128 items found
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Pair of early twentieth century carved oak Baroque chandeliers,
£9,500 the pairPair of early twentieth century carved oak Baroque chandeliers,
with Royal Crown corona hung with tassels above bulbous stem, the six scrolled branches and underside hung with further tassels, re-wired and PAT tested.£9,500 the pair -
A late Victorian timber Wiltshire Wagon,
£5,775A late Victorian timber Wiltshire Wagon,
the wagon constructed in various timbers - oak, ash, elm (as appropriate) - with sinuous side-rails, the ends sporting removable hay-racks, panelled sides, all conveyed on two pairs of graduated cart-wheels, the smaller on a bogeyed axle and drawn with a pair of shafts - also detachable,£5,775 -
Joined oak trestle table
£3,950Joined oak trestle table
the framed top with patch repairs, the whole attractively patinated throughout and of good medium oak colour, supplied with sympathetically conceived later extensions. Similar examples shown in 'Oak Furniture, The British Tradition', Victor Chinnery, p.285.£3,950 -
Rene Lalique Plafonnier
£2,850 -
Rene Lalique Plafonnier
£2,850 -
1973 London Underground by Paul E. Garbutt
£1,8001973 London Underground by Paul E. Garbutt
An original 1973 London Underground map, in 'Quad Royal' size, showing the construction of the Picadilly line extension from Hounslow West to Heathrow Central. Designed by Paul Garbutt and based on the original diagrammatic principles of HC Beck. Printed by Waterlow & Sons for London Transport.£1,800 -
Mid-century Murano pendant light by Barovier & Toso
£1,750 -
Edwardian shop counter
£1,750Edwardian shop counter
with iroko top and brass cup handles to the drawers. Previously re-painted.£1,750 -
Mid-twentieth century Hundi lantern,
£1,650 -
Atelier Marolles wrought iron fire guard,
£1,450 -
Pair of 1970s polished bronze and silver leaf uplighters,
£1,200 the pair -
Nineteenth century brass candle chandelier,
£950Nineteenth century brass candle chandelier,
in the Flemish taste, six light with each arm pinned, generously cast through.£950 -
Set of twentieth century hardwood steps
£900 -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Brown leather wingback armchair,
£875 -
Brown leather wingback armchair in the Georgian taste.
£850Brown leather wingback armchair in the Georgian taste.
The shaped back of buttoned leather, flanked by shaped winged side, leading to separate loose cushion. The arms are pleasingly wore, and the use of brass studs to all edges. The whole raised on square fluted front legs and square sabre to back. It makes for a very comfortable reading chair.£850 -
An oil on board landscape by Fyffe Christie,
£820An oil on board landscape by Fyffe Christie,
The depiction of rolling fields and animated sky realised in scrapes, dabs and flourishes of the palette knife, presented in a painted pine frame with gilt slip, signed bottom right,£820 -
A pair of glazed oak doors
£780A pair of glazed oak doors
each rectangular frame with a large glazed panel, painted black to the obverse£780 -
A pair of glazed hardwood french windows
£680A pair of glazed hardwood french windows
each leaf of the patio doors glazed with fifteen rectangular panes£680 -
An English part-glazed pine door
£675An English part-glazed pine door
the central glazed panel with margins cut and etched with floral and foliate designs above the panelled lower section£675 -
Edwardian toleware waste paper basket,
£650Edwardian toleware waste paper basket,
with a depiction of the Three Graces drawing the chariot of Cupid to the front.£650 -
Pablo Picasso, Lithograph based on Edouard Manet’s, Luncheon on the the Grass. c1962
£550Pablo Picasso, Lithograph based on Edouard Manet’s, Luncheon on the the Grass. c1962
From 1959-1962 Pablo Picasso and his second wife Jacqueline lived at Château de Vauvenargues near Aix-en-Provence. He spent most of his time of his time on 140 drawings and 27 paintings, lino-cuts and cardboard models all on the theme of Manet’s, Le Déjeuner sur l’herbe. Manet's original painting from 1862 showing a nude woman sitting between two fully clothed men was a scandal for the time.£550 -
Large patinated bronze bell pull,
£500 -
Pair of gilt-brass wall brackets,
£500 the pair -
A pair of hardwood French windows
£480 -
An English nine panelled front door
£465An English nine panelled front door
three square above two registers of three rectangular panels£465 -
A late Victorian part glazed pine front door
£440A late Victorian part glazed pine front door
with two long glazed rectangular moulded panels above two short blind,£440 -
An English cottage back door
£415An English cottage back door
glazed to the top half (glass lacking), the lower half planked to the obverse - a single panel to the reverse,£415 -
The York Watergate by Hubert John Williams.
