86 items found
Page 1 of 1
-
A Rake’s Progress after William Hogarth. A set of eight copper-engraved prints
£2,800 the set of eightA Rake’s Progress after William Hogarth. A set of eight copper-engraved prints
A Rake’s Progress is a series of eight satirical engravings depicting what Hogarth called ‘modern moral subjects’.The series tells the story of Tom Rakewell, a man who inherits a fortune from his city merchant father only to fritter it away on an extravagant lifestyle which ultimately leads to his downfall.£2,800 the set of eight -
Marriage-a-la Mode, after William Hogarth. A set of six copper-engraved prints
£2,200 the set of sixMarriage-a-la Mode, after William Hogarth. A set of six copper-engraved prints
Marriage-a-la Mode is the story is of a marriage arranged by two self-seeking fathers – a spendthrift nobleman who needs cash and a wealthy City of London merchant who wants to buy into the aristocracy. It was Hogarth’s first moralising series of what he called ‘modern moral subjects’.£2,200 the set of six -
‘A Young Poodle, but not one of the Sagacious Breed’
£520‘A Young Poodle, but not one of the Sagacious Breed’
Caricaturist, presumably of Irish background, but undocumented. Responsible for a small number of plates in a distinctive hand. Unclear whether he etched them all or only designed them. Never a publisher. Worked for P.Roberts and J.Aitken. Many unsigned prints by both men may well be by him.£520 -
A Bundle of Straw, My Spouse is Remarkable Tasty in his Dress & he likes to see me so.
£520A Bundle of Straw, My Spouse is Remarkable Tasty in his Dress & he likes to see me so.
Caricaturist, presumably of Irish background, but undocumented. Responsible for a small number of plates in a distinctive hand. Unclear whether he etched them all or only designed them. Never a publisher. Worked for P.Roberts and J.Aitken. Many unsigned prints by both men may well be by him.£520 -
The Triumphal Arches, Mr. Handel’s Statue & c. in the South Walk of Vauxhall Gardens
£495The Triumphal Arches, Mr. Handel’s Statue & c. in the South Walk of Vauxhall Gardens
Based on the work by Samuel Wale and engraved by Benjamin Cole in 1752. Mounted and presented in a Hogarth style frame.£495 -
A late Arrival at Mother Wood’s
£350A late Arrival at Mother Wood’s
Hand-coloured etching by George Cruikshank, published by Mr George Humphrey. The scene depicts Caroline of Brunswick, the estranged wife of the newly ascended King George IV, saluting and addressing an adoring crowd from the balcony of Alderman Wood's residence in South Audley Street, London. Alderman Woods was a low-born hop merchant who's investments in a colouring agent for porter had supplied him with the means to further career in Radical politics. He achieved an almost unprecedented two-term mayoralty of the City of London where his opposition to the governments repressive domestic legislation and condemnation of the Peterloo massacre, as well as his perceived upstart vulgarity, made him a hate-figure for Tories and Loyalists. His Whig-Radicalism continued into his term as MP for the City of London and when, in 1820 he saw the chance to embarrass the King and his adherents by the return of his absent and unloved wife, he took it boldly. Woods persuaded Caroline of Brunswick to terminate the discreet ongoing negotiations for a settlement she had been engaged in with the King and instead return, splendidly and publicly, to the capital to assert her claim to be rightful Queen of England. Alderman Woods arranged for Caroline to be conveyed in an open carriage through the heart of London to his house on South Audley Street where she became the unlikely figure-head of Radical Whiggery in the metropolis. The diarist Charles Greville noted of the procession to the house on the 6th of June 1820: "The Queen arrived in London yesterday at seven o’clock… She travelled in an open landau, Alderman Wood sitting by her side and Lady Anne Hamilton and another woman opposite. Everybody was disgusted at the vulgarity of Wood in sitting in the place of honour, while the Duke of Hamilton’s sister was sitting backwards in the carriage". Caroline would spend the next two months at South Audley Street where the the great and the good of British radicalism paid her court amidst the crowds outside South Audley Street.£350 -
