10 items found
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An English leaded stained glass hanger,
£745An English leaded stained glass hanger,
a cartouche-shaped light incorporating old fragments (some probably medieval): with three lions on a red ground and fleur-de-lys on blue, chain hung from wire loops,£745 -
An English leaded stained glass hanger,
£675An English leaded stained glass hanger,
a rectangular light incorporating old fragments (some probably medieval): two with fleur-de-lys, one with three swords and a crescent, another with six myrtles, hung from wire loops,£675 -
A Victorian leaded stained glass trefoil hanger,
£460A Victorian leaded stained glass trefoil hanger,
the trefoil light centred with a gothic "M" in a sunburst, the lobes painted with foliate ornament, chain hung from wire loops,£460 -
The Trinity Shield, a leaded stained glass hanger,
£415The Trinity Shield, a leaded stained glass hanger,
a shield shaped light centred with the pictogram of the Holy Trinity, the central shield centred with a "Deus" with "Est" bars linking to "Pater", "Filius" and "Sis Sits" (Spiritus Sanctus), "Non Est" linking the outer three, on a claret and indigo ground - the highlights in cadmium, hung from wire loops,£415 -
An armorial leaded and stained glass hanger,
£375An armorial leaded and stained glass hanger,
a shield shaped light, the top quarter with a lion rampant, with a field of gold devices on blue, hung from wire loops£375 -
An armorial leaded and stained glass hanger,
£375An armorial leaded and stained glass hanger,
a shield shaped light, a bar with three gold stars to the top, a white chevron with three Maltese crosses and a trio of lion heads on a claret field, hung from wire loops£375 -
An armorial leaded and stained glass hanger,
£355An armorial leaded and stained glass hanger,
a shield shaped light with a trio of Crux Decussata centred with a delicately painted crown of thorns on a blue ground, hung from wire loops£355 -
An English heraldic bronze applique
£330 -
An English leaded stained glass hanger,
£290An English leaded stained glass hanger,
a polygonal light incorporating old fragments (some probably medieval): with Maltese crosses and foliate fragments, chain hung from wire loops,£290 -
An armorial leaded and stained glass hanger,
£275An armorial leaded and stained glass hanger,
the round pane, a shield device within, the quartered field with gold 'frets' on worn blue background, gold Bishops' mitres to the red border, facing lead restorations, wire eye to the top for hanging,£275
Featured Items
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Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800