7 items found
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Large mid-twentieth century Italian gilt-metal lantern
£4,500Large mid-twentieth century Italian gilt-metal lantern
with four light fitment within the glazed body, re-wired and PAT tested.£4,500 -
Pair of French gilt-brass chenets in the Rococo manner
£1,450 -
Pair of nineteenth century French gilt-metal chenets
£1,450Pair of nineteenth century French gilt-metal chenets
in the Rococo manner, stamped to the reverse.£1,450 -
A pair of Louis XVI style gilt bronze two-branch wall lights
£1,440 the pairA pair of Louis XVI style gilt bronze two-branch wall lights
each with a flaming-urn finial atop a tapered and fluted backplate issuing the square section S-scroll arms that support lambrequin moulded drip pans and semi-lobed scones, modelled throughout with finely chased acanthine clasps,£1,440 the pair -
Pair of French gilt metal wall applique
£1,200 -
A pair of dainty Louis XVI style gilt bronze two-branch wall lights
£950 the pairA pair of dainty Louis XVI style gilt bronze two-branch wall lights
each tapered backplate modelled as an arrow-filled quiver with a leaf-clasp terminus, the body applied with a Bacchic mask above differing musical trophies, the looped arms modelled as french hunting horns supporting machine-turned sconces,£950 the pair -
Gilt metal wire work and filigree sugar bowl, Ninetieth century.
£350Gilt metal wire work and filigree sugar bowl, Ninetieth century.
The shaped wire worked handle, leading to a rim above curved frieze incorporating stylized wire work fan lights and scrolls centre by applied diamond shaped decoration. Three open panels with swags to top, are raised on tapered wire worked legs with further flatten scroll feet. The metal appears to have a gilded finish with a Bristol blue glass liner£350
Featured Items
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The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600