6 items found
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A very large late Victorian stoneware campana urn
£14,250A very large late Victorian stoneware campana urn
the semi-lobed campana urn with loop and elven mask handles and vine-leaf tendrils modelled in relief under the spreading rim, raised on a socle foot, above a square section pedestal, bearing the maker's mark "Doulton Lambeth" to each element,£14,250 -
A pair of early Victorian stoneware garden urns
£10,400A pair of early Victorian stoneware garden urns
each semi-lobed campana urn with loop and mask handles and raised on a socle foot, above a square section pedestal with a relief-cast wreath to one side, bearing the maker's mark to each element,£10,400 -
An Impressive mid-Victorian stoneware garden urn
£8,900An Impressive mid-Victorian stoneware garden urn
the bulbous tazza with an everted rim raised on a socle foot, above a square section pedestal with a relief-cast wreath to each side, bearing the maker's mark to each element,£8,900 -
A substantial Victorian carved sandstone garden urn
£4,250A substantial Victorian carved sandstone garden urn
the semi-lobed vase body with moulded rim and carved ring handles to each side, roughly hewn within, raised on a generous socle foot and a square section plinth£4,250 -
A Victorian stoneware garden urn
£875A Victorian stoneware garden urn
of semi-fluted campana form, the everted rim with stiff-leaf mouldings above the vase-shaped body bearing an applied motif of crown and ostrich feathers, raised on a fluted socle£875 -
A late Victorian stoneware garden urn
£795
Featured Items
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Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
£1,200The Dance, by Henri Matisse, Jan – March 1939 / No. 4.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£1,200 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500