£395The York Watergate by Hubert John Williams.
Hubert John Williams (1905-1989). Portrait, landscape and architectural painter, etcher and illustrator. Williams was born in Beckenham, Kent in 1905 and later studied at the Royal Academy Schools where he was awarded the Landseer Scholarship for 1928. He also attended the St Martins School of Art and the L.C.C. Schools. Between 1926 and 1939 he exhibited at the Royal Academy, Royal Scottish Academy, Royal Institute of Painters in Oil, and the New English Art Club amongst others. During WWII he worked as a cartographer in the War Office, then as commercial illustrator from 1946 specialising in children's education. His work can be found in many public collections including The Imperial War Museum and Museum of London.£395 -
An English pine front door
£385An English pine front door
with a pair of arched glazed panels above a pair blind, painted blue to the obverse£385 -
Early twentieth century coat hook
£350Early twentieth century coat hook
cast in brass with traces of the old chrome and sub-layer of nickel plate.£350 -
Pablo Picasso, Lithograph of a Study for the Reworking of Edouard Manet’s, Luncheon on the the Grass. c1962
£350Pablo Picasso, Lithograph of a Study for the Reworking of Edouard Manet’s, Luncheon on the the Grass. c1962
From 1959-1962 Pablo Picasso and his second wife Jacqueline lived at Château de Vauvenargues near Aix-en-Provence. He spent most of his time of his time on 140 drawings and 27 paintings, lino-cuts and cardboard models all on the theme of Manet’s, Le Déjeuner sur l’herbe. Manet's original painting from 1862 showing a nude woman sitting between two fully clothed men was a scandal for the time.£350 -
Pablo Picasso, Lithograph of a Bather Study of Edouard Manet’s, Luncheon on the the Grass. c1962
£350Pablo Picasso, Lithograph of a Bather Study of Edouard Manet’s, Luncheon on the the Grass. c1962
From 1959-1962 Pablo Picasso and his second wife Jacqueline lived at Château de Vauvenargues near Aix-en-Provence. He spent most of his time of his time on 140 drawings and 27 paintings, lino-cuts and cardboard models all on the theme of Manet’s, Le Déjeuner sur l’herbe. Manet's original painting from 1862 showing a nude woman sitting between two fully clothed men was a scandal for the time.£350 -
Pablo Picasso, Lithograph of a Head Study of Edouard Manet’s, Luncheon on the the Grass. c1962
£350Pablo Picasso, Lithograph of a Head Study of Edouard Manet’s, Luncheon on the the Grass. c1962
From 1959-1962 Pablo Picasso and his second wife Jacqueline lived at Château de Vauvenargues near Aix-en-Provence. He spent most of his time of his time on 140 drawings and 27 paintings, lino-cuts and cardboard models all on the theme of Manet’s, Le Déjeuner sur l’herbe. Manet's original painting from 1862 showing a nude woman sitting between two fully clothed men was a scandal for the time.£350 -
Art Deco dressing table mirror
£330Art Deco dressing table mirror
The mirror consists of two tone mirrored sections on wooden back, the mirror being held in place with L shaped brass clips.£330 -
An English part-glazed front door
£325An English part-glazed front door
the rectangular window above three square and two portrait panels, painted red£325 -
An Art Deco arched part-glazed pine front door
£310An Art Deco arched part-glazed pine front door
the circular pane of obscured glass above a pair of long rectangular recessed panels£310 -
An English part-glazed pine front door
£295An English part-glazed pine front door
with a grid of nine rectangular glazed panes to the top section, centred with a bullion pane, above four rectangular blind panels,£295 -
An English four panel front door
£295An English four panel front door
with a pair of moulded rectangular panels above a pair of flush panels£295 -
Photographs from Verve, December 1937. Portrait of Aristide Maillol
£250 eachPhotographs from Verve, December 1937. Portrait of Aristide Maillol
The Verve Review, from its very inception, was a purposefully luxurious art publication. It ran from 1937 to 1960, but for only 38 editions, due to the high degree of design and editorial work dedicated to each issue. Its editor was Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade. As an art critic, patron and gallery owner he commissioned various individuals, artists, photographers and philosophers to contribute to it. Héliogravure is a process for printing photographs that was developed in the first half of the 19th century. It is a photo-mechanical process whereby a copper plate is grained and then coated with a light-sensitive gelatin tissue which had been exposed to a film positive, and then etched, resulting in a high-quality intaglio plate that can reproduce detailed continuous tones of a photograph.£250 each -
Photographs from Verve, December 1937. Gobelins / Makowska
£250 eachPhotographs from Verve, December 1937. Gobelins / Makowska
