8 items found
Page 1 of 1
-
A Victorian painted cast iron campana urn on stand
£880A Victorian painted cast iron campana urn on stand
with an everted rim above a waisted semi-lobed body with mask-and-loop handles and a spreading socle foot, all raised on a slightly tapered square section pedestal,£880 -
A pair of English glazed terracotta decorative garden urns
£815 the pairA pair of English glazed terracotta decorative garden urns
each with a foliate moulded rim above a waisted body with relief cast foliate ornament, and raised on a socle£815 the pair -
A pair of Victorian painted cast iron tazza terrace urns
£680 the pairA pair of Victorian painted cast iron tazza terrace urns
each with an everted rim and squat lobed body raised on a spreading socle foot,£680 the pair -
A pair of Victorian painted cast iron tazza terrace urns
£680 the pairA pair of Victorian painted cast iron tazza terrace urns
each with an everted rim and squat lobed body raised on a spreading socle foot,£680 the pair -
A pair of Victorian painted cast iron tazza terrace urns
£680 the pairA pair of Victorian painted cast iron tazza terrace urns
each with an everted rim and squat lobed body raised on a spreading socle foot,£680 the pair -
A pair of Victorian painted cast iron decorative garden urns
£625 the pairA pair of Victorian painted cast iron decorative garden urns
each with a lobed rim above a waisted body with relief cast foliate ornament,£625 the pair -
A carved limestone cylindrical mortar, long repurposed as a jardiniere
£495A carved limestone cylindrical mortar, long repurposed as a jardiniere
with four lugs to the upper edge, and a dished interior, nicely weathered with old lichen growth,£495 -
An English composition stone jardiniere
£480An English composition stone jardiniere
the octagonal planter cast with quatrefoil panels to each side,£480
Featured Items
-
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600