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  • ‘A Young Poodle, but not one of the Sagacious Breed’

    £520 Stock code: P01296
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    ‘A Young Poodle, but not one of the Sagacious Breed’

    Caricaturist, presumably of Irish background, but undocumented. Responsible for a small number of plates in a distinctive hand. Unclear whether he etched them all or only designed them. Never a publisher. Worked for P.Roberts and J.Aitken. Many unsigned prints by both men may well be by him.
    Dimensions: 41cm (16¼") High, 29cm (11½") Wide, 2cm (0¾") Deep
    Stock code: P01296
    £520
  • A Bundle of Straw, My Spouse is Remarkable Tasty in his Dress & he likes to see me so.

    £520 Stock code: P01295
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    A Bundle of Straw, My Spouse is Remarkable Tasty in his Dress & he likes to see me so.

    Caricaturist, presumably of Irish background, but undocumented. Responsible for a small number of plates in a distinctive hand. Unclear whether he etched them all or only designed them. Never a publisher. Worked for P.Roberts and J.Aitken. Many unsigned prints by both men may well be by him.
    Dimensions: 41cm (16¼") High, 29cm (11½") Wide, 2cm (0¾") Deep
    Stock code: P01295
    £520
  • The Triumphal Arches, Mr. Handel’s Statue & c. in the South Walk of Vauxhall Gardens

    £495 Stock code: P01052
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    The Triumphal Arches, Mr. Handel’s Statue & c. in the South Walk of Vauxhall Gardens

    Based on the work by Samuel Wale and engraved by Benjamin Cole in 1752. Mounted and presented in a Hogarth style frame.
    Dimensions: 32.5cm (12¾") High, 43.5cm (17¼") Wide, 2cm (0¾") Deep
    Stock code: P01052
    £495
  • A late Arrival at Mother Wood’s

    £350 Stock code: A083
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    A late Arrival at Mother Wood’s

    Hand-coloured etching by George Cruikshank, published by Mr George Humphrey. The scene depicts Caroline of Brunswick, the estranged wife of the newly ascended King George IV, saluting and addressing an adoring crowd from the balcony of Alderman Wood's residence in South Audley Street, London. Alderman Woods was a low-born hop merchant who's investments in a colouring agent for porter had supplied him with the means to further career in Radical politics. He achieved an almost unprecedented two-term mayoralty of the City of London where his opposition to the governments repressive domestic legislation and condemnation of the Peterloo massacre, as well as his perceived upstart vulgarity,  made him a hate-figure for Tories and Loyalists. His Whig-Radicalism continued into his term as MP for the City of London and when, in 1820 he saw the chance to embarrass the King and his adherents by the return of his absent and unloved wife, he took it boldly. Woods persuaded Caroline of Brunswick to terminate the discreet ongoing negotiations for a settlement she had been engaged in with the King and instead return, splendidly and publicly, to the capital to assert her claim to be rightful Queen of England. Alderman Woods arranged for Caroline to be conveyed in an open carriage through the heart of London to his house on South Audley Street where she became the unlikely figure-head of Radical Whiggery in the metropolis. The diarist Charles Greville noted of the procession to the house on the 6th of June 1820: "The Queen arrived in London yesterday at seven o’clock… She travelled in an open landau, Alderman Wood sitting by her side and Lady Anne Hamilton and another woman opposite. Everybody was disgusted at the vulgarity of Wood in sitting in the place of honour, while the Duke of Hamilton’s sister was sitting backwards in the carriage". Caroline would spend the next two months at South Audley Street where the the great and the good of British radicalism paid her court amidst the crowds outside South Audley Street.
    Dimensions: 35.56cm (14") High, 45.72cm (18") Wide
    Stock code: A083
    £350
  • Architectura published by Jan Jansson 1647

    £335 each Stock code: P01215 pl. 15
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    Architectura published by Jan Jansson 1647

    Seventeenth century copper-engraved plated showing the principles and theories of architecture. Framed in black.
    Dimensions: 38.5cm (15¼") High, 49cm (19¼") Wide, 3.5cm (1½") Deep
    Stock code: P01215 pl. 15
    £335 each
  • Architectura published by Jan Jansson 1647

    £335 each Stock code: P01215 pl.17
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    Architectura published by Jan Jansson 1647

    Seventeenth century copper-engraved plated showing the principles and theories of architecture. Framed in black.
    Dimensions: 38.5cm (15¼") High, 49cm (19¼") Wide, 3.5cm (1½") Deep
    Stock code: P01215 pl.17
    £335 each
  • George Edwards,18th century ornithological engravings

    £320 each Stock code: P01159 128
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    George Edwards,18th century ornithological engravings

    Featuring original hand-colour. Framed in natural ash.
    Dimensions: 39cm (15¼") High, 34cm (13½") Wide, 2cm (0¾") Deep
    Stock code: P01159 128
    £320 each
  • George Edwards,18th century ornithological engravings

    £320 each Stock code: P01159 106
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    George Edwards,18th century ornithological engravings

