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Large George III wrought iron fire grate
£14,500Large George III wrought iron fire grate
the standards formed of elegant urn-topped pierced obelisks standing on a group of Tuscan columns, united by pierced and engraved shaped apron, of unusually large size. Blacking or polishing can be arranged, if deemed necessary.£14,500 -
Fine nineteenth century brass and iron firegrate,
£7,500Fine nineteenth century brass and iron firegrate,
the serpentine railed basket flanked by double column supports, each with urn finial, the elegant engraved and fret-cut serpentine apron set between grouped columnar standards. Restored, brass can be repolished if required.£7,500 -
Late Victorian brass, steel and iron firegrate
£3,250Late Victorian brass, steel and iron firegrate
with engraved brass cheeks, the pierced frieze with oval paterae and circular roundels.£3,250 -
George IV cast iron register grate,
£3,000George IV cast iron register grate,
the cushion moulded frame with brass flowerhead paterae corner-blocks, the ribbed cheeks flanking bowed grate bars with delicate fret-cut apron below£3,000 -
Neo-Classical bronze and iron urn fire grate
£2,850Neo-Classical bronze and iron urn fire grate
the rim of the urn shaped basket with bronze bead detail and scrolled handles to either side, the plinth base with applied ram's head and swag decoration.£2,850 -
Early twentieth century iron and bronze firegrate,
£2,500Early twentieth century iron and bronze firegrate,
the standards composed of hunting whips, horse shoes and fox-head mounts.£2,500 -
A cast-iron, steel and brass fire basket by Thomas Elsley,
£2,200A cast-iron, steel and brass fire basket by Thomas Elsley,
the rocaille crested back plate behind the three bar grate, raised on brass cabriole legs, the two part back with maker's mark to each section,£2,200 -
Victorian brass, iron and steel firegrate,
£2,200Victorian brass, iron and steel firegrate,
with polished steel fret-cut apron, scrolled standards and bold urn finials. Restored.£2,200 -
Small eighteenth century Dutch fire grate
£2,000Small eighteenth century Dutch fire grate
wrought iron, with shaped rails and heart motifs to the rear.£2,000 -
Nineteenth century iron and brass fire grate,
£1,750Nineteenth century iron and brass fire grate,
with arched back-plate and rococo apron centred by shell motif, on elegant foliate scroll legs.£1,750 -
A pair of large English andirons
£1,720A pair of large English andirons
each with a tall, faceted standard embellished with incised hatching to the surface, spit hooks, applied ornament and scrollwork brackets and topped with a knopped finial, the square section billet-bars evidently bearing signs of centuries of use,£1,720 -
An early Victorian cast iron register grate
£1,380An early Victorian cast iron register grate
the frame cast with scrolling foliate relief ornament, the bowed railed basket with small hobs and a pierced apron,£1,380 -
A mid Victorian cast iron fireplace insert
£1,250A mid Victorian cast iron fireplace insert
the horse-shoe aperture cast with delicate foliate and floral ornament centred by a mask of Vesta, the pierced curved duck's nest firebox with railed bars,£1,250 -
Nineteenth century iron register grate
£975
Featured Items
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Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.
£800Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800