7 items found
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A set of four French cast-iron urns,
£1,100 the set of four,A set of four French cast-iron urns,
straight-sided with swags to the sides, distressed paint, one old loss to the rim,£1,100 the set of four, -
A Victorian salt glazed stoneware ‘faux bois’ garden planter,
£925A Victorian salt glazed stoneware ‘faux bois’ garden planter,
the wrythen bowl with branch stubs raised on a naturalistic trunk-form stem, the picket fence base with voids (with drainage holes) for planting to the four quadrants; some wear to edges,£925 -
Small pair of foundry crucibles,
£500 -
An unusual wooden parcel-gilt and painted tazza bowl on plinth
£320An unusual wooden parcel-gilt and painted tazza bowl on plinth
the turned tazza with stippled blue paint finish in simulation of lapis lazuli, the stepped base gilded and painted black,£320 -
An Eighteenth Century Chinese Vase, Kangxi period.
£200An Eighteenth Century Chinese Vase, Kangxi period.
Having a flared wide rim with painted flower design, leading to slender body decorated with flower and leaf designs above stylised garden pagoda scene on a stepped base. Minor chips to the rim.£200 -
A Small Blue and White transfer printed gold fish bowl.
£120A Small Blue and White transfer printed gold fish bowl.
The late nineteenth century European made porcelain bowl, produced to mimic a Chinese gold fish bowl. The wide rim designed to stop fish escaping, is decorated with blue flower heads, above a bulbous body decorated with layered flower designs. The mark on the base in the form of a simple windmill could indicate the piece was produced in Holland.£120 -
Red bubble glass ashtray,
£30
Featured Items
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The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800