17 items found
Page 1 of 1
-
A fantastical lead figural fountain of a faun riding a dolphin
POAA fantastical lead figural fountain of a faun riding a dolphin
the faun leaning back with one of his cloven hoofs resting on the head of the fish and blowing a conch-shell horn, he grasps a trident in his right hand; the dolphin with twin bi-furcated tails raising its mouth, all presented on a naturalistically modelled integral plinth,POA -
A rare series of eight early Victorian stoneware bracket-consoles for a balustrade
£5,600 the eightA rare series of eight early Victorian stoneware bracket-consoles for a balustrade
each console comprising a pierced panel of strapwork, with mirrored foliate forms,£5,600 the eight -
A pair of colossal rustic English limestone staddle stones
£4,250 the pairA pair of colossal rustic English limestone staddle stones
each with a mossy domed top raised on a rectangular-section spreading base£4,250 the pair -
Pair of late nineteenth century terracotta Campana urns,
£3,850Pair of late nineteenth century terracotta Campana urns,
with flared rim and semi-lobed body, the waisted socle on square plinth base.£3,850 -
Pair of Victorian terracotta tazza urns,
£3,500 the pairPair of Victorian terracotta tazza urns,
mid-nineteenth century, with stiff-leaf rims and gadrooned body, on waited socle and square plinth base. A pair with stock #78661£3,500 the pair -
Pair of Victorian terracotta tazza urns
£3,500 the pairPair of Victorian terracotta tazza urns
mid-nineteenth century, with stiff-leaf rims and gadrooned body, on waited socle and square plinth base.£3,500 the pair -
Pair of late nineteenth century cast iron urns,
£3,000 the pairPair of late nineteenth century cast iron urns,
on plain plinths, with many layers of overpainting, small section of damage to the base of one urn.£3,000 the pair -
Pair of antique ‘Doulton ‘stoneware urns and pedestals,
£2,800 the pairPair of antique ‘Doulton ‘stoneware urns and pedestals,
of squat form with gadrooned body, the fielded plinths with egg and dart and guilloche bands.£2,800 the pair -
Pair of mid-Victorian style garden urns,
£2,800 the pairPair of mid-Victorian style garden urns,
the stylised lotus-leaf urn with turned socle on pedestal plinth base, cast exclusively for LASSCO in a weather resistant patent stoneware. Any quantity available, lead times from around three weeks.£2,800 the pair -
Pair of antique cast iron Campana urns on plinths,
£2,000 the pair -
Pair of late nineteenth century glazed jardinieres on pedestals,
£1,800Pair of late nineteenth century glazed jardinieres on pedestals,
the gadrooned bodies with flower-head bosses to the concave rim, on pedestals with foliate panels.£1,800 -
An English limestone pedestal sundial
£1,650An English limestone pedestal sundial
the brass sundial plate (later) with a sail-shaped gnomen and a Tuscan order top raised on a cylindrical stem and torus foot and square plinth, restorations£1,650 -
Pair of elegant buff terracotta planters
£1,650Pair of elegant buff terracotta planters
with strapwork to the flared body, impressed with makers mark. Modern.£1,650 -
Pair of late nineteenth century French cast iron urns,
£1,500Pair of late nineteenth century French cast iron urns,
each having egg and dart rim above lobed bodies on fluted stem socles and raised square base,£1,500 -
A pair of English composition stone orangery planters
£1,400 the pairA pair of English composition stone orangery planters
circular pots with a splayed rim above the tapered body of basketweave design£1,400 the pair -
A large English cast iron urn
£925A large English cast iron urn
the bowl with an everted scalloped rim and raised on a tall socle£925 -
An English wrought steel gazebo,
£725
Featured Items
-
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200