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Pair of watercolour and ink paintings of Brighton Beach by George Charlton
£3,200 the pairPair of watercolour and ink paintings of Brighton Beach by George Charlton
The disrupted picnic, Brighton beach; and Family frolics on Brighton beach signed and dated 'George Charlton 1934' (lower right), the second signed 'George Charlton' (upper right) Framed£3,200 the pair -
A Rake’s Progress after William Hogarth. A set of eight copper-engraved prints
£2,800 the set of eightA Rake’s Progress after William Hogarth. A set of eight copper-engraved prints
A Rake’s Progress is a series of eight satirical engravings depicting what Hogarth called ‘modern moral subjects’.The series tells the story of Tom Rakewell, a man who inherits a fortune from his city merchant father only to fritter it away on an extravagant lifestyle which ultimately leads to his downfall.£2,800 the set of eight -
Marriage-a-la Mode, after William Hogarth. A set of six copper-engraved prints
£2,200 the set of sixMarriage-a-la Mode, after William Hogarth. A set of six copper-engraved prints
Marriage-a-la Mode is the story is of a marriage arranged by two self-seeking fathers – a spendthrift nobleman who needs cash and a wealthy City of London merchant who wants to buy into the aristocracy. It was Hogarth’s first moralising series of what he called ‘modern moral subjects’.£2,200 the set of six -
Walton-on-the-Naze by George Charlton
£1,500 -
The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200 -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.
£800Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
England and France, after William Hogarth published c1805
£650 the setEngland and France, after William Hogarth published c1805
William Hogarth produced these prints to boost public morale when an invasion from France seemed probable.
Hogarth depicts the weak and emaciated army ready to invade England. The alehouse sign reading 'Meagre Soup at the Royal Comb' points this up. There is also an officer roasting four frogs on his sword. A further soldier carries a banner which reads 'Vengeance with the good beer and good beef of England'. There is also a portly monk (obviously the church folk won't be hungry), and he carries plans for a monastery to be built at Blackfriars.
In contrast he believed the English to be always well fed and always merry, despite the evidence of widespread poverty. Here a recruitment officer is shown measuring up a volunteer. The man has to stand on tiptoe to reach the required height. A round of beef and some porter is on the table in front of some revellers, one of whom is drawing a pastiche of the French King, who is uttering the words "You take my fine ships you bede pirate you bede Teef me send my grand armies and hang you all Morbleu."
£650 the set -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Sun by André Masson, Verve Vol. 1 / No. 2.
£600The Sun by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Snakes by Albertus Seba (1665-1736)
£540 eachSnakes by Albertus Seba (1665-1736)
Published to illustrate Seba's 'cabinet of curiosities' Framed£540 each -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
17th century copper-engravings of Classical Sculptures
£295 each17th century copper-engravings of Classical Sculptures
These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black. Showing Marsyas.£295 each -
17th century copper-engravings of Classical Sculptures
£295 each17th century copper-engravings of Classical Sculptures
These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black.£295 each -
17th century copper-engravings of Classical Sculptures
£295 each17th century copper-engravings of Classical Sculptures
These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black.£295 each -
17th century copper-engravings of Classical Sculptures
£295 each17th century copper-engravings of Classical Sculptures
These prints are from a series showing the antique marble statues from the collection of Vincenzo Giustiniana, published by Joachim von Sandrart. These statues were on display in the 'Galleria Giustiniana del Marchese Vincenzo Giustiniani'. Sandrart assembled a team of mostly Dutch and French artists to produce the engravings for the Galleria, including Theodor Matham, Michael Natalis, Renier Persin, Cornelis Bloemaert, Claude Mellan, and Francois Perrier. The work was published in Rome circa 1636. Galleria served as a record of the antiquities and statues of the famous Giustiniani art collection. The Giustiniani brothers were exceedingly wealthy and descendants of the Genoese dynasty and became noted collectors of art. At the time of Vincenzo's death in 1637 he had amassed 600 paintings and 1800 ancient sculptures. Original copper-engraving, mounted and framed in black.£295 each -
William Nicholson, London Types,
£245William Nicholson, London Types,
