15 items found
Page 1 of 1
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Ten person reclaimed pine dining table
£975Ten person reclaimed pine dining table
constructed from Victorian floor boards, supplied 'raw'/sanded without a finish.£975 -
Ten person reclaimed pine dining table
£975Ten person reclaimed pine dining table
constructed from Victorian floor boards, supplied 'raw'/sanded and without a finish.£975 -
Reclaimed pine table
£350Reclaimed pine table
constructed from Victorian floor boards, supplied 'raw'/sanded without a finish.£350 -
Reclaimed pine table
£350Reclaimed pine table
constructed from Victorian floor boards, supplied 'raw'/sanded without a finish.£350 -
Reclaimed pine table
£350Reclaimed pine table
constructed from Victorian floor boards, supplied 'raw'/sanded without a finish.£350 -
An English metal spring balance,
£215An English metal spring balance,
the calibrated brass dial and steel pointer mounted on a cast iron back-plate with wrought hooks top and bottom£215 -
Two characterful Victorian copper measuring jugs
£140 the twoTwo characterful Victorian copper measuring jugs
each with a flared rim and spout, a narrow neck, loop handle and wide base, stamped with "1 Gallon", "2 Gallon" respectively£140 the two -
Antique copper saucepan and lid
£95 -
Antique copper frying pan and lid
£95 -
An English Waymaster metal spring balance,
£95An English Waymaster metal spring balance,
the calibrated dial and steel pointer mounted on a cast iron back-plate with wrought hooks top and bottom£95 -
Antique copper saucepan and lid
£85 -
Antique copper saucepan and lid
£85 -
Antique copper saucepan and lid
£75 -
Mid-eighteenth century pewter plates,
£75 each -
A nickel-plated brass drawer pull
£32
Featured Items
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Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600