painter. He went to art school in Luton, then later, won a scholarship to St. Albans. During the 1950’s he spent much time in Letchworth, Welwyn and working for Imperial Chemical Industries (ICI) becoming aware of a modernist style of graphics through the design of European pharmaceutical packaging. This style was new to British eyes at the time and he went on to design the graphics for many galleries during the 1960’s. Mixing in new circles he collaborated with leading artists like Peter Blake and Richard Hamilton. He was responsible for the white on white emboss of the band’s name across the record sleeve on the Beatles White album against the wishes of Hamilton, who wanted to leave the sleeves totally blank, save for the stamp of a unique issue number. The Tate Gallery holds more than 100 of his prints and his work is also represented in many important public collections including the Arts Council, the British Council, the Victoria & Albert Museum and the M.O.M.A. in New York. -
Oak Strip Coffee Table ex Charterhouse EC1
Oak Strip Coffee Table ex Charterhouse EC1
Coffee table made from Oak Strip flooring reclaimed from Charterhouse EC1 with a Cherry border on a custom fabricated brushed steel base. Custom sizes also available in a variety of different timbers. Get in touch for more info.