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A set of six monumental Edwardian Portland stone sculpture pedestals
£60,000A set of six monumental Edwardian Portland stone sculpture pedestals
each square-section tapered pedestal with inset corners, attached to the wall at the foot-block, and each faced with a rectangular tablet with dentil and guttae mouldings above a panelled pilaster stem,£60,000 -
Mid-nineteenth century Italian bronze sculptures of Creugas and Damoxenes
£15,000Mid-nineteenth century Italian bronze sculptures of Creugas and Damoxenes
set atop serpentine columns. Creugante: Height 70.5 cm Width 42 cm Depth 18.5 cm Damosseno: Height 60 cm Width 39 cm Depth 18 cm Plinth: Height 119 cm Width: 44 cm Depth: 23.5 cm£15,000 -
An impressive pair of Edwardian carved Portland stone columns
£14,000An impressive pair of Edwardian carved Portland stone columns
each with a Roman Ionic order capital, with spirally carved volutes, raised on a cylindrical stem with entasis and a torus moulded foot and square foot-block,£14,000 -
A rare mid Victorian stoneware garden urn
£12,250A rare mid Victorian stoneware garden urn
the tapered vase with a narrow neck and everted rim supporting a pair of opposed eagles forming handles, raised on a socle foot and an associated square section pedestal by Stiff & Co. of London, the urn and pedestal bearing respective maker's marks,£12,250 -
A pair of early Victorian stoneware garden urns
£10,400A pair of early Victorian stoneware garden urns
each semi-lobed campana urn with loop and mask handles and raised on a socle foot, above a square section pedestal with a relief-cast wreath to one side, bearing the maker's mark to each element,£10,400 -
Pair of Regency rosewood pier tables,
£8,500Pair of Regency rosewood pier tables,
with statuary marble tops supported by gilt Tuscan columns, with pilasters to the rear flanking mirrored backs, on plinth bases.£8,500 -
A Victorian statuary marble figure of Cupid
£5,250A Victorian statuary marble figure of Cupid
the young putto modelled on a stylised rock with his right index finger held to his lips, his quiver at his side, raised on a circular plinth,£5,250 -
“The Bruges Madonna”, a full-size painted plaster Madonna and Child group after the marble original by Michelangelo
£4,980“The Bruges Madonna”, a full-size painted plaster Madonna and Child group after the marble original by Michelangelo
the seated Virgin in ruched gowns supporting the naked young Christ child standing against her leg, a book in her lap, both raised on a circular plinth,£4,980 -
Large bronze model of a seated Mercury,
£4,850Large bronze model of a seated Mercury,
late nineteenth century or early twentieth century, French,base diameter 27 cm.£4,850 -
Bronze figure of the dying Gaul
£4,500 -
Nineteenth century Italian bronze model of Seated Hermes
£3,800Nineteenth century Italian bronze model of Seated Hermes
stamped 'GIORGIO SOMMER FOUNDRY, NAPLES', set on marble plinth base.£3,800 -
Antique French bronze model of the Wounded Amazon by Barbedienne
£3,400Antique French bronze model of the Wounded Amazon by Barbedienne
with rich brown patina, stamped to the base.£3,400 -
Exceptional pair of foundry crucibles,
£2,850Exceptional pair of foundry crucibles,
well patinated throughout, previously drilled for used as planters.£2,850 -
Continental figure of Cupid after a model by Étienne Maurice Falconet,
£2,800Continental figure of Cupid after a model by Étienne Maurice Falconet,
cupid is modelled sat on a stylised cloud with his right finger held to his lips, his full quiver at his feet. Some loses to feet. Unsigned. Plaster with terracotta finish.£2,800 -
Nineteenth century gilt bronze model of Sappho,
£2,200Nineteenth century gilt bronze model of Sappho,
set atop Verde Antico marble base, with ball feet.£2,200 -
Nineteenth century French bronze of Sappho
£1,950 -
Plaster statue of Hermes fastening his sandle,
£1,850Plaster statue of Hermes fastening his sandle,
