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Two pairs of English mahogany entrance doors
£9,000 the two pairsTwo pairs of English mahogany entrance doors
each side with parcel-gilded fielded panels - a pair of square panels, above two long and two short, each side of each leaf centred with a gilt-metal flowerhead boss, the doors hung on well-specified hinges with ball-finials,£9,000 the two pairs -
A pair of English mahogany entrance doors
£6,000 the pairA pair of English mahogany entrance doors
each side with parcel-gilded fielded panels - a pair of square panels, above two long and two short, each side of each leaf centred with a gilt-metal flowerhead boss, the doors hung on well-specified hinges with ball-finials,£6,000 the pair -
A pair of English mahogany entrance doors,
£4,000 the pairA pair of English mahogany entrance doors,
each side with parcel-gilded fielded panels - a pair of square panels, above two long and two short, each side of each leaf centred with a gilt-metal flowerhead boss, the doors hung on well-specified hinges with ball-finials,£4,000 the pair -
A pair of Art Deco copperlight glazed doors
£1,950 the pairA pair of Art Deco copperlight glazed doors
each with a central rectangular panel of rectilinear glazing within a timber frame - the vertical glazing bars forming interlocked arcades in the upper section,£1,950 the pair -
A pair of Victorian entranceway doors,
£1,880A pair of Victorian entranceway doors,
with three moulded panels to each side of each leaf, the obverse painted,£1,880 -
A pair of English mahogany entrance doors,
£1,250 the pairA pair of English mahogany entrance doors,
with five panels to each leaf on the obverse, one landscape above four portrait, and one long above one short raised and fielded panels to the reverse,£1,250 the pair -
A pair of English mahogany entrance doors,
£1,250 the pairA pair of English mahogany entrance doors,
with five panels to each leaf, one landscape above four portrait,£1,250 the pair -
A pair of Victorian part-glazed scumble painted doors,
£900A pair of Victorian part-glazed scumble painted doors,
with a pair of glazed long panels above two pairs of rectangular panels, pine with a scumbled finish in simulation of oak,£900 -
A pair of Victorian heavy-duty pine warehouse doors
£850 the pairA pair of Victorian heavy-duty pine warehouse doors
the obverse planked and studded, the robust framework hung on strap hinges, old paint, wear-and-tear commensurate with a long life in a busy industrial setting,£850 the pair -
A pair of Victorian heavy-duty pine warehouse doors
£850 the pairA pair of Victorian heavy-duty pine warehouse doors
the obverse planked and studded, the robust framework hung on strap hinges, old paint, wear-and-tear commensurate with a long life in a busy industrial setting,£850 the pair -
An English glazed front door,
£750An English glazed front door,
with a curved glazed top section glazed with "bullion" panes above a single fielded rectangular panel,£750 -
An English six panel pine front door
£485An English six panel pine front door
with three pairs of graduated moulded panels headed with a glazed fanlight of coloured glass, with a central brass door-boss, letter-plate and knocker,£485 -
A Victorian stained pine entrance door
£480A Victorian stained pine entrance door
with three long narrow raised and fielded panels above three short - to each side,£480 -
A Edwardian glazed front door
£480A Edwardian glazed front door
with three glazed top panels with shaped top edges above two raised and fielded rectangular panels, cut for a letter plate,£480 -
An English glazed front door,
£465An English glazed front door,
with two long panels glazed with obscured glass, above two short flush-moulded rectangular panels,£465 -
A Edwardian panelled pine front door
£450A Edwardian panelled pine front door
with a glazed top section above two raised and fielded rectangular panels,£450 -
An English glazed front door,
£425An English glazed front door,
with two long panels glazed, above two short moulded rectangular panels,£425 -
An English four panel pine front door
£415 -
A Edwardian glazed front door
£370A Edwardian glazed front door
with a pair of glazed long panels above two raised and fielded rectangular panels, cut for a letter plate,£370 -
A Victorian four panel pine front door
£365A Victorian four panel pine front door
with two long above two short panels headed with a glazed fanlight, with a central brass door-boss and knocker,£365 -
A Victorian four panel pine front door
£365A Victorian four panel pine front door
with two long above two short panels bordered with heavy mouldings, cut for a letter-plate, old paint,£365 -
An English glazed pine door
£340An English glazed pine door
with a field of eighteen glazed rectangular panes (at least one pane lacking),£340 -
A Victorian pine six-panelled door,
£175 -
A Victorian pine four-panelled door,
£155 -
A Victorian pine four-panelled door,
£155 -
A Victorian pine four-panelled door,
£125 -
A Victorian pine four-panelled door,
£125 -
A Victorian pine four-panelled door,
£125 -
A Victorian pine eight-panelled door,
£110 -
A Victorian pine eight-panelled door,
£110 -
A Victorian pine four-panelled door,
£110
Featured Items
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Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500