34 items found
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Westminster Bridge – the parapet,
POAWestminster Bridge – the parapet,
the cast iron balustrade, cast in sections, each with barrel hand rail above a frieze pierced with repeating trefoils, all raised on a substantial kerb, bearing some original paint, The run is approximately 350 running metres although there are plenty more of the sections included - details below.POA -
French early twentieth century gilt-metal sixteen light chandelier,
£4,500French early twentieth century gilt-metal sixteen light chandelier,
hung all over with cut and moulded clear glass shaped droplets and star motifs, the central column fitted with large faceted and smaller moulded elements surrounded by an open cage issuing S- branches with turned nozzles, re-wired and PAT tested.£4,500 -
A French gilt-brass and cut-glass twelve-light chandelier,
£3,950A French gilt-brass and cut-glass twelve-light chandelier,
the baluster stem issuing two tiers of scrolled arms, well-cast with acanthine detailing, the sconces - with lobed glass drip-pans hung with prismatic drops, the whole hung with faceted glass drops, terminating with a cluster of grapes,£3,950 -
Reclaimed 6 3/4″ pine floorboards (25.2 sqm ex Welshpool)
£3,100 the batch (incl VAT)Reclaimed 6 3/4″ pine floorboards (25.2 sqm ex Welshpool)
Square edge boards - formerly biscuit jointed - the edge could be re-laid with fresh biscuit joints. Distress and losses to the lower (thinner) flange of the edges. Condition: pewter patina, pleasantly worn with dints and scratches commensurate with age, surface nail holes, solid and uniform - good straight grain. 170mm wide; lengths across the batch: mostly 140-250cm [25mm thick],£3,100 the batch (incl VAT) -
A French brass and cut-class nine-light birdcage chandelier,
£3,000A French brass and cut-class nine-light birdcage chandelier,
the open tri-form framework of shaped square-section bar around a central glass finial, each armature supporting a glass finial, with three scrolled arms to each interval supporting drip-pan sconces, hung over-all with faceted glass drops, terminating with a glass sphere drop,£3,000 -
Mid twentieth century glass birdcage chandelier,
£3,000Mid twentieth century glass birdcage chandelier,
having a decorative glass stem to top issuing scrolled arms with glass star details and teardrops above cut glass obelisks, leading to shaped arms terminating in lights with drip pans, further glass star and teardrop details and obelisks, the arms are heavily decorated with more drops terminating with glass ball finial.£3,000 -
Mid-twentieth century French Louis XVI style chandelier,
£3,000Mid-twentieth century French Louis XVI style chandelier,
with moulded clear, smoked and amethyst coloured glass shaped droplets hung all-over and baluster shaped glass ornament on the quarters, terminating with ball finial.£3,000 -
A Rake’s Progress after William Hogarth. A set of eight copper-engraved prints
£2,800 the set of eightA Rake’s Progress after William Hogarth. A set of eight copper-engraved prints
A Rake’s Progress is a series of eight satirical engravings depicting what Hogarth called ‘modern moral subjects’.The series tells the story of Tom Rakewell, a man who inherits a fortune from his city merchant father only to fritter it away on an extravagant lifestyle which ultimately leads to his downfall.£2,800 the set of eight -
Marriage-a-la Mode, after William Hogarth. A set of six copper-engraved prints
£2,200 the set of sixMarriage-a-la Mode, after William Hogarth. A set of six copper-engraved prints
Marriage-a-la Mode is the story is of a marriage arranged by two self-seeking fathers – a spendthrift nobleman who needs cash and a wealthy City of London merchant who wants to buy into the aristocracy. It was Hogarth’s first moralising series of what he called ‘modern moral subjects’.£2,200 the set of six -
Reclaimed 2.75″ wide Welsh oak T&G strip flooring (approx 25sq m ex CARDIFF)
