No products in the basket.
15 items found
Page 1 of 1
-
Suite of neo-classical brass door furniture
£2,500 the setSuite of neo-classical brass door furniture
comprising twelve pairs of door handles and fifteen push-plates, English mid-twentieth century, thought to be by Beardmore. Dimensions of push-plates, h.26cm, w.7cm, dimensions of the handles, h. 5.5cm, w.5.2cm, d. 7cm£2,500 the set -
Set of late Victorian door furniture,
£1,450Set of late Victorian door furniture,
consisting of thirteen knobs, thirteen fingerplates, and nine escutcheons. Dimensions: Door knobs: 7.5 cm high x 6 cm wide, Fingerplates: 32 cm high x 8.5 cm wide x 0.5 cm deep Escutcheons: 4.8 cm high x 2.5 cm wide x 0.5 cm deep£1,450 -
Set of nine Victorian brass finger plates
£500 the setSet of nine Victorian brass finger plates
with repeating cabochon detail to the borders.£500 the set -
Set of antique ‘Hopes’ bronze finger plates
£450 the set -
Set of six Victorian brass finger plates
£450 -
Set of Edwardian brass fingerplates
£400 the set -
Set of William IV brass finger plates
£350 the set of sixSet of William IV brass finger plates
lightweight pressed brass with a border of fruits and flowers. Six to the set£350 the set of six -
William Tonks and Sons brass door plates,
£350 -
Set of five reeded brass finger plates
£300 the set -
Set of brass ropetwist finger plates
£300 the set of sevenSet of brass ropetwist finger plates
seven in the set, late Victorian or Edwardian, c.1900£300 the set of seven -
Set of Victorian pierced brass finger-plates
£250 the set of sevenSet of Victorian pierced brass finger-plates
some retaining the original gilt-lacquer, two smaller (17.5cm height)£250 the set of seven -
Victorian Arts and Crafts brass finger plates
£200 the set -
Victorian brass finger plates
£150 -
Nineteenth century neo-classical brass finger plate
£75 -
Nineteenth century French finger plate
£75
Featured Items
-
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600