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Victorian brass door knocker by ‘A. Kenrick & Sons’, model 423
£450Victorian brass door knocker by ‘A. Kenrick & Sons’, model 423
with makers stamp, model number and registration mark impressed to the rear, c.1880s£450 -
Victorian brass door knocker
£450Victorian brass door knocker
with elegant repeating guilloche design to the rapper and door-plate£450 -
William Tonks and Sons brass door knocker,
£425 -
William Tonks and Sons door knocker
£425William Tonks and Sons door knocker
cast in brass, mid-Victorian, with various marks impressed to the reverse£425 -
Mid-Victorian brass looped door-knocker
£400 -
‘A. Kenrick & Sons’ brass door knocker No. 427
£350 -
George III cast iron oval paterae knocker
£350 -
Mid-Victorian brass door knocker
£350 -
Victorian brass door knocker
£300 -
Antique William Tonks & Sons brass door knocker,
£300 -
Brass Art Nouveau door knocker
£280 -
1920s rose brass door knocker
£250 -
‘A. Kenrick & Sons’ cast iron door knocker, No414,
£140‘A. Kenrick & Sons’ cast iron door knocker, No414,
an example by the celebrated Black Country foundry depicting Mercury or Hermes, with various identification stamps to the rear.£140 -
‘A. Kenrick & Sons’ cast iron door knocker, No414,
£140‘A. Kenrick & Sons’ cast iron door knocker, No414,
an example by the celebrated Black Country foundry depicting Mercury or Hermes, this example lacking wings, with various identification stamps to the rear.£140 -
Antique cast iron door knocker,
£125 -
Cast iron gothic letterplate,
£125Cast iron gothic letterplate,
with fleur de-lis-design to top and bottom, polished, with clapper.£125 -
Art Nouveau brass letterplate,
£85
Featured Items
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Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Sun by André Masson, Verve Vol. 1 / No. 2.
£600The Sun by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600