£2,000 the batch (incl VAT)Reclaimed 2.75″ wide Welsh oak T&G strip flooring (approx 25sq m ex CARDIFF)
Good grain, tongue and grooved to side and end, Condition: dark and silver patina, good variety of lengths£2,000 the batch (incl VAT) -
A pair of Art Deco copperlight glazed doors
£1,950 the pairA pair of Art Deco copperlight glazed doors
each with a central rectangular panel of rectilinear glazing within a timber frame - the vertical glazing bars forming interlocked arcades in the upper section,£1,950 the pair -
Reclaimed 6 1/2″ pine floorboards (23sqm ex Shepherd’s Bush)
£1,850 the batch (incl VAT)Reclaimed 6 1/2″ pine floorboards (23sqm ex Shepherd’s Bush)
Condition: grey patina with some variety according to border in original context, pleasantly weathered with dints and scratches commensurate with age, surface nail holes but solid and uniform boards - good straight grain. 165mm wide£1,850 the batch (incl VAT) -
Reclaimed 4 3/4″ pine floorboards (15.7sqm ex Gerrard’s Cross)
£1,285 the batch (incl VAT)Reclaimed 4 3/4″ pine floorboards (15.7sqm ex Gerrard’s Cross)
Condition: honey patina - gently sanded to a uniform colour - pleasantly weathered with dints and scratches commensurate with age, surface nail holes but solid and uniform boards - good straight grain. 120mm wide, at 300mm thick these boards are good and solid - but be mindful of tolerances at thresholds etc. **Check if an associated smaller batch of the same source of timber is still available (Search Stock Code: "46437" ) - different width board but combine them , laying in alternating courses, to get a 20sqm coverage in this good looking board.£1,285 the batch (incl VAT) -
‘Supper of Trimalchio’ or the visit of Dionysos and his companions to the house of a mortal.
£1,275‘Supper of Trimalchio’ or the visit of Dionysos and his companions to the house of a mortal.
The original marble relief from which this cast is taken is dated by the British Museum as early 1st Century Roman and is a copy of an earlier 2nd Century BC Hellenistic Greek original. Rediscovered in the early 16th Century it was first housed in the Casa Maffei before moving to the Villa Montalto, the palace of Pope Sixtus V, the great re-builder of Renaissance Rome. It was purchased and brought to England by Charles Townley in the late 18th Century where Townley had it mounted above the fireplace of his library at No. 7 Park Street, Westminster, while his agents sought out a buyer. Townley was to describe it as the ‘Supper of Trimalchio’. It was eventually purchased by the British Museum in 1805 as part of what became known as the Townley Marbles. Dominico Brucciani - formatore to the South Kensington Museum is thought to have been responsible for taking a cast of the plaque in the late 19th Century. LASSCO salvaged a Brucciani cast from a City of London building and from this we have made the present casting. A Brucciani casting can also be seen in the Ashmolean Museum cast collection in Oxford. The scene depicts Bacchus and his retinue of Satyrs attending upon a mortal figure, possibly a poet, formerly identified as Ikarios (see Apollodorus, III.xiv.7). In the upper division appear a large temple of Bacchus and various other mystical representations. The plaque is particularly noteworthy in being a rare depiction of Classical domestic architecture.£1,275 -
Reclaimed 4 1/4″ old pine strip flooring (30.5sq m ex Maidenhead)
£1,200 the batch (incl VAT) - To ClearReclaimed 4 1/4″ old pine strip flooring (30.5sq m ex Maidenhead)
A tough batch of tongue and groove pine floor boards with character - they've had a long life but will still look great when down. Condition: worn with dints and scratches commensurate with age, old paint and rough in places. Tongues often damaged or lacking, grooves similar but can be laid as square edge.£1,200 the batch (incl VAT) - To Clear -
Hertford Shorts: Reclaimed 6.5″ Victorian Baltic pine floorboards (17sqm ex Hertford Granary)
