16 items found
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A pair of Victorian cast iron and timber garden benches
£2,300A pair of Victorian cast iron and timber garden benches
the bench ends with faux-bois armatures incorporating ivy tentrils, the seat and back rest planked,£2,300 -
A Victorian cast iron “Hound and Serpent” garden bench
£1,950A Victorian cast iron “Hound and Serpent” garden bench
the bench ends with faux-bois armatures incorporating vines and writhing grass-snakes, the arm-rests with dog-head terminii,£1,950 -
An English stone low garden table
£1,900An English stone low garden table
the rectangular top with radius corners raised on a pair of old stone architectural capitals, the weathered limestone capitals probably 18th Century,£1,900 -
A pair of early Victorian stoneware garden pedestals
£1,600A pair of early Victorian stoneware garden pedestals
each rectangular plinth with a wreath cast to each side, each stamped with the makers mark£1,600 -
A carved Vicenza stone garden seat
£1,250A carved Vicenza stone garden seat
the moulded rectangular top raised on scrolled supports with rusticated sides,£1,250 -
A Victorian wrought iron garden bench
£1,120A Victorian wrought iron garden bench
of slatted bar and riveted construction, the bench divided into three dished seats with four scrolled arms the back correspondingly curved, raised on scrolled supports with diagonal linking stretchers,£1,120 -
A Victorian wrought iron garden bench
£1,050A Victorian wrought iron garden bench
of slatted bar and riveted construction, with scrolled arms the back over-scrolled, raised on scrolled supports with diagonal linking stretchers,£1,050 -
A British cast iron vine pattern garden seat
£895A British cast iron vine pattern garden seat
the back cast as a curved network of vine-leaves and grapes above the circular seat pierced as a geometric grille and raised on a trio of cabriole shaped vine-leaf supports linked with a tri-form stretcher,£895 -
An English wrought iron garden bench
£725 -
An English timber and wrought-iron garden seat,
£590An English timber and wrought-iron garden seat,
the strap-iron ends with scrolled arms united by timber slats and back, distressed paintwork all over,£590 -
An English timber and wrought-iron garden seat,
£480An English timber and wrought-iron garden seat,
the shaped strap-iron ends united by timber slats and back, paint finish distressed all over,£480 -
A French wrought-iron and marble garden table,
£385A French wrought-iron and marble garden table,
the three legged base showing rust and old paint, with a later square Cipollino marble top with radial corners, repair to corner,£385 -
A high Victorian cast iron bootscraper
£285A high Victorian cast iron bootscraper
the shaped base with scrolled rim beneath the scraper supported by opposing winged griffins,£285 -
A Victorian cast-iron bootscraper
£260A Victorian cast-iron bootscraper
the simple scraper within octagonal dish, mounted on a grey pennant sandstone slab,£260 -
An English cast iron bootscraper
£180An English cast iron bootscraper
the oval base with lambrequin moulded rim beneath the scraper supported by opposing dolphins,£180
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The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
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The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600