17 items found
Page 1 of 1
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Victorian brass door knocker by ‘A. Kenrick & Sons’, model 423
£450Victorian brass door knocker by ‘A. Kenrick & Sons’, model 423
with makers stamp, model number and registration mark impressed to the rear, c.1880s£450 -
William Tonks and Sons brass door knocker,
£425 -
William Tonks and Sons door knocker
£425William Tonks and Sons door knocker
cast in brass, mid-Victorian, with various marks impressed to the reverse£425 -
Mid-Victorian brass looped door-knocker
£400 -
‘A. Kenrick & Sons’ brass door knocker No. 427
£350 -
George III cast iron oval paterae knocker
£350 -
Mid-Victorian brass door knocker
£350 -
Victorian brass door knocker
£300 -
Antique William Tonks & Sons brass door knocker,
£300 -
Brass Art Nouveau door knocker
£280 -
Early nineteenth century iron door knocker,
£250 -
Nineteenth century iron door knocker
£240Nineteenth century iron door knocker
the s-shaped rapper cast with foliage, the strike plate a modern replacement.£240 -
A Stylish Brass Door knocker. Early twentieth century.
£200A Stylish Brass Door knocker. Early twentieth century.
The brass door knocker, with a reeded circular fixing plate, and tapered reeded knocker flanked by smaller reeded decorative plates, and new strike plate.£200 -
‘A. Kenrick & Sons’ cast iron door knocker, No414,
£140‘A. Kenrick & Sons’ cast iron door knocker, No414,
an example by the celebrated Black Country foundry depicting Mercury or Hermes, this example lacking wings, with various identification stamps to the rear.£140 -
Antique cast iron door knocker,
£125 -
Cast iron gothic letterplate,
£125Cast iron gothic letterplate,
with fleur de-lis-design to top and bottom, polished, with clapper.£125 -
Art Nouveau brass letterplate,
£85
Featured Items
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Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800