A French Mid-Nineteenth Century copy of the so called Sandal-binder Hermes. The Roman figure is held in the Musée du Louvre in Paris. The statue in the Louvre is a Roman marble copy of an original Greek Bronze by Lysippus. The appearance of the original, which stood in the Thermae of Zeuxippos in Constantinople, was described in detail by Christodoros of Koptos (491-518) : "There was Hermes ... He stood and fastened up the thongs of his winged sandal with his right hand, yearning to rush forth upon his course. His swift right leg was bent at the knee, and on it he rested his left hand, and meanwhile he was turning his face up to heaven, as if he were hearing the commands of his king and father" Three other complete copies of the Sandal-binder Hermes have been discovered or unearthed since Gavin Hamilton recovered the first complete antique figure from the swamp of the Pantello in 1749, thereby establishing it's identity firmly as Hermes and acknowledging it's status as one of the received masterpieces in the canon of antiquity. It appears to have been placed ornamentally in baths and gymnasia.£1,850 -
French Bronze of Euterpe
£1,850 -
Lead statue of the Neopolitan Fisherboy
£1,850 -
An Italian marble and alabaster bust of “Beatrice”
£1,650An Italian marble and alabaster bust of “Beatrice”
the female head with downcast eyes, a wrapped head-scarf and chemise, raised on a rectangular plinth engraved "BEATRICE",£1,650 -
Nineteenth century French bronze of the Sleeping Ariadne
£1,650Nineteenth century French bronze of the Sleeping Ariadne
after the antique, the 'original' - itself a copy of an earlier Hellenistic sculpture - held in the Vatican Museums.£1,650 -
Nineteenth century French bronze model of Spinario
£1,600 -
Bronze model of Diana the Huntress
£1,500Bronze model of Diana the Huntress
French c.1900, after the original by Jean-Antoine Houdon (1741-1828)£1,500 -
“The Pitti Tondo”, a full-size painted plaster Madonna and Child roundel after the unfinished marble original by Michelangelo
£1,250“The Pitti Tondo”, a full-size painted plaster Madonna and Child roundel after the unfinished marble original by Michelangelo
the seated Virgin modelled in relief as she turns to look to her right and supporting the naked Christ Child with a book on her lap, the young St John the Baptist peers over her shoulder, the cherub on her brow indicating her knowledge of the prophesies,£1,250 -
Pair of nineteenth century bronze figures of Harvest and Plenty,
£1,250 -
Large Italian figure of Venus after the Bath
£1,250Large Italian figure of Venus after the Bath
recently made in reconstituted marble, with surface wear and minor marks, suitable for exterior use.£1,250 -
Italian bronze bust of Demosthenes
£1,250Italian bronze bust of Demosthenes
mid-nineteenth century Italian, the great Greek orator modelled wearing a tunic, on marble plinth base£1,250 -
A set of four English relief-cast plaster ovals
£1,200 the setA set of four English relief-cast plaster ovals
each modelled with a winged putto bearing attributes for the seasons of the year,£1,200 the set -
Nineteenth century bronze of Napoleon Bonaparte,
£1,000 -
An English composition stone figure of “Summer”
£865An English composition stone figure of “Summer”
the standing putto, holding a sheaf of wheat to his shoulder, his sickle lying at his feet,£865 -
An English composition stone figure of “Autumn”
£865An English composition stone figure of “Autumn”
the standing putto, his knee resting on a Halloween pumpkin, holding aloft a fruit filled bowl,£865 -
A late Victorian stoneware garden urn
£795 -
A pair of large English painted plaster corbels
£775 the pairA pair of large English painted plaster corbels
each bracket with a cherub above a fruiting swag, the returns with spirally modelled volutes,£775 the pair -
Large 1920s cast lion’s mask
£675 -
An English relief cast plaster plaque of men leading a bull
£640An English relief cast plaster plaque of men leading a bull
the rectangular panel, in the style of an antique metope,£640 -
Congolese Songye door
£480 -
Brass model of a rearing horse,
£400 -
Luba female / male stool,
£375Luba female / male stool,
Luba art relates most commonly to the Kings and Chiefs of the Congolese Luba tribe, who would assert their power by display of ceremonial objects during ceremonies. Stools were considered to be the most important of these objects as they would serve not only as a seat but as a receptacle for the Chief’s spirit. The ruler is thus figuratively and literally supported by a caryatid figure - in this case both male and female standing figures. The male is seen with inset cowrie shell eyes, believed by many African tribes to contain divine powers.£375 -
Luba stool
£375Luba stool
