8 items found
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An English tobacconist’s counter-top stained pine and cedar humidor cabinet
£1,450An English tobacconist’s counter-top stained pine and cedar humidor cabinet
the broken swan-necked pediment above the rectangular cabinet with a glazed door to the front and clear glass panel to the rear, the top section of the glazed door reverse painted and gilded "FINE HAVANA CIGARS", the single shelf within adjustable on saw-tooth trim to each corner, labelled to the rear "Manufactured by Yates & Greenways, 39-42 Coleshill Street, Birmingham"£1,450 -
Felt Flags
£95Felt Flags
It was between 1905 and 1910 that tobacco companies in America, began inserting textile items into their cigarette and tobacco products at a time when there was much competition between the tobacco companies and advertising was important to entice new customers, and build brand loyalty. This may have been a direct marketing strategy to entice women into smoking cigarettes, as women were encouraged to gather up these small textiles inserts from spouses or friends and sew them into useful and beautiful items for the home, including quilts, pillows and table covers.£95 -
Felt Flags
£95Felt Flags
It was between 1905 and 1910 that tobacco companies in America, began inserting textile items into their cigarette and tobacco products at a time when there was much competition between the tobacco companies and advertising was important to entice new customers, and build brand loyalty. This may have been a direct marketing strategy to entice women into smoking cigarettes, as women were encouraged to gather up these small textiles inserts from spouses or friends and sew them into useful and beautiful items for the home, including quilts, pillows and table covers.£95
Featured Items
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Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800