George Edwards,18th century ornithological engravings
£320 eachGeorge Edwards,18th century ornithological engravings
Featuring original hand-colour. Framed in natural ash.£320 each -
George Edwards,18th century ornithological engravings
£320 eachGeorge Edwards,18th century ornithological engravings
Featuring original hand-colour. Framed in natural ash.£320 each -
Monkeys – Full-Bottom Monkey,
£260 EachMonkeys – Full-Bottom Monkey,
The English Encyclopaedia was published in 1802 by George Kearsley and it gave an unusual insight into early 19th century new discoveries in zoology.£260 Each -
Monkeys – Striated Monkey, Red Tailed-Monkey,
£260 EachMonkeys – Striated Monkey, Red Tailed-Monkey,
The English Encyclopaedia was published in 1802 by George Kearsley and it gave an unusual insight into early 19th century new discoveries in zoology.£260 Each -
Monkeys – Oran Otan
£260 EachMonkeys – Oran Otan
The English Encyclopaedia was published in 1802 by George Kearsley and it gave an unusual insight into early 19th century new discoveries in zoology.£260 Each -
Monkeys – Great-Eared Monkey, and Fair Monkey,
£260 EachMonkeys – Great-Eared Monkey, and Fair Monkey,
The English Encyclopaedia was published in 1802 by George Kearsley and it gave an unusual insight into early 19th century new discoveries in zoology.£260 Each -
Monkeys – Cochinchina Monkey,
£260 EachMonkeys – Cochinchina Monkey,
The English Encyclopaedia was published in 1802 by George Kearsley and it gave an unusual insight into early 19th century new discoveries in zoology.£260 Each -
Monkeys – Oran Otan,
£260 EachMonkeys – Oran Otan,
The English Encyclopaedia was published in 1802 by George Kearsley and it gave an unusual insight into early 19th century new discoveries in zoology.£260 Each -
Monkeys – Black Oran-Otan,
£260 EachMonkeys – Black Oran-Otan,
The English Encyclopaedia was published in 1802 by George Kearsley and it gave an unusual insight into early 19th century new discoveries in zoology.£260 Each -
Monkeys – Dog-Faced Baboon,
£260 EachMonkeys – Dog-Faced Baboon,
The English Encyclopaedia was published in 1802 by George Kearsley and it gave an unusual insight into early 19th century new discoveries in zoology.£260 Each -
Monkeys – Pygmy Ape, and Alpinus Ape,
£260 EachMonkeys – Pygmy Ape, and Alpinus Ape,
The English Encyclopaedia was published in 1802 by George Kearsley and it gave an unusual insight into early 19th century new discoveries in zoology.£260 Each -
Monkeys – Hare-Lipped Monkey, and Lion-Tailed Monkey,
£260 EachMonkeys – Hare-Lipped Monkey, and Lion-Tailed Monkey,
The English Encyclopaedia was published in 1802 by George Kearsley and it gave an unusual insight into early 19th century new discoveries in zoology.£260 Each -
Monkeys – Spotted, or Diana Monkey and Mona,
£260 EachMonkeys – Spotted, or Diana Monkey and Mona,
The English Encyclopaedia was published in 1802 by George Kearsley and it gave an unusual insight into early 19th century new discoveries in zoology.£260 Each -
Monkeys – Horned Monkey and Four-Fingered Monkey
£260 EachMonkeys – Horned Monkey and Four-Fingered Monkey
The English Encyclopaedia was published in 1802 by George Kearsley and it gave an unusual insight into early 19th century new discoveries in zoology.£260 Each -
Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.
£225Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.