Luba art relates most commonly to the Kings and Chiefs of the Congolese Luba tribe, who would assert their power by display of ceremonial objects during ceremonies. Stools were considered to be the most important of these objects as they would serve not only as a seat but as a receptacle for the Chief’s spirit. The ruler is thus figuratively and literally supported by a caryatid figure - in this case a standing female ancestor. The carvings seen on her stomach allude to the maternal - such markings were common among many matrilineal societies in Africa to emphasise and protect the navel as the threshold between oneself, one’s mother and one’s own lineage.£375 -
A relief cast plaster plaque of Andrea di Bono,
£360A relief cast plaster plaque of Andrea di Bono,
the portrait head carved in deep relief turning a sinestra, the young man depicted with cloaked shoulders and framed within a scallop shell,£360 -
Pair of cast iron Canova lions
£350 the pairPair of cast iron Canova lions
the original sculpted by Antonio Canova in 1792 for the tomb of Pope Clement XIII in St. Peter's, Rome.£350 the pair -
Songye Kilumwe Kifwebe mask (A)
£350Songye Kilumwe Kifwebe mask (A)
Very large Kifwebe mask with exaggerated sagittal crest. It is believed that the sagittal crest and conical protrusion contain the magical strength of the mask.£350 -
Luba stool,
£350Luba stool,
Luba art relates most commonly to the Kings and Chiefs of the Congolese Luba tribe, who would assert their power by display of ceremonial objects during ceremonies. Stools were considered to be the most important of these objects as they would serve not only as a seat but as a receptacle for the Chief’s spirit. The ruler is thus figuratively and literally supported by a caryatid figure - in this case a kneeling female ancestor with elongated and outstretched fingertips. The deep carvings seen on her stomach allude to the maternal - such markings were common among many matrilineal societies in Africa to emphasise and protect the navel as the threshold between oneself, one’s mother and one’s own lineage.£350 -
Tabwa stool
£350Tabwa stool
Congolese Tabwa art has distinct similarities to that of the Luba tribe, and its stools are used also in ceremonies by the Kings and Chiefs of the community with a means of establishing power and authority. The key difference seen between the two is the Tabwa’s traditional depiction of braided hair as a carved extension of the head and checkerboard-style scarification of the woman’s body.£350 -
An English relief cast plaster Asclepius keystone
£350An English relief cast plaster Asclepius keystone
the bearded mask modelled on the tapered keystone,£350 -
Songye Janus standing power figure,
£325Songye Janus standing power figure,
Congolese double-faced maternal power figure, adorned with animal hide and cowrie shells. The Songye power figure serves to protect its community from evil spirits.£325 -
Songye standing male power figure,
£325Songye standing male power figure,
Standing male power figure from the Congolese Songye tribe, beautifully adorned with natural fibres, animal hide, and miniature power figure. These wooden power figures would have served to protect the Songye community from evil spirits and practitioners.£325 -
Luba stool
£325Luba stool
Luba art relates most commonly to the Kings and Chiefs of the Congolese Luba tribe, who would assert their power by display of ceremonial objects during ceremonies. Stools were considered to be the most important of these objects as they would serve not only as a seat but as a receptacle for the Chief’s spirit. The ruler is thus figuratively and literally supported by a caryatid figure - in this case a posed female ancestor with a carved headdress and jewellery.£325 -
Luba stool
£325Luba stool
Luba art relates most commonly to the Kings and Chiefs of the Congolese Luba tribe, who would assert their power by display of ceremonial objects during ceremonies. Stools were considered to be the most important of these objects as they would serve not only as a seat but as a receptacle for the Chief’s spirit. The ruler is thus figuratively and literally supported by a caryatid figure - in this case a kneeling female ancestor adorned with beaded and carved jewellery. The deep carvings seen on her stomach allude to the maternal - such markings were common among many matrilineal societies in Africa to emphasise and protect the navel as the threshold between oneself, one’s mother and one’s own lineage. Damage to left hand.£325 -
