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A magnificent set of four English pine and composition neo-Classical pilasters
POAA magnificent set of four English pine and composition neo-Classical pilasters
each rectangular section stem with recessed panels to each side bordered with lambrequin mouldings, the face applied with scrolling Etruscan style stylised foliate ornament incorporating urns, and headed by composition order capitals and raised on a stepped block foot; all painted post-restorations with a unifying white wash,POA -
George III style Neo-Classical breakfront marble chimneypiece,
£14,500George III style Neo-Classical breakfront marble chimneypiece,
the stepped shelf with dentil under-mould, the central tablet with classical urn and drapes of bellflowers to either side, the frieze, corner blocks and jambs with further detail carved in relief, on block feet. A modern piece reclaimed from a substantial property on Eaton Square.£14,500 -
A rare George III pine and composition doorcase
£14,250A rare George III pine and composition doorcase
the triangular pediment with reeded soffit, dentil mouldings and repeated ogee brackets, the endblocks applied with painted composition relief-cast urn motifs, raised on fluted columns with reeded capitals and square footblocks; the back-board cut with an arched aperture,£14,250 -
An English plaster relief-cast frieze
£195An English plaster relief-cast frieze
the frieze centred with a long-horned bucranium flanked by ribbon-tied bell-flower swags and pendants,£195
Featured Items
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Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600