£1,200 the batch (incl VAT)Hertford Shorts: Reclaimed 6.5″ Victorian Baltic pine floorboards (17sqm ex Hertford Granary)
Lovely grain, tongue and grooved board (tongue often distressed or lacking) Condition: straw patina, pleasantly weathered with dints and scratches commensurate with age, surface nail holes but clean - good solid boards these. 165mm wide. These are "shorts" (all the long boards were cherry-picked from this salvage) so lengths are 50 to 230cm with many at 80-120cm [25mm thick]£1,200 the batch (incl VAT) -
Reclaimed 6 1/2″ pine floorboards (13.3sqm ex Wandsworth brewery)
£1,150 the batch (incl VAT)Reclaimed 6 1/2″ pine floorboards (13.3sqm ex Wandsworth brewery)
Condition: grey patina with some variety, pleasantly weathered with dints and scratches commensurate with age, surface nail holes but solid and uniform boards - good straight grain. 165mm wide and 32.5mm thick£1,150 the batch (incl VAT) -
Reclaimed 5.5″ Victorian Baltic pine floorboards (19sq m ex Old St Warehouse)
£1,100 the batch (incl VAT) - To ClearReclaimed 5.5″ Victorian Baltic pine floorboards (19sq m ex Old St Warehouse)
A tough batch of tongue and groove pine floor boards with character - they've had a long life but still look great - thick boards these so take note of thickness allowances at thresholds. Condition: worn with dints and scratches commensurate with age, surface nail holes but quite clean - all-in-all solid and uniform. Tongues often damaged or lacking, grooves similar but can be aid as square edge.£1,100 the batch (incl VAT) - To Clear -
Reclaimed 5.5″ Victorian Baltic pine floorboards (13sq m ex Bethnal Green)
£1,100 the batch (incl VAT)Reclaimed 5.5″ Victorian Baltic pine floorboards (13sq m ex Bethnal Green)
Good grain, square edge boards, Condition: silver/grey patina, pleasantly worn with dints, chips and gouges commensurate with age and use - slight variation in width (can be coursed or trimmed when laying) 140-145mm widths. reasonable lengths across the batch - many @2.2m. [20mm thick]£1,100 the batch (incl VAT) -
Reclaimed 6″ and 4 5/8″ Victorian pine floorboards (15sq m ex Plowden Arms)
£1,100 the batch (incl VAT)Reclaimed 6″ and 4 5/8″ Victorian pine floorboards (15sq m ex Plowden Arms)
Good grain, square edge boards, lay the varying widths in alternating courses to recreate a more characterful finish Condition: dark patina, pleasantly worn - wear, dinks and paint commensurate with age, this batch has not been previously picked from - good variety of lengths£1,100 the batch (incl VAT) -
Reclaimed 6 to 6.5″ Victorian Baltic pine floorboards (13.4sq m ex Golder’s Green)
£990 the batch (incl VAT)Reclaimed 6 to 6.5″ Victorian Baltic pine floorboards (13.4sq m ex Golder’s Green)
Good grain, square edge boards, Condition: silver/grey patina, pleasantly worn with dints, chips and gouges commensurate with age and use - slight variation in width (can be coursed or trimmed when laying) 150-170mm widths. reasonable lengths across the batch [20mm thick]£990 the batch (incl VAT) -
Reclaimed 5 3/4″” pine floorboards (12sqm ex Tooting)
£850 the batch (incl VAT)Reclaimed 5 3/4″” pine floorboards (12sqm ex Tooting)
Condition: grey patina, pleasantly weathered with dints and scratches commensurate with age, surface nail holes but solid and uniform boards - good straight grain. 145mm wide£850 the batch (incl VAT) -
Reclaimed 6 5/8″ Victorian Baltic pine floorboards (10sq m ex Monmouth)
£850 the batch (incl VAT)Reclaimed 6 5/8″ Victorian Baltic pine floorboards (10sq m ex Monmouth)
A useful batch of pine floor boards with character - dark-topped - either retain the old floor finish or sand, or partially sand through it. Condition: pleasantly worn with dints and scratches commensurate with age, surface nail holes but quite clean - all-in-all solid and uniform.£850 the batch (incl VAT) -
A pair of Victorian heavy-duty pine warehouse doors
£850 the pairA pair of Victorian heavy-duty pine warehouse doors
