8 items found
Page 1 of 1
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Pair of Regency rosewood pier tables,
£8,500Pair of Regency rosewood pier tables,
with statuary marble tops supported by gilt Tuscan columns, with pilasters to the rear flanking mirrored backs, on plinth bases.£8,500 -
An English oak joint table stool
£550An English oak joint table stool
the radius moulded rectangular top raised on cylindrical legs, ring turned top and bottom, with inverted cup detail, united by a moulded box stretcher,£550 -
A country oak tilt-top tripod table
£485A country oak tilt-top tripod table
the circular dish top on knopped baluster stem, raised on a tripod base, the plank-cut legs with exaggerated cabriole,£485 -
A George III mahogany tilt-top tripod table
£450A George III mahogany tilt-top tripod table
the circular dish top on a baluster stem, raised on tripod base with lapetted legs,£450 -
An English mahogany tilt-top tripod table
£375An English mahogany tilt-top tripod table
the one piece circular dish top raised on knop turned baluster stem and tripod base,£375 -
An Arts & Crafts style oak side table
£230An Arts & Crafts style oak side table
the octagonal top raised on four plank legs with fret-cut trefoil devices,£230 -
1980s melamine table
£80
Featured Items
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Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800