The Verve Review, from its very inception, was a purposefully luxurious art publication. It ran from 1937 to 1960, but for only 38 editions, due to the high degree of design and editorial work dedicated to each issue. Its editor was Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade. As an art critic, patron and gallery owner he commissioned various individuals, artists, photographers and philosophers to contribute to it. Héliogravure is a process for printing photographs that was developed in the first half of the 19th century. It is a photo-mechanical process whereby a copper plate is grained and then coated with a light-sensitive gelatin tissue which had been exposed to a film positive, and then etched, resulting in a high-quality intaglio plate that can reproduce detailed continuous tones of a photograph.£250 each -
Photographs from Verve, December 1937. Gil
£250 eachPhotographs from Verve, December 1937. Gil
The Verve Review, from its very inception, was a purposefully luxurious art publication. It ran from 1937 to 1960, but for only 38 editions, due to the high degree of design and editorial work dedicated to each issue. Its editor was Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade. As an art critic, patron and gallery owner he commissioned various individuals, artists, photographers and philosophers to contribute to it. Héliogravure is a process for printing photographs that was developed in the first half of the 19th century. It is a photo-mechanical process whereby a copper plate is grained and then coated with a light-sensitive gelatin tissue which had been exposed to a film positive, and then etched, resulting in a high-quality intaglio plate that can reproduce detailed continuous tones of a photograph.£250 each -
Photographs from Verve, December 1937. Henri Cartier-Bresson
£250 eachPhotographs from Verve, December 1937. Henri Cartier-Bresson
The Verve Review, from its very inception, was a purposefully luxurious art publication. It ran from 1937 to 1960, but for only 38 editions, due to the high degree of design and editorial work dedicated to each issue. Its editor was Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade. As an art critic, patron and gallery owner he commissioned various individuals, artists, photographers and philosophers to contribute to it. Héliogravure is a process for printing photographs that was developed in the first half of the 19th century. It is a photo-mechanical process whereby a copper plate is grained and then coated with a light-sensitive gelatin tissue which had been exposed to a film positive, and then etched, resulting in a high-quality intaglio plate that can reproduce detailed continuous tones of a photograph.£250 each -
Photographs from Verve, December 1937. Man Ray
£250 eachPhotographs from Verve, December 1937. Man Ray
The Verve Review, from its very inception, was a purposefully luxurious art publication. It ran from 1937 to 1960, but for only 38 editions, due to the high degree of design and editorial work dedicated to each issue. Its editor was Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade. As an art critic, patron and gallery owner he commissioned various individuals, artists, photographers and philosophers to contribute to it. Héliogravure is a process for printing photographs that was developed in the first half of the 19th century. It is a photo-mechanical process whereby a copper plate is grained and then coated with a light-sensitive gelatin tissue which had been exposed to a film positive, and then etched, resulting in a high-quality intaglio plate that can reproduce detailed continuous tones of a photograph.£250 each -
Photographs from Verve, December 1937. Erwin Blumenfeld
£250 eachPhotographs from Verve, December 1937. Erwin Blumenfeld
The Verve Review, from its very inception, was a purposefully luxurious art publication. It ran from 1937 to 1960, but for only 38 editions, due to the high degree of design and editorial work dedicated to each issue. Its editor was Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade. As an art critic, patron and gallery owner he commissioned various individuals, artists, photographers and philosophers to contribute to it. Héliogravure is a process for printing photographs that was developed in the first half of the 19th century. It is a photo-mechanical process whereby a copper plate is grained and then coated with a light-sensitive gelatin tissue which had been exposed to a film positive, and then etched, resulting in a high-quality intaglio plate that can reproduce detailed continuous tones of a photograph.£250 each -
Photographs from Verve, December 1937. Nora Dumas
£250 eachPhotographs from Verve, December 1937. Nora Dumas