Mark Catesby was born in Essex to a family owned a farm and house, Holgate, in Sudbury, Suffolk. His acquaintance with the naturalist Reverend John Ray, a leading English naturalist of the late 17th century and co-author of an early classic study on birds started Catesby’s life-long becoming interest in natural history, which he went on to study in London. His life changes when in 1712, he arrived at Williamsburg, Virginia, accompanying his married sister Elizabeth Cocke and two of her children. During his seven-year stay in Virginia that Catesby developed a passionate in the native flora and fauna. He began collecting botanical specimens, especially seeds, and sending them to friends in England and he met William Byrd II, who was an amateur naturalist, a member of the colonial Council and a Fellow of the Royal Society. When he returned to England in 1719, influential members of the Royal Society, then chaired by Sir Isaac Newton, had learned of his work in the colonies. Led by William Sherard, “one of the most celebrated botanists of the age,” members began soliciting sponsors to finance Catesby for a botanical expedition to South Carolina. By 1722, Catesby was again crossing the Atlantic to further his work in the New World. Catesby, was one of the first people to recognize how natural and man-made destruction and depredation of a species’ habitat lead to extinction. He was the first to depict birds, in conjunction with environmentally relevant plants. He returned to England in 1726, and then spent the subsequent two decades years developing his work that would eventually be published as, "The Natural History of Carolina, Florida, and the Bahama Islands" It was first fully illustrated study of the natural history of North America and the most comprehensive to date. Working virtually alone, Catesby personally oversaw every aspect of the work’s production, even learning the difficult art of etching on copper plates. To finance this expensive printing project, Catesby sought subscriptions, offering his book in sections of 20 plates to be published every four months. Published in eleven sections and featuring more than 220 hand-coloured etchings. Published in eleven sections and featuring more than 220 hand-coloured etchings. He personally presented the first section to Her Majesty Queen Caroline in May 1729, and later he dedicated the first volume of the Natural History to her. Following a collapse, Mark Catesby died at his home on Old Street, London, on 23 December 1749, and he was buried in the churchyard of St Luke’s Church£225 -
Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.
£225Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.
Mark Catesby was born in Essex to a family owned a farm and house, Holgate, in Sudbury, Suffolk. His acquaintance with the naturalist Reverend John Ray, a leading English naturalist of the late 17th century and co-author of an early classic study on birds started Catesby’s life-long becoming interest in natural history, which he went on to study in London. His life changes when in 1712, he arrived at Williamsburg, Virginia, accompanying his married sister Elizabeth Cocke and two of her children. During his seven-year stay in Virginia that Catesby developed a passionate in the native flora and fauna. He began collecting botanical specimens, especially seeds, and sending them to friends in England and he met William Byrd II, who was an amateur naturalist, a member of the colonial Council and a Fellow of the Royal Society. When he returned to England in 1719, influential members of the Royal Society, then chaired by Sir Isaac Newton, had learned of his work in the colonies. Led by William Sherard, “one of the most celebrated botanists of the age,” members began soliciting sponsors to finance Catesby for a botanical expedition to South Carolina. By 1722, Catesby was again crossing the Atlantic to further his work in the New World. Catesby, was one of the first people to recognize how natural and man-made destruction and depredation of a species’ habitat lead to extinction. He was the first to depict birds, in conjunction with environmentally relevant plants. He returned to England in 1726, and then spent the subsequent two decades years developing his work that would eventually be published as, "The Natural History of Carolina, Florida, and the Bahama Islands" It was first fully illustrated study of the natural history of North America and the most comprehensive to date. Working virtually alone, Catesby personally oversaw every aspect of the work’s production, even learning the difficult art of etching on copper plates. To finance this expensive printing project, Catesby sought subscriptions, offering his book in sections of 20 plates to be published every four months. Published in eleven sections and featuring more than 220 hand-coloured etchings. Published in eleven sections and featuring more than 220 hand-coloured etchings. He personally presented the first section to Her Majesty Queen Caroline in May 1729, and later he dedicated the first volume of the Natural History to her. Following a collapse, Mark Catesby died at his home on Old Street, London, on 23 December 1749, and he was buried in the churchyard of St Luke’s Church£225 -
Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.
£225Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.
