17 items found
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An English nine panelled front door
£465An English nine panelled front door
three square above two registers of three rectangular panels£465 -
A Victorian Silver salver, in the Georgian taste
£350A Victorian Silver salver, in the Georgian taste
A stylish sterling silver salver of circular form with a Chippendale style border. The salver stands on three scrolled feet. Having an engraved bird to centre. London hallmark 1840£350 -
Large Ankara pattern wall charger
£200Large Ankara pattern wall charger
decorated by Charlotte Rhead and produced by Crown Ducal. Signed C. Rhead with pattern number 5983.£200 -
A Victorian four panel pine door
£145 -
An English ledged and braced painted pine cottage door
£135 -
A Victorian four panel painted pine door
£135 -
A Victorian four panel painted pine door
£125 -
A Victorian four panel painted pine door
£125 -
A Victorian four panel pine door
£125 -
A six panel painted painted pine door
£120 -
A four panel pine door
£115 -
A four panel painted pine door
£115 -
A four panel painted pine door
£115 -
A four panel painted pine door
£115 -
A four panel pine door
£115 -
A four panel birchwood door
£80 -
A fleur de Lys brass letter plate
£40
Featured Items
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Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600