The Verve Review, from its very inception, was a purposefully luxurious art publication. It ran from 1937 to 1960, but for only 38 editions, due to the high degree of design and editorial work dedicated to each issue. Its editor was Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade. As an art critic, patron and gallery owner he commissioned various individuals, artists, photographers and philosophers to contribute to it. Héliogravure is a process for printing photographs that was developed in the first half of the 19th century. It is a photo-mechanical process whereby a copper plate is grained and then coated with a light-sensitive gelatin tissue which had been exposed to a film positive, and then etched, resulting in a high-quality intaglio plate that can reproduce detailed continuous tones of a photograph.£250 each -
Photographs from Verve, December 1937. Erwin Blumenfeld
£250 eachPhotographs from Verve, December 1937. Erwin Blumenfeld
The Verve Review, from its very inception, was a purposefully luxurious art publication. It ran from 1937 to 1960, but for only 38 editions, due to the high degree of design and editorial work dedicated to each issue. Its editor was Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade. As an art critic, patron and gallery owner he commissioned various individuals, artists, photographers and philosophers to contribute to it. Héliogravure is a process for printing photographs that was developed in the first half of the 19th century. It is a photo-mechanical process whereby a copper plate is grained and then coated with a light-sensitive gelatin tissue which had been exposed to a film positive, and then etched, resulting in a high-quality intaglio plate that can reproduce detailed continuous tones of a photograph.£250 each -
Photographs from Verve, December 1937. Brassaï
£250 eachPhotographs from Verve, December 1937. Brassaï
The Verve Review, from its very inception, was a purposefully luxurious art publication. It ran from 1937 to 1960, but for only 38 editions, due to the high degree of design and editorial work dedicated to each issue. Its editor was Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade. As an art critic, patron and gallery owner he commissioned various individuals, artists, photographers and philosophers to contribute to it. Héliogravure is a process for printing photographs that was developed in the first half of the 19th century. It is a photo-mechanical process whereby a copper plate is grained and then coated with a light-sensitive gelatin tissue which had been exposed to a film positive, and then etched, resulting in a high-quality intaglio plate that can reproduce detailed continuous tones of a photograph.£250 each -
Photographs from Verve, December 1937. Brassaï
£250 eachPhotographs from Verve, December 1937. Brassaï
The Verve Review, from its very inception, was a purposefully luxurious art publication. It ran from 1937 to 1960, but for only 38 editions, due to the high degree of design and editorial work dedicated to each issue. Its editor was Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade. As an art critic, patron and gallery owner he commissioned various individuals, artists, photographers and philosophers to contribute to it. Héliogravure is a process for printing photographs that was developed in the first half of the 19th century. It is a photo-mechanical process whereby a copper plate is grained and then coated with a light-sensitive gelatin tissue which had been exposed to a film positive, and then etched, resulting in a high-quality intaglio plate that can reproduce detailed continuous tones of a photograph.£250 each -
Photographs from Verve, December 1937. Brassaï
£250 eachPhotographs from Verve, December 1937. Brassaï
The Verve Review, from its very inception, was a purposefully luxurious art publication. It ran from 1937 to 1960, but for only 38 editions, due to the high degree of design and editorial work dedicated to each issue. Its editor was Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade. As an art critic, patron and gallery owner he commissioned various individuals, artists, photographers and philosophers to contribute to it. Héliogravure is a process for printing photographs that was developed in the first half of the 19th century. It is a photo-mechanical process whereby a copper plate is grained and then coated with a light-sensitive gelatin tissue which had been exposed to a film positive, and then etched, resulting in a high-quality intaglio plate that can reproduce detailed continuous tones of a photograph.£250 each -
Photographs from Verve, December 1937. Brassaï
£250 eachPhotographs from Verve, December 1937. Brassaï
The Verve Review, from its very inception, was a purposefully luxurious art publication. It ran from 1937 to 1960, but for only 38 editions, due to the high degree of design and editorial work dedicated to each issue. Its editor was Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade. As an art critic, patron and gallery owner he commissioned various individuals, artists, photographers and philosophers to contribute to it. Héliogravure is a process for printing photographs that was developed in the first half of the 19th century. It is a photo-mechanical process whereby a copper plate is grained and then coated with a light-sensitive gelatin tissue which had been exposed to a film positive, and then etched, resulting in a high-quality intaglio plate that can reproduce detailed continuous tones of a photograph.£250 each -