    Featuring original hand-colour. Framed in natural ash.
    Dimensions: 39cm (15¼") High, 34cm (13½") Wide, 2cm (0¾") Deep
    Stock code: P01159 106
    £320 each
  • Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    £225 Stock code: P01226 Tab.150
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    Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    Mark Catesby was born in Essex to a family owned a farm and house, Holgate, in Sudbury, Suffolk. His acquaintance with the naturalist Reverend John Ray, a leading English naturalist of the late 17th century and co-author of an early classic study on birds started Catesby’s life-long becoming interest in natural history, which he went on to study in London. His life changes when in 1712, he arrived at Williamsburg, Virginia, accompanying his married sister Elizabeth Cocke and two of her children. During his seven-year stay in Virginia that Catesby developed a passionate in the native flora and fauna. He began collecting botanical specimens, especially seeds, and sending them to friends in England and he met William Byrd II, who was an amateur naturalist, a member of the colonial Council and a Fellow of the Royal Society. When he returned to England in 1719, influential members of the Royal Society, then chaired by Sir Isaac Newton, had learned of his work in the colonies. Led by William Sherard, “one of the most celebrated botanists of the age,” members began soliciting sponsors to finance Catesby for a botanical expedition to South Carolina. By 1722, Catesby was again crossing the Atlantic to further his work in the New World. Catesby, was one of the first people to recognize how natural and man-made destruction and depredation of a species’ habitat lead to extinction. He was the first to depict birds, in conjunction with environmentally relevant plants. He returned to England in 1726, and then spent the subsequent two decades years developing his work that would eventually be published as, "The Natural History of Carolina, Florida, and the Bahama Islands" It was first fully illustrated study of the natural history of North America and the most comprehensive to date. Working virtually alone, Catesby personally oversaw every aspect of the work’s production, even learning the difficult art of etching on copper plates. To finance this expensive printing project, Catesby sought subscriptions, offering his book in sections of 20 plates to be published every four months. Published in eleven sections and featuring more than 220 hand-coloured etchings. Published in eleven sections and featuring more than 220 hand-coloured etchings. He personally presented the first section to Her Majesty Queen Caroline in May 1729, and later he dedicated the first volume of the Natural History to her. Following a collapse, Mark Catesby died at his home on Old Street, London, on 23 December 1749, and he was buried in the churchyard of St Luke’s Church
    Dimensions: 45cm (17¾") High, 35cm (13¾") Wide, 2cm (0¾") Deep
    Stock code: P01226 Tab.150
    £225
  • Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    £225 Stock code: P01226 LXIII
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    Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    Mark Catesby was born in Essex to a family owned a farm and house, Holgate, in Sudbury, Suffolk. His acquaintance with the naturalist Reverend John Ray, a leading English naturalist of the late 17th century and co-author of an early classic study on birds started Catesby’s life-long becoming interest in natural history, which he went on to study in London. His life changes when in 1712, he arrived at Williamsburg, Virginia, accompanying his married sister Elizabeth Cocke and two of her children. During his seven-year stay in Virginia that Catesby developed a passionate in the native flora and fauna. He began collecting botanical specimens, especially seeds, and sending them to friends in England and he met William Byrd II, who was an amateur naturalist, a member of the colonial Council and a Fellow of the Royal Society. When he returned to England in 1719, influential members of the Royal Society, then chaired by Sir Isaac Newton, had learned of his work in the colonies. Led by William Sherard, “one of the most celebrated botanists of the age,” members began soliciting sponsors to finance Catesby for a botanical expedition to South Carolina. By 1722, Catesby was again crossing the Atlantic to further his work in the New World. Catesby, was one of the first people to recognize how natural and man-made destruction and depredation of a species’ habitat lead to extinction. He was the first to depict birds, in conjunction with environmentally relevant plants. He returned to England in 1726, and then spent the subsequent two decades years developing his work that would eventually be published as, "The Natural History of Carolina, Florida, and the Bahama Islands" It was first fully illustrated study of the natural history of North America and the most comprehensive to date. Working virtually alone, Catesby personally oversaw every aspect of the work’s production, even learning the difficult art of etching on copper plates. To finance this expensive printing project, Catesby sought subscriptions, offering his book in sections of 20 plates to be published every four months. Published in eleven sections and featuring more than 220 hand-coloured etchings. Published in eleven sections and featuring more than 220 hand-coloured etchings. He personally presented the first section to Her Majesty Queen Caroline in May 1729, and later he dedicated the first volume of the Natural History to her. Following a collapse, Mark Catesby died at his home on Old Street, London, on 23 December 1749, and he was buried in the churchyard of St Luke’s Church
    Dimensions: 45cm (17¾") High, 35cm (13¾") Wide, 2cm (0¾") Deep
    Stock code: P01226 LXIII
    £225
  • Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    £225 Stock code: P01226 Tab.149
    Add to Wishlist

    Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    Mark Catesby was born in Essex to a family owned a farm and house, Holgate, in Sudbury, Suffolk. His acquaintance with the naturalist Reverend John Ray, a leading English naturalist of the late 17th century and co-author of an early classic study on birds started Catesby’s life-long becoming interest in natural history, which he went on to study in London. His life changes when in 1712, he arrived at Williamsburg, Virginia, accompanying his married sister Elizabeth Cocke and two of her children. During his seven-year stay in Virginia that Catesby developed a passionate in the native flora and fauna. He began collecting botanical specimens, especially seeds, and sending them to friends in England and he met William Byrd II, who was an amateur naturalist, a member of the colonial Council and a Fellow of the Royal Society. When he returned to England in 1719, influential members of the Royal Society, then chaired by Sir Isaac Newton, had learned of his work in the colonies. Led by William Sherard, “one of the most celebrated botanists of the age,” members began soliciting sponsors to finance Catesby for a botanical expedition to South Carolina. By 1722, Catesby was again crossing the Atlantic to further his work in the New World. Catesby, was one of the first people to recognize how natural and man-made destruction and depredation of a species’ habitat lead to extinction. He was the first to depict birds, in conjunction with environmentally relevant plants. He returned to England in 1726, and then spent the subsequent two decades years developing his work that would eventually be published as, "The Natural History of Carolina, Florida, and the Bahama Islands" It was first fully illustrated study of the natural history of North America and the most comprehensive to date. Working virtually alone, Catesby personally oversaw every aspect of the work’s production, even learning the difficult art of etching on copper plates. To finance this expensive printing project, Catesby sought subscriptions, offering his book in sections of 20 plates to be published every four months. Published in eleven sections and featuring more than 220 hand-coloured etchings. Published in eleven sections and featuring more than 220 hand-coloured etchings. He personally presented the first section to Her Majesty Queen Caroline in May 1729, and later he dedicated the first volume of the Natural History to her. Following a collapse, Mark Catesby died at his home on Old Street, London, on 23 December 1749, and he was buried in the churchyard of St Luke’s Church
    Dimensions: 45cm (17¾") High, 35cm (13¾") Wide, 2cm (0¾") Deep
    Stock code: P01226 Tab.149
    £225
  • Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    £225 Stock code: P01226 LXII
    Add to Wishlist

    Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    Mark Catesby was born in Essex to a family owned a farm and house, Holgate, in Sudbury, Suffolk. His acquaintance with the naturalist Reverend John Ray, a leading English naturalist of the late 17th century and co-author of an early classic study on birds started Catesby’s life-long becoming interest in natural history, which he went on to study in London. His life changes when in 1712, he arrived at Williamsburg, Virginia, accompanying his married sister Elizabeth Cocke and two of her children. During his seven-year stay in Virginia that Catesby developed a passionate in the native flora and fauna. He began collecting botanical specimens, especially seeds, and sending them to friends in England and he met William Byrd II, who was an amateur naturalist, a member of the colonial Council and a Fellow of the Royal Society. When he returned to England in 1719, influential members of the Royal Society, then chaired by Sir Isaac Newton, had learned of his work in the colonies. Led by William Sherard, “one of the most celebrated botanists of the age,” members began soliciting sponsors to finance Catesby for a botanical expedition to South Carolina. By 1722, Catesby was again crossing the Atlantic to further his work in the New World. Catesby, was one of the first people to recognize how natural and man-made destruction and depredation of a species’ habitat lead to extinction. He was the first to depict birds, in conjunction with environmentally relevant plants. He returned to England in 1726, and then spent the subsequent two decades years developing his work that would eventually be published as, "The Natural History of Carolina, Florida, and the Bahama Islands" It was first fully illustrated study of the natural history of North America and the most comprehensive to date. Working virtually alone, Catesby personally oversaw every aspect of the work’s production, even learning the difficult art of etching on copper plates. To finance this expensive printing project, Catesby sought subscriptions, offering his book in sections of 20 plates to be published every four months. Published in eleven sections and featuring more than 220 hand-coloured etchings. Published in eleven sections and featuring more than 220 hand-coloured etchings. He personally presented the first section to Her Majesty Queen Caroline in May 1729, and later he dedicated the first volume of the Natural History to her. Following a collapse, Mark Catesby died at his home on Old Street, London, on 23 December 1749, and he was buried in the churchyard of St Luke’s Church
    Dimensions: 45cm (17¾") High, 35cm (13¾") Wide, 2cm (0¾") Deep
    Stock code: P01226 LXII
    £225
  • Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    £225 Stock code: P01226 tab.147
    Add to Wishlist

    Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    Mark Catesby was born in Essex to a family owned a farm and house, Holgate, in Sudbury, Suffolk. His acquaintance with the naturalist Reverend John Ray, a leading English naturalist of the late 17th century and co-author of an early classic study on birds started Catesby’s life-long becoming interest in natural history, which he went on to study in London. His life changes when in 1712, he arrived at Williamsburg, Virginia, accompanying his married sister Elizabeth Cocke and two of her children. During his seven-year stay in Virginia that Catesby developed a passionate in the native flora and fauna. He began collecting botanical specimens, especially seeds, and sending them to friends in England and he met William Byrd II, who was an amateur naturalist, a member of the colonial Council and a Fellow of the Royal Society. When he returned to England in 1719, influential members of the Royal Society, then chaired by Sir Isaac Newton, had learned of his work in the colonies. Led by William Sherard, “one of the most celebrated botanists of the age,” members began soliciting sponsors to finance Catesby for a botanical expedition to South Carolina. By 1722, Catesby was again crossing the Atlantic to further his work in the New World. Catesby, was one of the first people to recognize how natural and man-made destruction and depredation of a species’ habitat lead to extinction. He was the first to depict birds, in conjunction with environmentally relevant plants. He returned to England in 1726, and then spent the subsequent two decades years developing his work that would eventually be published as, "The Natural History of Carolina, Florida, and the Bahama Islands" It was first fully illustrated study of the natural history of North America and the most comprehensive to date. Working virtually alone, Catesby personally oversaw every aspect of the work’s production, even learning the difficult art of etching on copper plates. To finance this expensive printing project, Catesby sought subscriptions, offering his book in sections of 20 plates to be published every four months. Published in eleven sections and featuring more than 220 hand-coloured etchings. Published in eleven sections and featuring more than 220 hand-coloured etchings. He personally presented the first section to Her Majesty Queen Caroline in May 1729, and later he dedicated the first volume of the Natural History to her. Following a collapse, Mark Catesby died at his home on Old Street, London, on 23 December 1749, and he was buried in the churchyard of St Luke’s Church
    Dimensions: 45cm (17¾") High, 35cm (13¾") Wide, 2cm (0¾") Deep
    Stock code: P01226 tab.147
    £225
  • Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    £225 Stock code: P01226 tab.146
    Add to Wishlist

    Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.

    Mark Catesby was born in Essex to a family owned a farm and house, Holgate, in Sudbury, Suffolk. His acquaintance with the naturalist Reverend John Ray, a leading English naturalist of the late 17th century and co-author of an early classic study on birds started Catesby’s life-long becoming interest in natural history, which he went on to study in London. His life changes when in 1712, he arrived at Williamsburg, Virginia, accompanying his married sister Elizabeth Cocke and two of her children. During his seven-year stay in Virginia that Catesby developed a passionate in the native flora and fauna. He began collecting botanical specimens, especially seeds, and sending them to friends in England and he met William Byrd II, who was an amateur naturalist, a member of the colonial Council and a Fellow of the Royal Society. When he returned to England in 1719, influential members of the Royal Society, then chaired by Sir Isaac Newton, had learned of his work in the colonies. Led by William Sherard, “one of the most celebrated botanists of the age,” members began soliciting sponsors to finance Catesby for a botanical expedition to South Carolina. By 1722, Catesby was again crossing the Atlantic to further his work in the New World. Catesby, was one of the first people to recognize how natural and man-made destruction and depredation of a species’ habitat lead to extinction. He was the first to depict birds, in conjunction with environmentally relevant plants. He returned to England in 1726, and then spent the subsequent two decades years developing his work that would eventually be published as, "The Natural History of Carolina, Florida, and the Bahama Islands" It was first fully illustrated study of the natural history of North America and the most comprehensive to date. Working virtually alone, Catesby personally oversaw every aspect of the work’s production, even learning the difficult art of etching on copper plates. To finance this expensive printing project, Catesby sought subscriptions, offering his book in sections of 20 plates to be published every four months. Published in eleven sections and featuring more than 220 hand-coloured etchings. Published in eleven sections and featuring more than 220 hand-coloured etchings. He personally presented the first section to Her Majesty Queen Caroline in May 1729, and later he dedicated the first volume of the Natural History to her. Following a collapse, Mark Catesby died at his home on Old Street, London, on 23 December 1749, and he was buried in the churchyard of St Luke’s Church
    Dimensions: 45cm (17¾") High, 35cm (13¾") Wide, 2cm (0¾") Deep
    Stock code: P01226 tab.146
    £225
  • Early British natural history copper engravings – A Roe Buck, The Hart,

    £220 each Stock code: P01283 Z
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    Early British natural history copper engravings – A Roe Buck, The Hart,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 Z
    £220 each
  • Early British natural history copper engravings – A Merlin, The Honey Buzzard,

    £220 each Stock code: P01283 Y
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    Early British natural history copper engravings – A Merlin, The Honey Buzzard,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 Y
    £220 each
  • Early British natural history copper engravings – A Kite, The Mountain Falcon,

    £220 each Stock code: P01283 X
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    Early British natural history copper engravings – A Kite, The Mountain Falcon,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 X
    £220 each
  • Early British natural history copper engravings – An Ape, The Bear Ape, The Fox Ape,

    £220 each Stock code: P01283 W
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    Early British natural history copper engravings – An Ape, The Bear Ape, The Fox Ape,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 W
    £220 each
  • Early British natural history copper engravings – A Porcupine, A Badger, A Hedg Hog,

    £220 each Stock code: P01283 V
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    Early British natural history copper engravings – A Porcupine, A Badger, A Hedg Hog,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 V
    £220 each
  • Early British natural history copper engravings – A Jay, The Toucan, The Roller,

