62 items found
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Linden Botanicals, Odontoglossum Duvivieranum,
£175 eachLinden Botanicals, Odontoglossum Duvivieranum,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals, Odontoglossum Constricutum,
£175 eachLinden Botanicals, Odontoglossum Constricutum,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals, Ansellia Congoensis,
£175 eachLinden Botanicals, Ansellia Congoensis,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals, Vanda Lindeni,
£175 eachLinden Botanicals, Vanda Lindeni,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals, Vriesea Fulgida,
£175 eachLinden Botanicals, Vriesea Fulgida,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals, Aerides Reichenbachi,
£175 eachLinden Botanicals, Aerides Reichenbachi,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals, Vanda Superba,
£175 eachLinden Botanicals, Vanda Superba,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals, Diacrium Bicornutum,
£175 eachLinden Botanicals, Diacrium Bicornutum,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals, Coelogyne Lurida,
£175 eachLinden Botanicals, Coelogyne Lurida,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals, Eria Striolata,
£175 eachLinden Botanicals, Eria Striolata,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals, Dendiobium Macrophyllum,
£175 eachLinden Botanicals, Dendiobium Macrophyllum,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals, Rhynchostylis Retusa,
£175 eachLinden Botanicals, Rhynchostylis Retusa,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals, Cleisostoma Crassifolium,
£175 eachLinden Botanicals, Cleisostoma Crassifolium,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals, Eriopsis Rutidobulbon,
£175 eachLinden Botanicals, Eriopsis Rutidobulbon,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals, Odontoglossum Crispum,
£175 eachLinden Botanicals, Odontoglossum Crispum,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals, Oncidium Papilio,
£175 eachLinden Botanicals, Oncidium Papilio,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals, Rodriguezia Bungerothi,
£175 eachLinden Botanicals, Rodriguezia Bungerothi,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals, Catasetum Bungerothi,
£175 eachLinden Botanicals, Catasetum Bungerothi,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals,
£175 eachLinden Botanicals,
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals
£175 eachLinden Botanicals
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals
£175 eachLinden Botanicals
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Linden Botanicals
£175 eachLinden Botanicals
L’Illustration Horticole, was a monthly horticultural review, founded in 1854 in Ghent, Belgium, by Ambroise Verschaffelt, a nurseryman who specialised in new plant introductions from South America. The lavish illustrations were produced by some of the very best botanical artists and lithographers – A. Goosens, P. De Pannemaeker and J. Goffart. The L’Illustration Horticole although founded by Jean Jules Linden (1817 – 1898) became a collaborative effort of many great horticulturists and field botanists of the day. Jean Linden in his own right was a renowned orchid grower and collector. Each monthly edition featured chromolithograph of botanical prints. Plants such as orchids, camellias, roses and leafy plants such as ferns and palm trees were represented. The magazine’s scope included pictures, descriptions, the history and culture of “the most remarkable plants,” new introductions, horticultural history, botanical expeditions, and accounts of the major expositions and of new works on botany and horticulture as well as garden descriptions and layouts.£175 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each -
Sertum Orchidaceum by John Lindley 1838
£95 eachSertum Orchidaceum by John Lindley 1838
Spectacular large-scale prints of the most beautiful known Orchids selected, selected by John Lindley, perhaps the greatest early orchidologist, drawn by Sarah Anne Drake and lithographed by Maxime Gauci. Although John Lindley is now known as a botanist of wide accomplishments, the study of orchids had been an area of special interest to him from early in his career when he was employed by the orchid specialist William Cattley.£95 each
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The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800