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Fruit Growers Guide – Portugal Quince, Durondeau, Van Mons Leon le Clerc, Gansel’s Bergamot,
£220 EachFruit Growers Guide – Portugal Quince, Durondeau, Van Mons Leon le Clerc, Gansel’s Bergamot,
Published by John Wright in 1894.£220 Each -
Fruit Growers Guide – Nouvelle Fulvie, Easter Beurré, Olivier de Serres,
£220 EachFruit Growers Guide – Nouvelle Fulvie, Easter Beurré, Olivier de Serres,
Published by John Wright in 1894.£220 Each -
Fruit Growers Guide – Muscat of Alexandria, Madresfield Court,
£220 EachFruit Growers Guide – Muscat of Alexandria, Madresfield Court,
Published by John Wright in 1894.£220 Each -
Fruit Growers Guide – Gascoigne’s Seedling, Sandringham,
£220 EachFruit Growers Guide – Gascoigne’s Seedling, Sandringham,
Published by John Wright in 1894.£220 Each -
Fruit Growers Guide – Doyenné du Comice, Beurré Superfin, Souvenir du Congrès,
£220 EachFruit Growers Guide – Doyenné du Comice, Beurré Superfin, Souvenir du Congrès,
Published by John Wright in 1894.£220 Each -
Fruit Growers Guide – Milton, Goldoni, Victoria, Newton, Stanwick Elruge,
£220 EachFruit Growers Guide – Milton, Goldoni, Victoria, Newton, Stanwick Elruge,
Published by John Wright in 1894.£220 Each -
Fruit Growers Guide – Tom Putt, Wealthy, Queen Caroline,
£220 EachFruit Growers Guide – Tom Putt, Wealthy, Queen Caroline,
Published by John Wright in 1894.£220 Each -
Fruit Growers Guide – Green Gage, Red Warrington, Red Champagne, Yellow Champagne, White Smith, Pitmaston Green Gage,
£220 EachFruit Growers Guide – Green Gage, Red Warrington, Red Champagne, Yellow Champagne, White Smith, Pitmaston Green Gage,
Published by John Wright in 1894.£220 Each -
Fruit Growers Guide – Duke of Buccleuch, Gros Colman, Lady Downe’s Seedling,
£220 EachFruit Growers Guide – Duke of Buccleuch, Gros Colman, Lady Downe’s Seedling,
Published by John Wright in 1894.£220 Each
Featured Items
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Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800