    £220 each Stock code: P01283 U
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    Early British natural history copper engravings – A Jay, The Toucan, The Roller,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 U
    £220 each
  • Early British natural history copper engravings – Robin Red Breast, Sky Lark,

    £220 each Stock code: P01283 T
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    Early British natural history copper engravings – Robin Red Breast, Sky Lark,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 T
    £220 each
  • Early British natural history copper engravings – A Blood Hound, A Water Spaniel, A Land Spaniel,

    £220 each Stock code: P01283 R
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    Early British natural history copper engravings – A Blood Hound, A Water Spaniel, A Land Spaniel,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 R
    £220 each
  • Early British natural history copper engravings – Turtle Dove, Stock Dove, Runt, Cropper, Broad-Tail’d Shaker,

    £220 each Stock code: P01283 P
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    Early British natural history copper engravings – Turtle Dove, Stock Dove, Runt, Cropper, Broad-Tail’d Shaker,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 P
    £220 each
  • Early British natural history copper engravings – Marsh Titmouse, A Wren, Crested Titmouse, Blue Titmouse, Indian Sparrow, Long-Tailed Titmouse,

    £220 each Stock code: P01283 O
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    Early British natural history copper engravings – Marsh Titmouse, A Wren, Crested Titmouse, Blue Titmouse, Indian Sparrow, Long-Tailed Titmouse,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 O
    £220 each
  • Early British natural history copper engravings – The Ounce, A Rompo, A Buffalo

    £220 each Stock code: P01283 N
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    Early British natural history copper engravings – The Ounce, A Rompo, A Buffalo

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 N
    £220 each
  • Early British natural history copper engravings – The Vulture, The Buzzard,

    £220 each Stock code: P01283 M
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    Early British natural history copper engravings – The Vulture, The Buzzard,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 M
    £220 each
  • Early British natural history copper engravings – Sterling, Ring Ouzel, Black Martin, The Martin,

    £220 each Stock code: P01283 L
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    Early British natural history copper engravings – Sterling, Ring Ouzel, Black Martin, The Martin,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 L
    £220 each
  • Early British natural history copper engravings – Opossum, The Potto, The Coati Mondi, The Tatus,

    £220 each Stock code: P01283 K
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    Early British natural history copper engravings – Opossum, The Potto, The Coati Mondi, The Tatus,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 K
    £220 each
  • Early British natural history copper engravings – A Turkey, A Cock, A Pheasant’,

    £220 each Stock code: P01283 J
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    Early British natural history copper engravings – A Turkey, A Cock, A Pheasant’,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 J
    £220 each
  • Early British natural history copper engravings – A Baboon, Monkeys,

    £220 each Stock code: P01283 I
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    Early British natural history copper engravings – A Baboon, Monkeys,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 I
    £220 each
  • Early British natural history copper engravings – Kingfisher, Hoopoe, Bee-Eater, Water Ouzel,

    £220 each Stock code: P01283 H
    Add to Wishlist

    Early British natural history copper engravings – Kingfisher, Hoopoe, Bee-Eater, Water Ouzel,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 H
    £220 each
  • Early British natural history copper engravings – A Mastiff, A Bull Dog, A Greyhound,

    £220 each Stock code: P01283 G
    Add to Wishlist

    Early British natural history copper engravings – A Mastiff, A Bull Dog, A Greyhound,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 G
    £220 each
  • Early British natural history copper engravings – The Camelopardal, A Rain Deer,

    £220 each Stock code: P01283 F
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    Early British natural history copper engravings – The Camelopardal, A Rain Deer,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 F
    £220 each
  • Early British natural history copper engravings – Ruff, Tamatia, Coot,

    £220 each Stock code: P01283 E
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    Early British natural history copper engravings – Ruff, Tamatia, Coot,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 E
    £220 each
  • Early British natural history copper engravings – A Raven, A Crow,

    £220 each Stock code: P01283 D
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    Early British natural history copper engravings – A Raven, A Crow,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 D
    £220 each
  • Early British natural history copper engravings – A Crocodile,

    £220 each Stock code: P01283 C
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    Early British natural history copper engravings – A Crocodile,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 24cm (9½") High, 30.5cm (12") Wide, 3cm (1¼") Deep
    Stock code: P01283 C
    £220 each
  • Early British natural history copper engravings – Virginian Nightingale,

    £220 each Stock code: P01283 B
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    Early British natural history copper engravings – Virginian Nightingale,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 B
    £220 each
  • Early British natural history copper engravings – A Civet Cat, A Gennet Cat, A Pole Cat, A Common Cat,

    £220 each Stock code: P01283 Q
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    Early British natural history copper engravings – A Civet Cat, A Gennet Cat, A Pole Cat, A Common Cat,

    Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.
    Dimensions: 30.5cm (12") High, 24cm (9½") Wide, 3cm (1¼") Deep
    Stock code: P01283 Q
    £220 each
  • The Burning of the Vauxhall Railway Station, seen from Battersea-Bridge

