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Twentieth century Kings Pattern Cutlery Knives From The Royal Air Force Club,128 Piccadilly London.
£90 A set of sixTwentieth century Kings Pattern Cutlery Knives From The Royal Air Force Club,128 Piccadilly London.
Each knife with stainless steel blade some etched with the Royal Air Force insignia, with handles produced in EPNS (Electro Plated Nickel Silver) using the King's pattern, allegedly made for King George III by far one of the most used and recognisable flatware design in history. Sold in sets of six. The cutlery would have graced the tables at lunches and suppers held at The Royal Air Force Club 128 Piccadilly London.£90 A set of six -
Twentieth century Kings Pattern Forks. From The Royal Air Force Club, 128 Piccadilly London.
£90 a set of sixTwentieth century Kings Pattern Forks. From The Royal Air Force Club, 128 Piccadilly London.
Each fork stamped with the Royal Air Force insignia, produced in EPNS (Electro Plated Nickel Silver) using the Kings pattern, allegedly made for King George III by far one of the most used and recognisable flatware design in history. Sold in sets of six. The cutlery would have graced the tables at lunches and suppers held at The Royal Air Force Club 128 Piccadilly London.£90 a set of six -
Twentieth century Kings Pattern fish knives from The Royal Air Force Club
£60 a set of sixTwentieth century Kings Pattern fish knives from The Royal Air Force Club
each fish knife stamped with the Royal Air Force insignia, produced in EPNS (Electro Plated Nickel Silver) using the Kings pattern, allegedly made for King George III by far one of the most used and recognisable flatware design in history. Sold in sets of six. The cutlery would have graced the tables at lunches and suppers held at The Royal Air Force Club, 128 Piccadilly, London£60 a set of six -
Set of fish knives
£25 the five
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Henri Matisse, ‘The Last Works of Henri Matisse’
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Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600