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A rare George III Westminster “Gala” sedan chair
£12,000A rare George III Westminster “Gala” sedan chair
the cabin of deal construction with a domed roof all clad in blacked Moroccan leather with crimson borders and ornamented with beautifully detailed gilt-brass crestings - masks to the top corners and guilloche and Vitruvian scroll applied friezes, the door-furniture ornately cast, the front door opening to reveal a silk lined interior with privacy blinds concealing the three drop-sash windows - one to the front and two to the sides; the sedan chair is borne by the pair of guilloche carved poles threaded through two hasps on each side and with hooped leather shoulder straps,£12,000 -
A pair of good late Victorian stained glass church windows
£12,000 the pairA pair of good late Victorian stained glass church windows
each lancet-arched leaded window eloquently painted with an early New Testament scene, one light depicting The Annunciation - Mary being visited by the holy dove and an angel, the other light depicting Jesus learning joinery from St. Joseph and glancing at the wooden cross his unknowing father has created, Mary is depicted spinning wool in the house yonder,£12,000 the pair -
A rare Avignon Chaise-a-Porteur (sedan chair)
£9,250A rare Avignon Chaise-a-Porteur (sedan chair)
the cabin of deal and canvas construction with a domed roof clad in blacked Moroccan leather with sides, back and door painted in a "grisailles" repeating foliate field, centred with acanthine cartouches incorporating lions, herms and scene paintings, the front door opening to reveal a silk lined interior glazed with quartered drop-sash windows - one to the front and two to the sides; the sedan chair lacking the original the pair of poles - threaded through two hasps on each side,£9,250 -
A set of five Victorian leaded stained glass portrait windows,
£6,000 the five panelsA set of five Victorian leaded stained glass portrait windows,
each rectangular window with an arched top centred by a portrait oval of one of the great English poets, respectively: Spenser, Byron, Chaucer, Milton and Dryden, each within a strapwork cartouche - with a fruiting swag above and name-scroll below, each mounted in a later decorative scrolled steel frame,£6,000 the five panels -
A pair of large late Victorian stained glass windows
£1,800 the pairA pair of large late Victorian stained glass windows
each square window of leaded polychrome glass on an obscured glass field, centred with a large quatrefoil, with foliate painted ornament and inset with bullion roundels,£1,800 the pair -
A Victorian stained glass window
£525A Victorian stained glass window
the rectangular panel with a field of leaded polychrome textured glass diamonds, studded with crown bullions and centred with a painted roundel of a cedar and windmill in a river landscape, preserved in its original framing - with strengthening rods£525 -
An attractive narrow Victorian double-hung stained glass sash window
£495 the two sashesAn attractive narrow Victorian double-hung stained glass sash window
each rectangular pine sash with leaded polychrome glass painted with a stylised foliate ornament and a scarlet ribbon border - the design uniting the two windows,£495 the two sashes
Featured Items
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Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600