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A set of late Georgian steel fire tools,
£1,250A set of late Georgian steel fire tools,
the poker, tongs and shovel with cup-and-ball pommels over knopped grips and stems,£1,250 -
A set of wrought steel Arts and Crafts fire tools,
£1,200A set of wrought steel Arts and Crafts fire tools,
the open twist handles with acorn finials atop twisted and knopped shafts, the tongs sprung,£1,200 -
A set of polished steel fire tools,
£725A set of polished steel fire tools,
the shovel, tongs and poker with knopped shafts and gadrooned pommels, chased brass pommel caps (absent to the shovel),£725 -
A set of English steel fire tools,
£500A set of English steel fire tools,
the poker, tongs and shovel with plain stems, the shaped handles with faceted pommels,£500 -
A set of late nineteenth century brass and steel fire tools,
£450A set of late nineteenth century brass and steel fire tools,
the steel shafted tongs, poker and shovel with knopped brass grips and reeded lidded urn termini; slight play in shovel blade and tongs, finished to a low polish, the ends age-blackened, can be fully re-polished if requested,£450
Featured Items
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The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800