Mark Catesby was born in Essex to a family owned a farm and house, Holgate, in Sudbury, Suffolk. His acquaintance with the naturalist Reverend John Ray, a leading English naturalist of the late 17th century and co-author of an early classic study on birds started Catesby’s life-long becoming interest in natural history, which he went on to study in London. His life changes when in 1712, he arrived at Williamsburg, Virginia, accompanying his married sister Elizabeth Cocke and two of her children. During his seven-year stay in Virginia that Catesby developed a passionate in the native flora and fauna. He began collecting botanical specimens, especially seeds, and sending them to friends in England and he met William Byrd II, who was an amateur naturalist, a member of the colonial Council and a Fellow of the Royal Society. When he returned to England in 1719, influential members of the Royal Society, then chaired by Sir Isaac Newton, had learned of his work in the colonies. Led by William Sherard, “one of the most celebrated botanists of the age,” members began soliciting sponsors to finance Catesby for a botanical expedition to South Carolina. By 1722, Catesby was again crossing the Atlantic to further his work in the New World. Catesby, was one of the first people to recognize how natural and man-made destruction and depredation of a species’ habitat lead to extinction. He was the first to depict birds, in conjunction with environmentally relevant plants. He returned to England in 1726, and then spent the subsequent two decades years developing his work that would eventually be published as, "The Natural History of Carolina, Florida, and the Bahama Islands" It was first fully illustrated study of the natural history of North America and the most comprehensive to date. Working virtually alone, Catesby personally oversaw every aspect of the work’s production, even learning the difficult art of etching on copper plates. To finance this expensive printing project, Catesby sought subscriptions, offering his book in sections of 20 plates to be published every four months. Published in eleven sections and featuring more than 220 hand-coloured etchings. Published in eleven sections and featuring more than 220 hand-coloured etchings. He personally presented the first section to Her Majesty Queen Caroline in May 1729, and later he dedicated the first volume of the Natural History to her. Following a collapse, Mark Catesby died at his home on Old Street, London, on 23 December 1749, and he was buried in the churchyard of St Luke’s Church£225 -
Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.
£225Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.
Mark Catesby was born in Essex to a family owned a farm and house, Holgate, in Sudbury, Suffolk. His acquaintance with the naturalist Reverend John Ray, a leading English naturalist of the late 17th century and co-author of an early classic study on birds started Catesby’s life-long becoming interest in natural history, which he went on to study in London. His life changes when in 1712, he arrived at Williamsburg, Virginia, accompanying his married sister Elizabeth Cocke and two of her children. During his seven-year stay in Virginia that Catesby developed a passionate in the native flora and fauna. He began collecting botanical specimens, especially seeds, and sending them to friends in England and he met William Byrd II, who was an amateur naturalist, a member of the colonial Council and a Fellow of the Royal Society. When he returned to England in 1719, influential members of the Royal Society, then chaired by Sir Isaac Newton, had learned of his work in the colonies. Led by William Sherard, “one of the most celebrated botanists of the age,” members began soliciting sponsors to finance Catesby for a botanical expedition to South Carolina. By 1722, Catesby was again crossing the Atlantic to further his work in the New World. Catesby, was one of the first people to recognize how natural and man-made destruction and depredation of a species’ habitat lead to extinction. He was the first to depict birds, in conjunction with environmentally relevant plants. He returned to England in 1726, and then spent the subsequent two decades years developing his work that would eventually be published as, "The Natural History of Carolina, Florida, and the Bahama Islands" It was first fully illustrated study of the natural history of North America and the most comprehensive to date. Working virtually alone, Catesby personally oversaw every aspect of the work’s production, even learning the difficult art of etching on copper plates. To finance this expensive printing project, Catesby sought subscriptions, offering his book in sections of 20 plates to be published every four months. Published in eleven sections and featuring more than 220 hand-coloured etchings. Published in eleven sections and featuring more than 220 hand-coloured etchings. He personally presented the first section to Her Majesty Queen Caroline in May 1729, and later he dedicated the first volume of the Natural History to her. Following a collapse, Mark Catesby died at his home on Old Street, London, on 23 December 1749, and he was buried in the churchyard of St Luke’s Church£225 -
Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.
£225Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.