Luba stool,
£300Luba stool,
Luba art relates most commonly to the Kings and Chiefs of the Congolese Luba tribe, who would assert their power by display of ceremonial objects during ceremonies. Stools were considered to be the most important of these objects as they would serve not only as a seat but as a receptacle for the Chief’s spirit. The ruler is thus figuratively and literally supported by a caryatid figure - in this case a kneeling female ancestor with elongated and outstretched fingertips. The deep and patterned carvings seen on her stomach allude to the maternal - such markings were common among many matrilineal societies in Africa to emphasise and protect the navel as the threshold between oneself, one’s mother and one’s own lineage.£300 -
Songye Luba mask (A)
£280Songye Luba mask (A)
The people of Songye are mainly known as a farming community, however they also take part in hunting and trading with other neighbouring communities. The distinct Songye style is easily recognisable in the Kifwebe mask by the mass of closely carved lines and bold shapes such as the protruding sagittal crest and X carved mouth. The intertwining of the red, black, and white colouring in these masks are said to symbolise the struggle between good (white) and evil (black and red) - the combination of these colours embodying the positive and dangerous force held within the mask. The ruggedness of the Kifwebe mask and its long raffia beard are said to symbolise the underworld and the spirits that escape from it. Further, it is believed that the sagittal crest and conical protrusion contain the magical strength of the mask.£280 -
Luba stool
£275Luba stool
Luba art relates most commonly to the Kings and Chiefs of the Congolese Luba tribe, who would assert their power by display of ceremonial objects during ceremonies. Stools were considered to be the most important of these objects as they would serve not only as a seat but as a receptacle for the Chief’s spirit. The ruler is thus figuratively and literally supported by a caryatid figure - in this case a posed female ancestor with a carved headdress. The deep and patterned carvings seen on her stomach allude to the maternal - such markings were common among many matrilineal societies in Africa to emphasise and protect the navel as the threshold between oneself, one’s mother and one’s own lineage. The act of scarification will have often been used as a rite of passage, in order to symbolise a readiness for the pain of childbirth.£275 -
Tabwa stool
£275Tabwa stool
Congolese Tabwa art has distinct similarities to that of the Luba tribe, and its stools are used also in ceremonies by the Kings and Chiefs of the community with a means of establishing power and authority. The key difference seen between the two is the Tabwa’s traditional depiction of braided hair as a carved extension of the head and checkerboard-style scarification of the woman’s body. Such markings were common among many matrilineal societies in Africa to emphasise and protect the navel as the threshold between oneself, one’s mother and one’s own lineage.£275 -
Kusu Nsembu mask
£250Kusu Nsembu mask
The Nsembu mask was used exclusively by members of the Nkunda Secret Society for the purposes of adult initiation and divination; the mask representing the diviners spirit. The chequered pattern may represent the interaction of opposites - day and night, man and woman, good and evil - within ones spiritual journey. It is also reminiscent of certain scarification practices. The Kusu people inhabit the Ituri rainforests, located in the northeastern part of the Congo.£250 -
Tchokwe Pwo mask,
£245Tchokwe Pwo mask,
The Pwo is a classic Chokwe mask genre that honours their founding female ancestries as guardians of fertility and procreation. Chokwe masks were made and worn by men, often performed during the celebrations that mark a completion of initiation into adulthood and with means to honour women who had survived the difficulty of childbirth.£245 -
Kusu Nsembu mask
£240Kusu Nsembu mask
The Nsembu mask was used exclusively by members of the Nkunda Secret Society for the purposes of adult initiation and divination; the mask representing the diviners spirit. Painted with natual coloured pigments, its design is reminiscent of certain scarification practices. The Kusu people inhabit the Ituri rainforests, located in the northeastern part of the Congo.£240 -