Photographs from Verve, December 1937. Brassaï
£250 eachPhotographs from Verve, December 1937. Brassaï
The Verve Review, from its very inception, was a purposefully luxurious art publication. It ran from 1937 to 1960, but for only 38 editions, due to the high degree of design and editorial work dedicated to each issue. Its editor was Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade. As an art critic, patron and gallery owner he commissioned various individuals, artists, photographers and philosophers to contribute to it. Héliogravure is a process for printing photographs that was developed in the first half of the 19th century. It is a photo-mechanical process whereby a copper plate is grained and then coated with a light-sensitive gelatin tissue which had been exposed to a film positive, and then etched, resulting in a high-quality intaglio plate that can reproduce detailed continuous tones of a photograph.£250 each -
Photographs from Verve, December 1937. Brassaï
£250 eachPhotographs from Verve, December 1937. Brassaï
The Verve Review, from its very inception, was a purposefully luxurious art publication. It ran from 1937 to 1960, but for only 38 editions, due to the high degree of design and editorial work dedicated to each issue. Its editor was Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade. As an art critic, patron and gallery owner he commissioned various individuals, artists, photographers and philosophers to contribute to it. Héliogravure is a process for printing photographs that was developed in the first half of the 19th century. It is a photo-mechanical process whereby a copper plate is grained and then coated with a light-sensitive gelatin tissue which had been exposed to a film positive, and then etched, resulting in a high-quality intaglio plate that can reproduce detailed continuous tones of a photograph.£250 each -
Photographs from Verve, December 1937. Brassaï
£250 eachPhotographs from Verve, December 1937. Brassaï
The Verve Review, from its very inception, was a purposefully luxurious art publication. It ran from 1937 to 1960, but for only 38 editions, due to the high degree of design and editorial work dedicated to each issue. Its editor was Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade. As an art critic, patron and gallery owner he commissioned various individuals, artists, photographers and philosophers to contribute to it. Héliogravure is a process for printing photographs that was developed in the first half of the 19th century. It is a photo-mechanical process whereby a copper plate is grained and then coated with a light-sensitive gelatin tissue which had been exposed to a film positive, and then etched, resulting in a high-quality intaglio plate that can reproduce detailed continuous tones of a photograph.£250 each -
Photographs from Verve, December 1937. Man Ray
£250 eachPhotographs from Verve, December 1937. Man Ray
The Verve Review, from its very inception, was a purposefully luxurious art publication. It ran from 1937 to 1960, but for only 38 editions, due to the high degree of design and editorial work dedicated to each issue. Its editor was Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade. As an art critic, patron and gallery owner he commissioned various individuals, artists, photographers and philosophers to contribute to it. Héliogravure is a process for printing photographs that was developed in the first half of the 19th century. It is a photo-mechanical process whereby a copper plate is grained and then coated with a light-sensitive gelatin tissue which had been exposed to a film positive, and then etched, resulting in a high-quality intaglio plate that can reproduce detailed continuous tones of a photograph.£250 each -
Photographs from Verve, December 1937. Brassaï
£250 eachPhotographs from Verve, December 1937. Brassaï
The Verve Review, from its very inception, was a purposefully luxurious art publication. It ran from 1937 to 1960, but for only 38 editions, due to the high degree of design and editorial work dedicated to each issue. Its editor was Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade. As an art critic, patron and gallery owner he commissioned various individuals, artists, photographers and philosophers to contribute to it. Héliogravure is a process for printing photographs that was developed in the first half of the 19th century. It is a photo-mechanical process whereby a copper plate is grained and then coated with a light-sensitive gelatin tissue which had been exposed to a film positive, and then etched, resulting in a high-quality intaglio plate that can reproduce detailed continuous tones of a photograph.£250 each -
Photographs from Verve, December 1937. Man Ray
£250 eachPhotographs from Verve, December 1937. Man Ray
