11 items found
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A superb, and very large, Jacobean style carved oak overmantel
£18,250A superb, and very large, Jacobean style carved oak overmantel
the cornice, convex in section and carved with panels of strapwork between grotesque masks over a frieze of applied fretwork, all above a central parcel-gilt and polychrome painted armorial panel, carved with the arms of Howard impaling Knyvett*, flanked by supporting feline herms; the armorial panel is flanked by two pairs of herm figures carved in deep relief - two moustachioed males and two females - with panels of cartouches between them and a breakfront frieze below, ornamented with carvings of opposed dolphins and scrollwork, *Katherine Howard née Knyvett, Countess of Suffolk, inherited Charlton Park on the death of her father, Sir Henry Knyvett, in 1598. Thomas Howard, 1st Earl of Suffolk, wed Katherine around 1580; the union is represented in the central combined, or impaled, arms,£18,250 -
Georgian style oak chimneypiece and overmantel,
£6,500 -
A fine English carved pine and limewood chimneypiece
£4,650A fine English carved pine and limewood chimneypiece
the rectangular shelf with registers of dentil and lambrequin mouldings above the beautifully cut frieze detailed with three pirs of opposed dolphins amid scrollwork, all raised on stop-fluted columnar jambs with ionic capitals and a block foot,£4,650 -
A George III pine chimneypiece,
£4,650A George III pine chimneypiece,
having stepped shelf, leading to dentil detail above a well carved frieze centered by detailed flower and garlands flakned by a stylised eagles and foliate and leaf details, white marble ingrounds framed by carved details of shell and leaf motifs raised on marble footblocks£4,650 -
George II style Palladian stained pinewood fire surround and overmantel,
£4,500George II style Palladian stained pinewood fire surround and overmantel,
the breakfront shelf above stiff-leaf carved pulvinated frieze, the dog leg opening flanked by trails of foliage terminating in scrolled volute, on block feet, the pediment with elaborately carved tympanum of flowering cornucopia flanking central basket with further foliage above plain raised and fielded overmantel.£4,500 -
A George III carved pine chimneypiece
£3,850A George III carved pine chimneypiece
the rectangular shelf with beautifully carved layers of ornament incorporating bands of dentil, lambrequin and other mouldings, above a frieze ornamented in deep relief with scrolling foliate carvings and centred by a tablet applied with a ribbon-tied swag of roses, raised on panelled jambs cut with arched fielded panels, raised on block feet,£3,850 -
A set of four English pine and composition decorative overdoors
£2,250 per pair (two pairs available)A set of four English pine and composition decorative overdoors
each with a lambrequin cornice and egg-and-dart mouldings, above an oak-leaf torus frieze centred with a floral swagged tablet,£2,250 per pair (two pairs available) -
An Edwardian carved pine fire surround,
£1,875An Edwardian carved pine fire surround,
the rectangular shelf above a plain frieze centred by a tablet applied with a beautifully carved tazza in relief, raised on eared jambs, the whole boxed-out with later deep returns,£1,875 -
Large late nineteenth century painted pine and composition neo-classical fire surround,
£1,500Large late nineteenth century painted pine and composition neo-classical fire surround,
the deep moulded cornice shelf above fluted frieze centred by plaque of opposed griffins, with dog-leg frame surrounding the aperture. Requires slips.£1,500 -
Nineteenth century parcel-gilt fireplace surround and mirror,
£1,100Nineteenth century parcel-gilt fireplace surround and mirror,
carved pine, requires marble interior.£1,100 -
A Victorian pine chapel fire surround,
£925A Victorian pine chapel fire surround,
the rectangular shelf with chamfered moulding above the gothic inspired lobed corbels and the plain frieze and jambs with stop-chamfered details,
£925
Featured Items
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The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
18th Century French Engravings of Dogs
£175 each18th Century French Engravings of Dogs
Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.£175 each -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500