An English cast plaster Corinthian order pilaster capital,
£220An English cast plaster Corinthian order pilaster capital,
the half capital, intended for heading an "attached column", cast over-all with formalised stiff-leaf acanthine ornament spreading to a rectangular capping plinth, cast with wire hoops to the reverse for wall-hanging if preferred,£220 -
An English plaster mask,
£215An English plaster mask,
the boy's face with tousled hair and a swagged neckerchief about his chin£215 -
Songye Luba mask (B)
£200Songye Luba mask (B)
The people of Songye are mainly known as a farming community, however they also take part in hunting and trading with other neighbouring communities. The distinct Songye style is easily recognisable in the Kifwebe mask by the mass of closely carved lines and bold shapes such as the protruding sagittal crest and X carved mouth. The intertwining of the red, black, and white colours in these masks are said to symbolise the struggle between good (white) and evil (black and red) - the combination of these colours embodying the positive and dangerous force held within the mask. Further, it is believed that the sagittal crest and conical protrusion contain the magical strength of the mask.£200 -
Tchokwe Pwo mask,
£195Tchokwe Pwo mask,
The Pwo is a classic Chokwe mask genre that honours their founding female ancestries as guardians of fertility and procreation. Chokwe masks were made and worn by men, often performed during the celebrations that mark a completion of initiation into adulthood and with means to honour women who had survived the difficulty of childbirth. Adorned with typical scarification designs to the face, with braided natural fibres alongside draped blue beads.£195 -
An English plaster section of frieze
£185An English plaster section of frieze
the frieze comprising fruit-filled campagna urns linked by a laurel swag with a foliate wreath above and ribbon-tied reeds below,£185 -
A plaster cast of an anthemion in relief
£185 -
Lega Idimu mask (E)
£180Lega Idimu mask (E)
Similarly to the pipibudze masks of the Kwele tribe, the Lega’s Lukwakongo (miniature) masks have a heart-shaped face framed by a line formed by the nose, the eye rows and the planes of the cheeks. The wooden face is whitened and smoothed with kaolin clay, which is said to allude to the refined and perfected nature of the Bwami initiate, some of whom use the masks during initiation ceremonies. This mask would rarely be worn on the front of the face, but instead on the side of the face, the forehead, tied to the body, displayed on the fences, or dragged across the floor during Bwami meetings and ceremonies. The two faces share a mouth and a beard.£180 -
Kusu Nsembu mask
£180Kusu Nsembu mask
The Nsembu mask was used exclusively by members of the Nkunda Secret Society for the purposes of adult initiation and divination; the mask representing the diviners spirit. Painted with natual coloured pigments, its design is reminiscent of certain scarification practices. The Kusu people inhabit the Ituri rainforests, located in the northeastern part of the Congo.£180 -
A cast plaster relief of clustered plums
£180A cast plaster relief of clustered plums
after an original cast by Brucciani and Co. and bearing their stamp,£180 -
A large English plaster roundel relief plaque,
£175A large English plaster roundel relief plaque,
the raised ovals and roundels variously depicting various minatures of classical allegory and portrait,£175 -
Luba-Hemba triple figural group,
£175Luba-Hemba triple figural group,
Triple maternal power figure with draped cloth fibres and checkered scarification to the belly and head. These wooden power figures would have served to protect the Songye community from evil spirits and practitioners.£175 -
Tchokwe Pwo mask,
£175Tchokwe Pwo mask,
The Pwo is a classic Chokwe mask genre that honours their founding female ancestries as guardians of fertility and procreation. Chokwe masks were made and worn by men, often performed during the celebrations that mark a completion of initiation into adulthood and with means to honour women who had survived the difficulty of childbirth. Minimal scarification design to face and woven natural fibre covering.£175 -