Mark Catesby was born in Essex to a family owned a farm and house, Holgate, in Sudbury, Suffolk. His acquaintance with the naturalist Reverend John Ray, a leading English naturalist of the late 17th century and co-author of an early classic study on birds started Catesby’s life-long becoming interest in natural history, which he went on to study in London. His life changes when in 1712, he arrived at Williamsburg, Virginia, accompanying his married sister Elizabeth Cocke and two of her children. During his seven-year stay in Virginia that Catesby developed a passionate in the native flora and fauna. He began collecting botanical specimens, especially seeds, and sending them to friends in England and he met William Byrd II, who was an amateur naturalist, a member of the colonial Council and a Fellow of the Royal Society. When he returned to England in 1719, influential members of the Royal Society, then chaired by Sir Isaac Newton, had learned of his work in the colonies. Led by William Sherard, “one of the most celebrated botanists of the age,” members began soliciting sponsors to finance Catesby for a botanical expedition to South Carolina. By 1722, Catesby was again crossing the Atlantic to further his work in the New World. Catesby, was one of the first people to recognize how natural and man-made destruction and depredation of a species’ habitat lead to extinction. He was the first to depict birds, in conjunction with environmentally relevant plants. He returned to England in 1726, and then spent the subsequent two decades years developing his work that would eventually be published as, "The Natural History of Carolina, Florida, and the Bahama Islands" It was first fully illustrated study of the natural history of North America and the most comprehensive to date. Working virtually alone, Catesby personally oversaw every aspect of the work’s production, even learning the difficult art of etching on copper plates. To finance this expensive printing project, Catesby sought subscriptions, offering his book in sections of 20 plates to be published every four months. Published in eleven sections and featuring more than 220 hand-coloured etchings. Published in eleven sections and featuring more than 220 hand-coloured etchings. He personally presented the first section to Her Majesty Queen Caroline in May 1729, and later he dedicated the first volume of the Natural History to her. Following a collapse, Mark Catesby died at his home on Old Street, London, on 23 December 1749, and he was buried in the churchyard of St Luke’s Church£225 -
Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.
£225Natural History of Carolina, Florida and the Bahama Islands, published 1729 – 1747.
Mark Catesby was born in Essex to a family owned a farm and house, Holgate, in Sudbury, Suffolk. His acquaintance with the naturalist Reverend John Ray, a leading English naturalist of the late 17th century and co-author of an early classic study on birds started Catesby’s life-long becoming interest in natural history, which he went on to study in London. His life changes when in 1712, he arrived at Williamsburg, Virginia, accompanying his married sister Elizabeth Cocke and two of her children. During his seven-year stay in Virginia that Catesby developed a passionate in the native flora and fauna. He began collecting botanical specimens, especially seeds, and sending them to friends in England and he met William Byrd II, who was an amateur naturalist, a member of the colonial Council and a Fellow of the Royal Society. When he returned to England in 1719, influential members of the Royal Society, then chaired by Sir Isaac Newton, had learned of his work in the colonies. Led by William Sherard, “one of the most celebrated botanists of the age,” members began soliciting sponsors to finance Catesby for a botanical expedition to South Carolina. By 1722, Catesby was again crossing the Atlantic to further his work in the New World. Catesby, was one of the first people to recognize how natural and man-made destruction and depredation of a species’ habitat lead to extinction. He was the first to depict birds, in conjunction with environmentally relevant plants. He returned to England in 1726, and then spent the subsequent two decades years developing his work that would eventually be published as, "The Natural History of Carolina, Florida, and the Bahama Islands" It was first fully illustrated study of the natural history of North America and the most comprehensive to date. Working virtually alone, Catesby personally oversaw every aspect of the work’s production, even learning the difficult art of etching on copper plates. To finance this expensive printing project, Catesby sought subscriptions, offering his book in sections of 20 plates to be published every four months. Published in eleven sections and featuring more than 220 hand-coloured etchings. Published in eleven sections and featuring more than 220 hand-coloured etchings. He personally presented the first section to Her Majesty Queen Caroline in May 1729, and later he dedicated the first volume of the Natural History to her. Following a collapse, Mark Catesby died at his home on Old Street, London, on 23 December 1749, and he was buried in the churchyard of St Luke’s Church£225 -
Early British natural history copper engravings – A Roe Buck, The Hart,
£220 eachEarly British natural history copper engravings – A Roe Buck, The Hart,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – A Merlin, The Honey Buzzard,
