10 items found
Page 1 of 1
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Two characterful Victorian copper measuring jugs
£140 the twoTwo characterful Victorian copper measuring jugs
each with a flared rim and spout, a narrow neck, loop handle and wide base, stamped with "1 Gallon", "2 Gallon" respectively£140 the two -
Doulton Lambeth Harvest Ware jug
£125 -
Doulton Lambeth Harvest Ware jug
£125Doulton Lambeth Harvest Ware jug
stoneware with patinated silver rim, with hallmarks to the silver and green glaze to the body£125 -
Edwardian cut glass water pitcher,
£125 -
Doulton Lambeth Harvest Ware jug
£95Doulton Lambeth Harvest Ware jug
stoneware with patinated silver rim, with hallmarks to the silver and further impressed backstamps to the base, with green glaze to the body£95 -
Doulton Lambeth Harvest Ware jug,
£65Doulton Lambeth Harvest Ware jug,
silver rimmed stoneware, with hallmarks to the silver and further impressed stamps to the base£65 -
Doulton Lambeth Harvest Ware jug,
£65Doulton Lambeth Harvest Ware jug,
silver rimmed stoneware, with hallmarks to the silver and further impressed stamps to the base£65 -
Doulton Lambeth Harvest Ware jug
£65Doulton Lambeth Harvest Ware jug
stoneware body with line-engraved silver rim, with hallmarks to the silver and further impressed stamps to the base£65 -
Doulton Lambeth Harvest Ware jug
£65Doulton Lambeth Harvest Ware jug
silver rimmed stoneware, with hallmarks to the silver and further impressed stamps to the base£65 -
Doulton Lambeth Harvest Ware jug
£45Doulton Lambeth Harvest Ware jug
stoneware with silver rim, with hallmarks to the silver and further impressed stamps to the base, small chip to the inside of the rim.£45
Featured Items
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Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800