Luba Bilume Kifwebe mask (A)
£175Luba Bilume Kifwebe mask (A)
The people of Songye are mainly known as a farming community, however they also take part in hunting and trading with other neighbouring communities. The distinct Songye style is easily recognisable in the Kifwebe mask by the mass of closely carved lines and bold shapes such as the protruding sagittal crest and X carved mouth. The intertwining of the red, black, and white colouring in these masks are said to symbolise the struggle between good (white) and evil (black and red) - the combination of these colours embodying the positive and dangerous force held within the mask. Further, it is believed that the sagittal crest and conical protrusion contain the magical strength of the mask.£175 -
An English plaster relief plaque of a lachrymose beekeeper,
£175An English plaster relief plaque of a lachrymose beekeeper,
the prone male, attired in only a drape and holding a staff, shedding a tear as he leans on a beehive, the background carved in bas-relief with a monument engraved "VI SEES IGIEN", on the ground a unfurled manuscript entitled "DIGESTA F.F."£175 -
An English plaster relief plaque of a Cowherd together with a Cow and suckling calf,
£175An English plaster relief plaque of a Cowherd together with a Cow and suckling calf,
the standing male, with a brace of pheasant hanging from his shouldered staff, the cow drinking from a sculpted font, the background carved in bas-relief with a naturalistic tree and domestic Roman buildings,£175 -
A plaster cast of a classical foot
£170A plaster cast of a classical foot
the right foot with a strapwork sandle on a low plinth/sole,£170 -
Tchokwe Pwo mask,
£165Tchokwe Pwo mask,
The Pwo is a classic Chokwe mask genre that honours their founding female ancestries as guardians of fertility and procreation. Chokwe masks were made and worn by men, often performed during the celebrations that mark a completion of initiation into adulthood and with means to honour women who had survived the difficulty of childbirth. The occasion is also said to mark the dissolution of intimate bonds between mothers and their sons, which may be represented through the tear carvings and motifs seen on the face. Further, facial scarification as seen on this mask would have been used to make the person less desirable to the spirit of death, and in women specifically would mark the birth of a baby boy.£165 -
An English cast plaster death-mask of the Versailles head gardener
£165An English cast plaster death-mask of the Versailles head gardener
from the 18th Century original,£165 -
A cast plaster roundel relief of a stylised clematis flowerhead
£160A cast plaster roundel relief of a stylised clematis flowerhead
the six overlapping petals in deep relief with scrolled tips,£160 -
An English plaster relief plaque cast from a George III fireplace tablet,
£155An English plaster relief plaque cast from a George III fireplace tablet,
the rectangular plaque modelled with a central library globe flanked with a pair of opposed winged sphinx ,£155 -
Kneeling Luba figure
£150 -
An English plaster plaque of a cherub,
£145An English plaster plaque of a cherub,
the face of the young putto emerging from a dramatic starburst,£145 -
Lega Idimu mask (C)
£140Lega Idimu mask (C)
Similarly to the pipibudze masks of the Kwele tribe, the Lega’s Lukwakongo (miniature) masks have a heart-shaped face framed by a line formed by the nose, the eye rows and the planes of the cheeks. The wooden face is whitened and smoothed with kaolin clay, which is said to allude to the refined and perfected nature of the Bwami initiate, some of whom use the masks during initiation ceremonies. Any holes running around the lower edge of the mask would have held a beard made of natural liana fibres. This mask would rarely be worn on the front of the face, but instead on the side of the face, the forehead, tied to the body, displayed on the fences, or dragged across the floor during Bwami meetings and ceremonies.£140 -
A pair of English plaster relief plaques of opposed Sphinx,
£140 the pairA pair of English plaster relief plaques of opposed Sphinx,
the winged lioness mythical beasts with human heads,£140 the pair -
A plaster portrait relief of Inigo Jones,
£135A plaster portrait relief of Inigo Jones,
the mask of the architect in full relief with a mournful expression and full beard,£135 -