£220 eachEarly British natural history copper engravings – A Merlin, The Honey Buzzard,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – A Kite, The Mountain Falcon,
£220 eachEarly British natural history copper engravings – A Kite, The Mountain Falcon,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – An Ape, The Bear Ape, The Fox Ape,
£220 eachEarly British natural history copper engravings – An Ape, The Bear Ape, The Fox Ape,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – A Porcupine, A Badger, A Hedg Hog,
£220 eachEarly British natural history copper engravings – A Porcupine, A Badger, A Hedg Hog,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – A Jay, The Toucan, The Roller,
£220 eachEarly British natural history copper engravings – A Jay, The Toucan, The Roller,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – Robin Red Breast, Sky Lark,
£220 eachEarly British natural history copper engravings – Robin Red Breast, Sky Lark,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – Turtle Dove, Stock Dove, Runt, Cropper, Broad-Tail’d Shaker,
£220 eachEarly British natural history copper engravings – Turtle Dove, Stock Dove, Runt, Cropper, Broad-Tail’d Shaker,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – Marsh Titmouse, A Wren, Crested Titmouse, Blue Titmouse, Indian Sparrow, Long-Tailed Titmouse,
£220 eachEarly British natural history copper engravings – Marsh Titmouse, A Wren, Crested Titmouse, Blue Titmouse, Indian Sparrow, Long-Tailed Titmouse,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – The Ounce, A Rompo, A Buffalo
£220 eachEarly British natural history copper engravings – The Ounce, A Rompo, A Buffalo
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – The Vulture, The Buzzard,
£220 eachEarly British natural history copper engravings – The Vulture, The Buzzard,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – Sterling, Ring Ouzel, Black Martin, The Martin,
£220 eachEarly British natural history copper engravings – Sterling, Ring Ouzel, Black Martin, The Martin,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – Opossum, The Potto, The Coati Mondi, The Tatus,
£220 eachEarly British natural history copper engravings – Opossum, The Potto, The Coati Mondi, The Tatus,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – A Turkey, A Cock, A Pheasant’,
£220 eachEarly British natural history copper engravings – A Turkey, A Cock, A Pheasant’,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – A Baboon, Monkeys,
£220 eachEarly British natural history copper engravings – A Baboon, Monkeys,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – Kingfisher, Hoopoe, Bee-Eater, Water Ouzel,
£220 eachEarly British natural history copper engravings – Kingfisher, Hoopoe, Bee-Eater, Water Ouzel,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – A Mastiff, A Bull Dog, A Greyhound,
£220 eachEarly British natural history copper engravings – A Mastiff, A Bull Dog, A Greyhound,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – The Camelopardal, A Rain Deer,
£220 eachEarly British natural history copper engravings – The Camelopardal, A Rain Deer,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – Ruff, Tamatia, Coot,
£220 eachEarly British natural history copper engravings – Ruff, Tamatia, Coot,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – A Raven, A Crow,
£220 eachEarly British natural history copper engravings – A Raven, A Crow,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – A Crocodile,
£220 eachEarly British natural history copper engravings – A Crocodile,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – Virginian Nightingale,
£220 eachEarly British natural history copper engravings – Virginian Nightingale,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Early British natural history copper engravings – A Civet Cat, A Gennet Cat, A Pole Cat, A Common Cat,
£220 eachEarly British natural history copper engravings – A Civet Cat, A Gennet Cat, A Pole Cat, A Common Cat,
Francis Barlow (c. 1626 – 1704) was an English painter, etcher, and illustrator.£220 each -
Piranesi, Diverse maniere d’adornare i cammini ed ogni altra parte degli edifizi desunte dall’architettura egizia, Etrusca e Greca,
£200Piranesi, Diverse maniere d’adornare i cammini ed ogni altra parte degli edifizi desunte dall’architettura egizia, Etrusca e Greca,
Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.£200 -
Piranesi, Designs for furniture, 1769
£200Piranesi, Designs for furniture, 1769
Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.£200 -
Piranesi, Designs for furniture, 1769
£200Piranesi, Designs for furniture, 1769
Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.£200 -
Piranesi, Designs for furniture, 1769
£200Piranesi, Designs for furniture, 1769
Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.£200 -
Piranesi, Different shells thought to inspire the forms of Etruscan vases, 1769
£200Piranesi, Different shells thought to inspire the forms of Etruscan vases, 1769
Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.£200 -
Pompei Interior, copper-engravings published 1796
£200 -
Giovanni Battista Piranesi, Design for a Fireplace, published 1769.
£200Giovanni Battista Piranesi, Design for a Fireplace, published 1769.
Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.£200 -
Giovanni Battista Piranesi, Design for a Fireplace, published 1769.
£200Giovanni Battista Piranesi, Design for a Fireplace, published 1769.
Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.£200 -
Giovanni Battista Piranesi, Design for a Fireplace, published 1769.
£200Giovanni Battista Piranesi, Design for a Fireplace, published 1769.
Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.£200 -
Giovanni Battista Piranesi, Design for a Fireplace, published 1769.
£200Giovanni Battista Piranesi, Design for a Fireplace, published 1769.
Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.£200 -
Giovanni Battista Piranesi, Design for an Egyptian style Fireplace, published 1769.
£200Giovanni Battista Piranesi, Design for an Egyptian style Fireplace, published 1769.
Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.£200 -
Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.
£200Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.
Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.£200 -
Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.
£200Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.
Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.£200 -
Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.
£200Giovanni Battista Piranesi, Designs for two Fireplaces, published 1769.
Giovanni Battista Piranesi, was an etcher, engraver, designer, architect, archaeologist, and theorist.£200 -
Pompei Interior, copper-engravings published 1796
£200 -
18th Century French Engravings of Dogs
£175 each18th Century French Engravings of Dogs
Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.£175 each -
18th Century French Engravings of Dogs
£175 each18th Century French Engravings of Dogs
Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.£175 each -
18th Century French Engravings of Dogs
£175 each18th Century French Engravings of Dogs
Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.£175 each -
18th Century French Engravings of Dogs
£175 each18th Century French Engravings of Dogs
Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.£175 each -
De Buffon, 18th Century natural history,
£150 eachDe Buffon, 18th Century natural history,
Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Didelphys Orientalis Pall.'£150 each -
De Buffon, 18th Century natural history,
£150 eachDe Buffon, 18th Century natural history,
Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Viverra tigrina'.£150 each -
De Buffon, 18th Century natural history,
£150 eachDe Buffon, 18th Century natural history,
Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Viverra Zibetha Linn'.£150 each -
De Buffon, 18th Century natural history,
£150 eachDe Buffon, 18th Century natural history,
Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Canis Lagopus Linn.'.£150 each -
De Buffon, 18th Century natural history,
£150 eachDe Buffon, 18th Century natural history,
Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Die Zahme Katze'.£150 each -
De Buffon, 18th Century natural history,
£150 eachDe Buffon, 18th Century natural history,
Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Viverra Civetta Buff.'.£150 each -
De Buffon, 18th Century natural history,
£150 eachDe Buffon, 18th Century natural history,
Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Mustela Lutra Linn.'.£150 each -
De Buffon, 18th Century natural history,
£150 eachDe Buffon, 18th Century natural history,
Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Canis Lagopus Linn.'.£150 each -
De Buffon, 18th Century natural history,
£150 eachDe Buffon, 18th Century natural history,
Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Der Ziegenbock.£150 each -
De Buffon, 18th Century natural history,
£150 eachDe Buffon, 18th Century natural history,
Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Canis Mesomelas.'.£150 each -
De Buffon, 18th Century natural history,
£150 eachDe Buffon, 18th Century natural history,
Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Mustela Lutra Linn. canadensis'.£150 each -
De Buffon, 18th Century natural history,
£150 eachDe Buffon, 18th Century natural history,
Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Canis Lupus Linn.'.£150 each -
De Buffon, 18th Century natural history,
£150 eachDe Buffon, 18th Century natural history,
Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Canis aureus Linn'.£150 each -
De Buffon, 18th Century natural history,
£150 eachDe Buffon, 18th Century natural history,
Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Viverra Genetta Linn'.£150 each -
De Buffon, 18th Century natural history,
£150 eachDe Buffon, 18th Century natural history,
Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Dasyprocta prymnolopha Wglr.'.£150 each -
De Buffon, 18th Century natural history,
£150 eachDe Buffon, 18th Century natural history,
Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Phalangista Petaurus'.£150 each -
De Buffon, 18th Century natural history,
£150 eachDe Buffon, 18th Century natural history,
Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Felis Yaguarondi Azar'.£150 each -
De Buffon, 18th Century natural history,
£150 eachDe Buffon, 18th Century natural history,
Animal prints, based on he work of Georges-Louis Leclerc, count de Buffon, who attempted to systematically present all existing knowledge in the fields of natural history, geology, and anthropology in a single publication. Published c1740, Latin and German text. Presented in faux bamboo frames. 'Viverra caudivolvula Pali'.£150 each
Featured Items
-
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
18th Century French Engravings of Dogs
£175 each18th Century French Engravings of Dogs
Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.£175 each -
Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
£800Portrait by Andre Derain, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800