    £220 Stock code: P01288
    Add to Wishlist

    The Burning of the Vauxhall Railway Station, seen from Battersea-Bridge

    The Burning of the Vauxhall Railway Station, seen from Battersea-Bridge, 1856. '...a sudden alarm of fire arose, and the same instant it was discovered that a small ante-room adjoining the booking-office, and occupied by the clerk in charge, was in flames. In a very few moments the fire had extended to the booking office itself; and so remarkably rapid was its progress that the officials present, so far from being able to stay its ravages, were compelled to make a hasty retreat...the fire travelled with the rapidity ot electricity, seizing upon the whole of the offices, then extending to the ticket depots, and finally seizing upon the roof of the station; and burning both upwards and downwards, it assumed such a formidable aspect as to convince everyone that the entire station was doomed to be wholly destroyed...[fortunately] not a single person was injured'.
    Dimensions: 31cm (12¼") High, 25.5cm (10") Wide, 2cm (0¾") Deep
    Stock code: P01288
    £220
  • Piranesi, Diverse maniere d’adornare i cammini ed ogni altra parte degli edifizi desunte dall’architettura egizia, Etrusca e Greca,

    £200 Stock code: P01305 H
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    Piranesi, Diverse maniere d’adornare i cammini ed ogni altra parte degli edifizi desunte dall’architettura egizia, Etrusca e Greca,

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 H
    £200
  • Piranesi, Designs for furniture, 1769

    £200 Stock code: P01305 I
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    Piranesi, Designs for furniture, 1769

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 I
    £200
  • Piranesi, Designs for furniture, 1769

    £200 Stock code: P01305 B
    Add to Wishlist

    Piranesi, Designs for furniture, 1769

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 B
    £200
  • Piranesi, Designs for furniture, 1769

    £200 Stock code: P01305 D
    Add to Wishlist

    Piranesi, Designs for furniture, 1769

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 D
    £200
  • Piranesi, Designs for furniture, 1769

    £200 Stock code: P01305 E
    Add to Wishlist

    Piranesi, Designs for furniture, 1769

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 E
    £200
  • Piranesi, Designs for furniture, 1769

    £200 Stock code: P01305 U
    Add to Wishlist

    Piranesi, Designs for furniture, 1769

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 U
    £200
  • Piranesi, Different shells thought to inspire the forms of Etruscan vases, 1769

    £200 Stock code: P01305 C
    Add to Wishlist

    Piranesi, Different shells thought to inspire the forms of Etruscan vases, 1769

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 C
    £200
  • Pompei Interior, copper-engravings published 1796

    £200 Stock code: P01305 Q
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    Pompei Interior, copper-engravings published 1796

    From a London interior design project
    Dimensions: 85cm (33½") High, 70cm (27½") Wide, 4cm (1½") Deep
    Stock code: P01305 Q
    £200
  • Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    £200 Stock code: P01305 F
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    Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 F
    £200
  • Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    £200 Stock code: P01305 R
    Add to Wishlist

    Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 R
    £200
  • Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    £200 Stock code: P01305 S
    Add to Wishlist

    Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 S
    £200
  • Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    £200 Stock code: P01305 L
    Add to Wishlist

    Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 70cm (27½") High, 85cm (33½") Wide, 4cm (1½") Deep
    Stock code: P01305 L
    £200
  • Giovanni Battista Piranesi, Design for an Egyptian style Fireplace, published 1769.

    £200 Stock code: P01305 K
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    Giovanni Battista Piranesi, Design for an Egyptian style Fireplace, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 85cm (33½") High, 70cm (27½") Wide, 4cm (1½") Deep
    Stock code: P01305 K
    £200
  • Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.

    £200 Stock code: P01305 O
    Add to Wishlist

    Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 85cm (33½") High, 70cm (27½") Wide, 4cm (1½") Deep
    Stock code: P01305 O
    £200
  • Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.

    £200 Stock code: P01305 M
    Add to Wishlist

    Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 85cm (33½") High, 70cm (27½") Wide, 4cm (1½") Deep
    Stock code: P01305 M
    £200
  • Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    £200 Stock code: P01305 N
    Add to Wishlist

    Giovanni Battista Piranesi, Design for a Fireplace, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 85cm (33½") High, 70cm (27½") Wide, 4cm (1½") Deep
    Stock code: P01305 N
    £200
  • Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.

    £200 Stock code: P01305 P
    Add to Wishlist

    Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 85cm (33½") High, 70cm (27½") Wide, 4cm (1½") Deep
    Stock code: P01305 P
    £200
  • Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.

    £200 Stock code: P01305 T
    Add to Wishlist

    Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.

    Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.
    Dimensions: 85cm (33½") High, 70cm (27½") Wide, 4cm (1½") Deep
    Stock code: P01305 T
    £200
  • Pompei Interior, copper-engravings published 1796

    £200 Stock code: P01305 G
    Add to Wishlist

    Pompei Interior, copper-engravings published 1796

    From a London interior design project
    Dimensions: 85cm (33½") High, 70cm (27½") Wide, 4cm (1½") Deep
    Stock code: P01305 G
    £200
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 O
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    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 O
    £175 each
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 N
    Add to Wishlist

    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 N
    £175 each
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 M
    Add to Wishlist

    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 M
    £175 each
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 G
    Add to Wishlist

    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 G
    £175 each
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 E
    Add to Wishlist

    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 E
    £175 each
  • 18th Century French Engravings of Dogs

    £175 each Stock code: P01266 D
    Add to Wishlist

    18th Century French Engravings of Dogs

    Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.
    Dimensions: 36cm (14¼") High, 31cm (12¼") Wide, 13cm (5") Deep
    Stock code: P01266 D
    £175 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 W
    Add to Wishlist

    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Didelphys Orientalis Pall.'
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 W
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 V
    Add to Wishlist

    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Viverra tigrina'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 V
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 U
    Add to Wishlist

    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Viverra Zibetha Linn'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 U
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 T
    Add to Wishlist

    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Canis Lagopus Linn.'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 T
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 S
    Add to Wishlist

    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Die Zahme Katze'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 S
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 R
    Add to Wishlist

    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Viverra Civetta Buff.'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 R
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 Q
    Add to Wishlist

    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Mustela Lutra Linn.'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 Q
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 P
    Add to Wishlist

    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Canis Lagopus Linn.'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 P
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 O
    Add to Wishlist

    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Der Ziegenbock.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 O
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 M
    Add to Wishlist

    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Canis Mesomelas.'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 M
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 K
    Add to Wishlist

    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Mustela Lutra Linn. canadensis'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 K
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 J
    Add to Wishlist

    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Canis Lupus Linn.'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 J
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 I
    Add to Wishlist

    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Canis aureus Linn'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 I
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 G
    Add to Wishlist

    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Viverra Genetta Linn'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 G
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 F
    Add to Wishlist

    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Dasyprocta prymnolopha Wglr.'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 F
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 X
    Add to Wishlist

    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Phalangista Petaurus'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 X
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 D
    Add to Wishlist

    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Felis Yaguarondi Azar'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 D
    £150 each
  • De Buffon, 18th Century natural history,

    £150 each Stock code: P01300 C
    Add to Wishlist

    De Buffon, 18th Century natural history,

    Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Viverra caudivolvula Pali'.
    Dimensions: 38cm (15") High, 32cm (12½") Wide, 2.5cm (1") Deep
    Stock code: P01300 C
    £150 each
  • Steel engravings of Romantic Courting Couples

    £120 the set of three Stock code: P01294
    Add to Wishlist

    Steel engravings of Romantic Courting Couples

    .
    Dimensions: 19cm (7½") High, 15cm (6") Wide, 2cm (0¾") Deep
    Stock code: P01294
    £120 the set of three
  • Copper-engravings by Jacobus Houbraken,

    Copper-engravings by Jacobus Houbraken,

    £120 Stock code: A034 K
    Add to Wishlist

    Copper-engravings by Jacobus Houbraken,

    published between 1743 to 1752, framed. 'George Buchanan'.
    Dimensions: 46cm (18") High, 32cm (12½") Wide, 1.5cm (0½") Deep
    Stock code: A034 K
    £120
  • Copper-engravings by Jacobus Houbraken,

    Copper-engravings by Jacobus Houbraken,

    £120 Stock code: A034 G
    Add to Wishlist

    Copper-engravings by Jacobus Houbraken,

    published between 1743 to 1752, framed. 'Henry Prince of Wales, Son of King James I'.
    Dimensions: 43.5cm (17¼") High, 29.5cm (11½") Wide, 1.5cm (0½") Deep
    Stock code: A034 G
    £120
  • Copper-engravings by Jacobus Houbraken,

    Copper-engravings by Jacobus Houbraken,

    £120 Stock code: A034 F
    Add to Wishlist

    Copper-engravings by Jacobus Houbraken,

    published between 1743 to 1752, framed. 'John Locke'.
    Dimensions: 42cm (16½") High, 29cm (11½") Wide, 1.5cm (0½") Deep
    Stock code: A034 F
    £120
  • Copper-engravings by Jacobus Houbraken,

    Copper-engravings by Jacobus Houbraken,

    £120 Stock code: A034 E
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    Copper-engravings by Jacobus Houbraken,

    published between 1743 to 1752, framed. 'Francis Drake'.
    Dimensions: 42cm (16½") High, 29cm (11½") Wide, 1.5cm (0½") Deep
    Stock code: A034 E
    £120
  • Copper-engravings by Jacobus Houbraken,

    Copper-engravings by Jacobus Houbraken,

    £120 Stock code: A034 C
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    Copper-engravings by Jacobus Houbraken,

    published between 1743 to 1752, framed. 'Ann of Cleves, Queen of King Henry VIII'.
    Dimensions: 43.5cm (17¼") High, 29.5cm (11½") Wide, 1.5cm (0½") Deep
    Stock code: A034 C
    £120
  • Copper-engravings by Jacobus Houbraken,