A cast plaster keystone with a classical head of a maiden
£135A cast plaster keystone with a classical head of a maiden
after the Georgian Coade Stone original,£135 -
An English plaster cast of the end panel of a Roman sarcophagus,
£130An English plaster cast of the end panel of a Roman sarcophagus,
the relief casting with a triangular pediment supported by four fluted columns and centred with a gorgon mask, with repeating foliate motifs,£130 -
A cast plaster section of frieze with anthemion motif
£130 -
Songye power figure (Nikisi),
£125Songye power figure (Nikisi),
Unusual wooden power figure from the Congolese Songye tribe. Adorned with natural fibres and beaded cowrie necklace. These wooden power figures would have served to protect the Songye community from evil spirits and practitioners.£125 -
Tchokwe Pwo mask,
£125Tchokwe Pwo mask,
The Pwo is a classic Chokwe mask genre that honours their founding female ancestries as guardians of fertility and procreation. Chokwe masks were made and worn by men, often performed during the celebrations that mark a completion of initiation into adulthood and with means to honour women who had survived the difficulty of childbirth. The occasion is also said to mark the dissolution of intimate bonds between mothers and their sons, which may be represented through the tear carvings and motifs seen on the face. Further, facial scarification as seen on this mask would have been used to make the person less desirable to the spirit of death, and in women specifically would mark the birth of a baby boy.£125 -
A cast plaster death-mask of Ludwig van Beethoven
£125 -
A cast plaster fragment of a classical head
£120 -
An English relief cast plaster portrait plaque of George Washington,
£115An English relief cast plaster portrait plaque of George Washington,
the bas-relief head in profile on an oval plaque,£115 -
An English relief cast plaster portrait roundel of Canova
£115An English relief cast plaster portrait roundel of Canova
the sculptor depicted in profile, the roundel inscribed "CANOVA",£115 -
An English cast plaster death-mask of the hanged mutineer Richard Parker
£100An English cast plaster death-mask of the hanged mutineer Richard Parker
Cast at LASSCO Three Pigeons by Peter Hone£100 -
An English plaster cast of The Winged Nike Adjusting her Sandal,
£90An English plaster cast of The Winged Nike Adjusting her Sandal,
the stooping winged figure, cast in relief with a raised knee and attired in dramatically folded drapery,£90 -
An English cast plaster flowerhead plaque
£85An English cast plaster flowerhead plaque
cast in relief, the flowerhead encircled with a spiralling tendril,£85 -
An English relief-cast plaster plaque of intaglios
£80An English relief-cast plaster plaque of intaglios
the rectangular plaque cast in relief with a grid of intaglio ovals comprising portrait miniatures and classically themed intaglios,£80 -
An English relief-cast plaster plaque of intaglios
£80An English relief-cast plaster plaque of intaglios
the rectangular plaque cast in relief with a grid of intaglio ovals comprising portrait miniatures and classically themed intaglios,£80 -
A relief plaster cast of an ornamental cabochon
£75A relief plaster cast of an ornamental cabochon
after a cast by Brucciani and Co. and bearing their stamp,£75 -
An English relief-cast plaster plaque of intaglios
£70An English relief-cast plaster plaque of intaglios
the rectangular plaque cast in relief with a grid of intaglio ovals comprising portrait miniatures and classically themed intaglios,£70 -
An English relief-cast plaster plaque of intaglios
£70An English relief-cast plaster plaque of intaglios
the rectangular plaque cast in relief with a grid of intaglio ovals comprising portrait miniatures and classically themed intaglios,£70 -
An English relief-cast plaster plaque of intaglios
£70An English relief-cast plaster plaque of intaglios
the rectangular plaque cast in relief with a grid of intaglio ovals comprising portrait miniatures and classically themed intaglios,£70 -
An English relief cast plaster head of a lion
£69
Featured Items
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Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Sun by André Masson, Verve Vol. 1 / No. 2.
£600The Sun by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600