From a set of framed original woodblock prints, c1898. With original mounted poem relating to the image on reverse. "When William Nicholson designed his stylish 'London Types' in 1898 - that together with his 'Almanac of Twelve Sports' and 'An Illustrated Alphabet' were to make his reputation as a printmaker - his son Ben, who was to eclipse him entirely in the history of British Art through his Modernist works, was only five years old. While working within the culture of the British popular print, William Nickerson deliberately chose to use the coarse-grained side of the wood block in his wood cuts, in a style that owed more to Toulouse Lautrec and Japanese precedents than to native visual traditions - which give these prints an innovative quality, even as they might seem to be celebrating unchanging roles in British society. Although not strictly 'Cries of London,' some of these characters are familiar from earlier series of prints stretching back over the previous centrury and, recognising this, Nicholson portrays them as quaint curiosities from another age. In each case, the ironic doggerel by W.E. Henley that accompanied them poked fun at the anachronistic nature of these social stereotypes, through outlining the ambivalent existence of the individual subjects - whether the street hawker displaced in Kensington far from his East End home, or the aristocratic lady at Rotten Row challenged by her suburban counterparts, or the drunken Sandwich-man displaying moral texts, or the fifteenth generation Bluecoat boy at Charterhouse School in Smithfield now moved out to Horsham." - The Gentle Author.£245 -
Édouard Pignon, Cahiers D’Art collotype print
£220Édouard Pignon, Cahiers D’Art collotype print
A collotype print from 'Cahiers D'Art' printed in Paris, 1953.£220 -
William Nicholson, Sports as Months of the Year
£195 -
William Nicholson, Sports as Months of the Year
£195 -
William Nicholson, Sports as Months of the Year
£195 -
William Nicholson, Sports as Months of the Year
£195 -
William Nicholson, Sports as Months of the Year
£195 -
William Nicholson, Sports as Months of the Year
£195 -
William Nicholson, London Types
£195 -
Picasso ‘Mes dessins d’Antibes’ Lithograph,
£195Picasso ‘Mes dessins d’Antibes’ Lithograph,
Picasso's series "Mes dessins d'Antibes" is a fantastic study of Homeric, mythological Antibes (Greek Antypolis). He stayed barely three months in the southern Provencal port yet his output was prodigious. In what has been called Picasso's 'Age Of Renewal' he produced 23 paintings and 44 drawings. In these lithographs, first published in Paris in 1958, Picasso committed to print the austere and mysterious forms of the Centaur, the Nymph and the Faun that had so renewed his art in the Antibes.£195 -
View of St. James’s Palace,
£195 -
The Bruiser, after William Hogarth,
£195 -
Anatomical prints,
£175 eachAnatomical prints,
reproduction based on the 1765 work by the Rev. Middleton. In black frame. 'Facing Muscle Plate LX'.£175 each -
St Olave’s Grammar School Library Bookcase Doors
£160 -
Copper-engravings by Jacobus Houbraken,
£120Copper-engravings by Jacobus Houbraken,
published between 1743 to 1752, framed. 'Robert Earl of Orford'.£120 -
Copper-engravings by Jacobus Houbraken,
£120Copper-engravings by Jacobus Houbraken,
published between 1743 to 1752, framed. 'Charles Earl of Sunderland'.£120 -
Copper-engravings by Jacobus Houbraken,
£120Copper-engravings by Jacobus Houbraken,
published between 1743 to 1752, framed. 'George Savile Marquis of Halifax'.£120 -
Copper-engravings by Jacobus Houbraken,
£120Copper-engravings by Jacobus Houbraken,
published between 1743 to 1752, framed. 'Sir William Wyndham Baronet'.£120 -
Copper-engravings by Jacobus Houbraken,
£120Copper-engravings by Jacobus Houbraken,
published between 1743 to 1752, framed. 'Frederick Duke of Schonberg'.£120 -
Copper-engravings by Jacobus Houbraken,
£120Copper-engravings by Jacobus Houbraken,
published between 1743 to 1752, framed. 'Thomas Marquis of Wharton.'£120 -
Copper-engravings by Jacobus Houbraken,
£120Copper-engravings by Jacobus Houbraken,
published between 1743 to 1752, framed. 'Lieutenant Talmarsh'.£120 -
Copper-engravings by Jacobus Houbraken,
£120Copper-engravings by Jacobus Houbraken,
published between 1743 to 1752, framed. 'George Byng Lord Torrington'.£120 -
Copper-engravings by Jacobus Houbraken,
£120Copper-engravings by Jacobus Houbraken,
published between 1743 to 1752, framed. 'Samuel Clarke D.D.'£120 -
Original magazine publicity posters,
£120 -
Original magazine publicity posters,
£120 -
Pregnant Lady, by Sheila Steafel
£100 -
Wild Animals by Captain Brown
£95Wild Animals by Captain Brown
19th century engravings based on the drawings of famed naturalist; Captain Thomas Brown. Framed in natural ash. 'Cercopithecus, Guenons'£95 -
Wild Animals by Captain Brown
£95Wild Animals by Captain Brown