The Verve Review, from its very inception, was a purposefully luxurious art publication. It ran from 1937 to 1960, but for only 38 editions, due to the high degree of design and editorial work dedicated to each issue. Its editor was Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade. As an art critic, patron and gallery owner he commissioned various individuals, artists, photographers and philosophers to contribute to it. Héliogravure is a process for printing photographs that was developed in the first half of the 19th century. It is a photo-mechanical process whereby a copper plate is grained and then coated with a light-sensitive gelatin tissue which had been exposed to a film positive, and then etched, resulting in a high-quality intaglio plate that can reproduce detailed continuous tones of a photograph.£250 each -
An English glazed front door
£230An English glazed front door
with two long lights glazed with "etched" panels above two rectangular moulded blind panels£230 -
The works of George Roualt. ‘Mr. X’, 1911,
£225The works of George Roualt. ‘Mr. X’, 1911,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘Crucifixion’, c.1918,
£225The works of George Roualt. ‘Crucifixion’, c.1918,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘Christ and Two Disciples’, c.1935,
£225The works of George Roualt. ‘Christ and Two Disciples’, c.1935,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘Christ Mocked by Soldiers’, 1932,
£225The works of George Roualt. ‘Christ Mocked by Soldiers’, 1932,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘Bouquet’, c.1938,
£225The works of George Roualt. ‘Bouquet’, c.1938,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘The Old King’, c.1916-36,
£225The works of George Roualt. ‘The Old King’, c.1916-36,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘Portrait of Verlaine’, c.1938,
£225The works of George Roualt. ‘Portrait of Verlaine’, c.1938,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘The English Clown’, 1938-39,
£225The works of George Roualt. ‘The English Clown’, 1938-39,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘Three Judges’, 1918,
£225The works of George Roualt. ‘Three Judges’, 1918,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘Parade’, 1907,
£225The works of George Roualt. ‘Parade’, 1907,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘The Humane Landscape’, 1928,
£225The works of George Roualt. ‘The Humane Landscape’, 1928,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘The Funeral’, 1930,
£225The works of George Roualt. ‘The Funeral’, 1930,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘Three Clowns’, 1917,
£225The works of George Roualt. ‘Three Clowns’, 1917,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘Nudes’, c.1907,
£225The works of George Roualt. ‘Nudes’, c.1907,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘The Wise Pierrot, 1945’,
£225The works of George Roualt. ‘The Wise Pierrot, 1945’,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
The works of George Roualt. ‘The Flight into Egypt, 1948’,
£225The works of George Roualt. ‘The Flight into Egypt, 1948’,
Although Georges Rouault a contemporary of Cubism, Expressionism and Fauvism, he never formally associated himself with any of these movements. As an independent he found his inspiration in the realities of everyday life and in religious subjects which he imbued with an authentic spirituality. Early in his career Parisian art dealer, Ambroise Vollard, bought the full contents of Georges Rouault’s studio. The artist agreed on the condition that he could finish his work at his own pace. Most of his works represented circus figures, religious subjects or landscapes.£225 -
Art Deco brass pulls,
£200 eachArt Deco brass pulls,
Having a hexagonal shaped backplate with a raised smaller hexagonal section with angular drop pull attached. Each stamped N B 574£200 each -
Picasso, Vollard Suite, 1956. c. May 1933.
£175 eachPicasso, Vollard Suite, 1956. c. May 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. c. May 1933. Two Catalan Men£175 each -
Picasso, Vollard Suite, 1956. Paris, January 27, 1934.
£175 eachPicasso, Vollard Suite, 1956. Paris, January 27, 1934.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, January 27, 1934. Head of Rembrandt and Heads of Three Girls£175 each -
Picasso, Vollard Suite, 1956. Boisgeloup, April 23, 1933.
£175 eachPicasso, Vollard Suite, 1956. Boisgeloup, April 23, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Boisgeloup, April 23, 1933. Embrace£175 each -
Picasso, Vollard Suite, 1956. Paris, November 7, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, November 7, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, November 7, 1933. Bullfight I£175 each -
Picasso, Vollard Suite, 1956. Paris, November 2, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, November 2, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, November 2, 1933. Embrace£175 each -
Picasso, Vollard Suite, 1956.