the obverse planked and studded, the robust framework hung on strap hinges, old paint, wear-and-tear commensurate with a long life in a busy industrial setting,£850 the pair -
A pair of Victorian heavy-duty pine warehouse doors
£850 the pairA pair of Victorian heavy-duty pine warehouse doors
the obverse planked and studded, the robust framework hung on strap hinges, old paint, wear-and-tear commensurate with a long life in a busy industrial setting,£850 the pair -
Reclaimed 4 5/8″ pine floorboards (11.9sqm ex Cricklewood)
£825 the batch (incl VAT)Reclaimed 4 5/8″ pine floorboards (11.9sqm ex Cricklewood)
Condition: honey patina under old stain, can be pushed in either direction - more sanding or celebrate worn paint finish - pleasantly weathered with dints and scratches commensurate with age, surface nail holes but solid and uniform boards - good straight grain. 140mm wide£825 the batch (incl VAT) -
Reclaimed Victorian painted pine floor (11 sq m)
£725 the batch (incl VAT)Reclaimed Victorian painted pine floor (11 sq m)
square edge boards, Condition: good patina, pleasantly worn - authentic dinks, chips and paint commensurate with age, this batch has not been previously picked from,£725 the batch (incl VAT) -
Reclaimed 6 1/2″ pine floorboards (8.7sqm ex Walthamstow)
£650 the batch (incl VAT)Reclaimed 6 1/2″ pine floorboards (8.7sqm ex Walthamstow)
Condition: pewter patina, pleasantly weathered with dints and scratches commensurate with age, surface nail holes but solid and uniform boards - good straight grain. 165 to 175mm wide - lay coursed or trim as needed;£650 the batch (incl VAT) -
Smoker’s Bow Windsor armchair,
£450 -
Reclaimed 6 1/2″ pine floorboards (6.5sqm ex Barnes)
£415 the batch (incl VAT)Reclaimed 6 1/2″ pine floorboards (6.5sqm ex Barnes)
Square edge boards - formerly biscuit jointed - the edge could be re-laid with fresh biscuit joints . Distress and losses to the lower (thinner) flange of the edges - being thicker boards the upper flange has enough integrity to lay as per square-edged. Condition: pewter patina, pleasantly worn with dints and scratches commensurate with age, surface nail holes but solid and uniform - good straight grain. 165mm wide; lengths across the batch: four at 3m, at least one other at 2m but the rest mostly shorts [35mm thick], (the shortness and thickness is reflected in the price). A useful bale of project timber.£415 the batch (incl VAT) -
Reclaimed 5 3/4″ pine floorboards (4.4sqm ex Gerrard’s Cross)
£380 the batch (incl VAT)Reclaimed 5 3/4″ pine floorboards (4.4sqm ex Gerrard’s Cross)
Condition: honey patina - gently sanded to a uniform colour - pleasantly weathered with dints and scratches commensurate with age, surface nail holes but solid and uniform boards - good straight grain. 120mm wide, at 300mm thick these boards are good and solid - but be mindful of tolerances at thresholds etc. **Check if an associated larger batch of the same source of timber is still available (Search Stock Code: "46436" ) - different width board but combine them , laying in alternating courses, to get a 20sqm coverage in this good looking board.£380 the batch (incl VAT) -
1970s studio pottery table lamp by Bernard Rooke,
£2951970s studio pottery table lamp by Bernard Rooke,
English, re-wired and PAT tested, shade not included.£295 -
Reclaimed small green enamel pendant lights,
£150Reclaimed small green enamel pendant lights,
with glass dome and aluminium suspension hook, re-wired with brown braided flex and PAT tested. Ceiling rose not provided. Some shades with minor chips, dings and dents.£150 -
Reclaimed French farmhouse tiles,
£12 per tileReclaimed French farmhouse tiles,
A stock of reclaimed tiles salvaged from a French farmhouse, with a monochrome design.£12 per tile
Featured Items
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Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Fire by Abraham Rattner, Verve Vol. 1 / No. 1.
£600The Four Elements, Fire by Abraham Rattner, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800