    Copper-engravings by Jacobus Houbraken,

    £120 Stock code: A034 B
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    Copper-engravings by Jacobus Houbraken,

    published between 1743 to 1752, framed. 'Catherine of Aragon Queen of Henry VIII'.
    Dimensions: 43cm (17") High, 29.5cm (11½") Wide, 1.5cm (0½") Deep
    Stock code: A034 B
    £120
  • Copper-engravings by Jacobus Houbraken,

    Copper-engravings by Jacobus Houbraken,

    £120 Stock code: A034 A
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    Copper-engravings by Jacobus Houbraken,

    published between 1743 to 1752, framed. 'Elizabeth Queen of King Henry VII'.
    Dimensions: 43cm (17") High, 29cm (11½") Wide, 1.5cm (0½") Deep
    Stock code: A034 A
    £120
  • Copper-engravings by Jacobus Houbraken,

    Copper-engravings by Jacobus Houbraken,

    £120 Stock code: A036 K
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    Copper-engravings by Jacobus Houbraken,

    published between 1743 to 1752, framed. 'Robert Earl of Orford'.
    Dimensions: 42cm (16½") High, 27cm (10¾") Wide, 2cm (0¾") Deep
    Stock code: A036 K
    £120
  • Copper-engravings by Jacobus Houbraken,

    Copper-engravings by Jacobus Houbraken,

    £120 Stock code: A036 J
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    Copper-engravings by Jacobus Houbraken,

    published between 1743 to 1752, framed. 'Charles Earl of Sunderland'.
    Dimensions: 42cm (16½") High, 27cm (10¾") Wide, 2cm (0¾") Deep
    Stock code: A036 J
    £120
  • Copper-engravings by Jacobus Houbraken,

    Copper-engravings by Jacobus Houbraken,

    £120 Stock code: A036 I
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    Copper-engravings by Jacobus Houbraken,

    published between 1743 to 1752, framed. 'George Savile Marquis of Halifax'.
    Dimensions: 42.5cm (16¾") High, 28.5cm (11¼") Wide, 2cm (0¾") Deep
    Stock code: A036 I
    £120
  • Copper-engravings by Jacobus Houbraken,

    Copper-engravings by Jacobus Houbraken,

    £120 Stock code: A036 G
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    Copper-engravings by Jacobus Houbraken,

    published between 1743 to 1752, framed. 'Sir William Wyndham Baronet'.
    Dimensions: 42.5cm (16¾") High, 28.5cm (11¼") Wide, 2cm (0¾") Deep
    Stock code: A036 G
    £120
  • Copper-engravings by Jacobus Houbraken,

    Copper-engravings by Jacobus Houbraken,

    £120 Stock code: A036 F
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    Copper-engravings by Jacobus Houbraken,

    published between 1743 to 1752, framed. 'Frederick Duke of Schonberg'.
    Dimensions: 42.5cm (16¾") High, 28.5cm (11¼") Wide, 2cm (0¾") Deep
    Stock code: A036 F
    £120
  • Copper-engravings by Jacobus Houbraken,

    Copper-engravings by Jacobus Houbraken,

    £120 Stock code: A036 E
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    Copper-engravings by Jacobus Houbraken,

    published between 1743 to 1752, framed. 'Thomas Marquis of Wharton.'
    Dimensions: 42.5cm (16¾") High, 28.5cm (11¼") Wide, 2cm (0¾") Deep
    Stock code: A036 E
    £120
  • Copper-engravings by Jacobus Houbraken,

    Copper-engravings by Jacobus Houbraken,

    £120 Stock code: A036 D
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    Copper-engravings by Jacobus Houbraken,

    published between 1743 to 1752, framed. 'Lieutenant Talmarsh'.
    Dimensions: 42.5cm (16¾") High, 28.5cm (11¼") Wide, 2cm (0¾") Deep
    Stock code: A036 D
    £120
  • Copper-engravings by Jacobus Houbraken,

    Copper-engravings by Jacobus Houbraken,

    £120 Stock code: A036 B
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    Copper-engravings by Jacobus Houbraken,

    published between 1743 to 1752, framed. 'George Byng Lord Torrington'.
    Dimensions: 44.5cm (17½") High, 30.5cm (12") Wide, 2cm (0¾") Deep
    Stock code: A036 B
    £120
  • Copper-engravings by Jacobus Houbraken,

    Copper-engravings by Jacobus Houbraken,

    £120 Stock code: A036 A
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    Copper-engravings by Jacobus Houbraken,

    published between 1743 to 1752, framed. 'Samuel Clarke D.D.'
    Dimensions: 44.5cm (17½") High, 30.5cm (12") Wide, 2cm (0¾") Deep
    Stock code: A036 A
    £120

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  • The Four Elements, Fire by Abraham Rattner, Verve Vol. 1 / No. 1.

    £600 Stock code: P01270 A
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    The Four Elements, Fire by Abraham Rattner, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
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    £800 Stock code: P01275 A
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    Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
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    £600 Stock code: P01270 F
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    Divagations III, by Henri Matisse, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
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    £600 Stock code: P01270 C
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    The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
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