18 items found
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Elegant late Georgian Statuary marble chimneypiece with Spanish Brocatello inlay
£28,000Elegant late Georgian Statuary marble chimneypiece with Spanish Brocatello inlay
the breakfront, moulded shelf above central tablet carved with classical tazza and strings of bellflowers, the corner-blocks again depicting lidded urns hung with bellflowers, on tapered and fluted pilaster jambs and block feet.£28,000 -
George III style Statuary marble Doric order chimneypiece
£18,000George III style Statuary marble Doric order chimneypiece
the moulded breakfront shelf above central plain plaque, the frieze with triglyphs and plain metopes, with engaged columnar jambs on footblocks. Late nineteenth century in the early George III manner.£18,000 -
Contemporary brown travertine, bronze and statuary marble fireplace
£16,500Contemporary brown travertine, bronze and statuary marble fireplace
the illuminated strip to the rear of the shelf covered in bronze hatching, the frieze centred by blind keystone, c.2009£16,500 -
George III style Statuary and Verde Antico marble chimneypiece,
£7,500George III style Statuary and Verde Antico marble chimneypiece,
the inverse breakfront shelf above inlaid frieze centred by relief carved frieze of the Goddess Iris / Flora, the jambs with conforming marble inlay, all raised on square footblocks. Opening width 112 cm x 99 cm high£7,500 -
Louis XV style Carrara marble fireplace
£6,500Louis XV style Carrara marble fireplace
the shaped frieze centred by stylised fleur-de-lys flanked by laurel leaves, the out-turned jambs with acanthus leaves to the foot, on block feet.£6,500 -
Nineteenth century French Breche fireplace,
£6,000Nineteenth century French Breche fireplace,
the panelled frieze centred by foliate boss, the paterae corner-blocks above stop-fluted console jambs, on block feet.£6,000 -
Twentieth century Neo-Classical fireplace
£5,750Twentieth century Neo-Classical fireplace
with reeded shelf and Classical carved tablet and corner-blocks, the frieze and jambs inlayed with rich Sienna marble, on block feet.£5,750 -
Early nineteenth century Devonian Petitor bull’s-eye chimneypiece,
£5,500Early nineteenth century Devonian Petitor bull’s-eye chimneypiece,
the jambs and frieze cushion moulded, with central specimen tablet flanked by convex roundel corner blocks.£5,500 -
Nineteenth century Carrara marble roundel fireplace,
£4,500Nineteenth century Carrara marble roundel fireplace,
of simple plain form with deep-undercut roundel corner-blocks£4,500 -
William IV Black Belgian marble fireplace,
£4,500William IV Black Belgian marble fireplace,
the frieze flanked by jambs headed by stylised lotus leaf corbels, on block feet.£4,500 -
Nineteenth century French Pompadour fireplace,
£4,500Nineteenth century French Pompadour fireplace,
carved in Spanish Brocatello marble, the moulded and shaped shelf above panelled frieze on canted volute jambs.£4,500 -
George IV Derbyshire limestone fireplace,
£4,400George IV Derbyshire limestone fireplace,
the frieze with plain shelf on deep-moulded jambs and square footblocks. Opening width 91.5 cm x 101.5 cm high, outside jamb to jamb width 146 cm.£4,400 -
Early Victorian Bardiglio marble fireplace
£4,250 -
Regency slate fireplace
£3,500Regency slate fireplace
the cushion moulded frieze centred by plain plaque and flanked by convex roundel corner-blocks, the jambs with conforming moulding, on square footblocks.£3,500 -
A late George III Yorkstone chimneypiece,
£2,350A late George III Yorkstone chimneypiece,
the rectangular shelf over the plain frieze with central keystone, flanked by relief carved patera end-blocks, raised on plain jambs and square foot-blocks; carved in the solid and rough hewn to the reverse,£2,350 -
French Arabescato chimneypiece,
£2,250French Arabescato chimneypiece,
with shaped shelf, the frieze and jambs with channel moulded detail.£2,250 -
1970s carved oak fire surround
£1,750 -
Large late nineteenth century painted pine and composition neo-classical fire surround,
£1,500Large late nineteenth century painted pine and composition neo-classical fire surround,
the deep moulded cornice shelf above fluted frieze centred by plaque of opposed griffins, with dog-leg frame surrounding the aperture. Requires slips.£1,500
Featured Items
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The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
18th Century French Engravings of Dogs
£175 each18th Century French Engravings of Dogs
Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.£175 each -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800