19th century engravings based on the drawings of famed naturalist; Captain Thomas Brown. Framed in natural ash. 'Rhinoceros'.£95 -
Wild Animals by Captain Brown
£95Wild Animals by Captain Brown
19th century engravings based on the drawings of famed naturalist; Captain Thomas Brown. Framed in natural ash. 'Bos, Bulls'£95 -
Original 18th century Anatomical prints
£95 each -
Mrs Beeton. Dinner Table-old-fashioned style
£85Mrs Beeton. Dinner Table-old-fashioned style
Published c1907, showing an old fashioned table setting. Framed£85 -
Old Carnations and Pinks
£75 eachOld Carnations and Pinks
Based on the paintings of Rory McEwen and printed by Van Leer of Amsterdam. Framed in natural oak. 'Paisley Gem, William Brownhill, Murray's Laced Pink'.£75 each -
Old Carnations and Pinks
£75 eachOld Carnations and Pinks
Based on the paintings of Rory McEwen and printed by Van Leer of Amsterdam. Framed in natural oak. 'Nutmeg Clove'.£75 each -
Histoire naturelle, générale et particulière,
£55Histoire naturelle, générale et particulière,
Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Framed in dark wood.£55 -
Histoire naturelle, générale et particulière,
£55Histoire naturelle, générale et particulière,
Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Framed in dark wood. 'Phalangista pygmaea Geoffr'.£55 -
London City Suburbs, original half-tone prints published 1893
£55 eachLondon City Suburbs, original half-tone prints published 1893
Evocative prints based on the work of painter and illustrator William Luker which were engraved in Paris by Ch. Guillaume & Cie. for the Leadenhall Press publication "London City Suburbs" This prints are probably the only illustrations that show the London suburbs just before the 20th century. 'View from Furze Hill, Sydenham'.£55 each -
Nineteenth century botanical scientific illustrations,
£55Nineteenth century botanical scientific illustrations,
chromolithographs published by Edward Lowe 1867. 'A. - Euonymus Japonica Aurea Variegata, B. - Maranta Micans'.£55 -
Nineteenth century botanical scientific illustrations,
£55Nineteenth century botanical scientific illustrations,
chromolithographs published by Edward Lowe 1867. 'Yucca Filamentosa Variegata'.£55 -
Nineteenth century botanical scientific illustrations,
£55Nineteenth century botanical scientific illustrations,
chromolithographs published by Edward Lowe 1867. 'Graptophyllum Pictum'.£55 -
Nineteenth century botanical scientific illustrations,
£55Nineteenth century botanical scientific illustrations,
chromolithographs published by Edward Lowe 1867. 'Anoectochilus Xanthophyllus'.£55 -
Nineteenth century botanical scientific illustrations,
£55Nineteenth century botanical scientific illustrations,
chromolithographs published by Edward Lowe 1867. 'Sonerila Margaritacea'.£55 -
Nineteenth century botanical scientific illustrations,
£55Nineteenth century botanical scientific illustrations,
chromolithographs published by Edward Lowe 1867. 'Pandanus Javanicus Variegatus'.£55 -
Nineteenth century botanical scientific illustrations,
£55Nineteenth century botanical scientific illustrations,
chromolithographs published by Edward Lowe 1867. 'Anoectochilus Striatus'.£55 -
Nineteenth century botanical scientific illustrations,
£55Nineteenth century botanical scientific illustrations,
chromolithographs published by Edward Lowe 1867. 'Anoectochilus lowii'.£55 -
Nineteenth century botanical scientific illustrations,
£55Nineteenth century botanical scientific illustrations,
chromolithographs published by Edward Lowe 1867. 'Hoya Variegata'.£55 -
Nineteenth century botanical scientific illustrations,
£55Nineteenth century botanical scientific illustrations,
chromolithographs published by Edward Lowe 1867. 'Variegated Ivies'.£55 -
Nineteenth century botanical scientific illustrations,
£55Nineteenth century botanical scientific illustrations,
chromolithographs published by Edward Lowe 1867. 'Croton Variegatum Angustipolium'.£55 -
Nineteenth century botanical scientific illustrations,
£55Nineteenth century botanical scientific illustrations,
chromolithographs published by Edward Lowe 1867. 'Pteris Cretica, Var. Albo-Lineata'.£55 -
Nineteenth century botanical scientific illustrations,
£55Nineteenth century botanical scientific illustrations,
chromolithographs published by Edward Lowe 1867. 'Daphne Mazereon Variegata'.£55 -
Nineteenth century botanical scientific illustrations,
£55Nineteenth century botanical scientific illustrations,
chromolithographs published by Edward Lowe 1867. 'Ananassa Sativa Variegata'.£55 -
A plaster relief of a pair of praying hands,
£32 -
Encaustic Spanish tile,
£12 per tileEncaustic Spanish tile,
A large quantity of Spanish cement tiles with a sunburst design. Please enquire for the total quantity.£12 per tile
Featured Items
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Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.
£800Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800