£175 eachPicasso, Vollard Suite, 1956.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. 1931. Two Nudes Resting.£175 each -
Picasso, Vollard Suite, 1956. Paris, May 5, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, May 5, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 5, 1933. Sculpture of Seated Nude, Sculptured Head, and Vase of Flowers.£175 each -
Picasso, Vollard Suite, 1956. Paris, March 25, 1933,
£175 eachPicasso, Vollard Suite, 1956. Paris, March 25, 1933,
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, March 25, 1933. Sculptor Working from a Model.£175 each -
Picasso, Vollard Suite, 1956. c. May 1933.
£175 eachPicasso, Vollard Suite, 1956. c. May 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. c. May 1933. Four Children Viewing a Monster.£175 each -
Picasso, Vollard Suite, 1956.
£175 eachPicasso, Vollard Suite, 1956.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. 1931. The Rape£175 each -
Picasso, Vollard Suite, 1956. c. 1935.
£175 eachPicasso, Vollard Suite, 1956. c. 1935.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. c. 1935. Boy Watching over Sleeping Woman by Candlelight.£175 each -
Picasso, Vollard Suite, 1956. June 12, 1936.
£175 eachPicasso, Vollard Suite, 1956. June 12, 1936.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. June 12, 1936. Satyr and Sleeping Woman.£175 each -
Picasso, Vollard Suite, 1956. Paris, May 26, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, May 26, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 26, 1933. Dying Minotaur.£175 each -
Picasso, Vollard Suite, 1956. Paris, November 11, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, November 11, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, November 11, 1933. Acrobats with a Horse.£175 each -
Picasso, Vollard Suite, 1956. Paris, October 23, 1934.
£175 eachPicasso, Vollard Suite, 1956. Paris, October 23, 1934.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, October 23, 1934. Blind Minotaur Led through the Night by Girl with Dove.£175 each -
Picasso, Vollard Suite, 1956. c. 1935.
£175 eachPicasso, Vollard Suite, 1956. c. 1935.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. c, 1935. Blind Minotaur Led through the Night by Girl with Fluttering Dove.£175 each -
Picasso, Vollard Suite, 1956. Paris, June 16, 1933
£175 eachPicasso, Vollard Suite, 1956. Paris, June 16, 1933
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, June 16, 1933. Minotaur with Girl in His Arms£175 each -
Picasso, Vollard Suite, 1956. Paris, November 8, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, November 8, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, November 8, 1933. Bullfight II£175 each -
Picasso, Vollard Suite, 1956. Paris, May 18, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, May 18, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 18, 1933. Drinking Minotaur and Sculptor with Two Models£175 each -
Picasso, Vollard Suite, 1956. c. October 1934.
£175 eachPicasso, Vollard Suite, 1956. c. October 1934.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. c. October 1934. Blind Minotaur Led by Girl with Fluttering Dove.£175 each -
Picasso, Vollard Suite, 1956. Paris, May 22, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, May 22, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 22, 1933. Two Nudes Bathing. At left, Sculptured Head and Head of Spectator.£175 each -
Picasso, Vollard Suite, 1956. Boisgeloup, June 18, 1933.
£175 eachPicasso, Vollard Suite, 1956. Boisgeloup, June 18, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Boisgeloup, June 18, 1933. Minotaur, Drinking Sculptor, and Three Models.£175 each -
Picasso, Vollard Suite, 1956. Boisgeloup, June 18, 1933.
£175 eachPicasso, Vollard Suite, 1956. Boisgeloup, June 18, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Boisgeloup, June 18, 1933. Minotaur over Sleeping Girl.£175 each -
Picasso, Vollard Suite, 1956. Paris, May 23, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, May 23, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 23, 1933. Minotaur Assaulting a Girl.£175 each -
Picasso, Vollard Suite, 1956. Paris, May 18, 1933.
£175 eachPicasso, Vollard Suite, 1956. Paris, May 18, 1933.
Lithographs, published 1956 based on Picasso's work, produced from 1930-1937 for the art dealer Ambroise Vollard. Framed in plain oak with cream mounts. Paris, May 18, 1933. Girl Seated by Sleeping Minotaur.£175 each
Featured Items
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Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
18th Century French Engravings of Dogs
£175 each18th Century French Engravings of Dogs
Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.£175 each -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600