15 items found
Page 1 of 1
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Pair of nineteenth century iron door porters
£950 the pairPair of nineteenth century iron door porters
depicting a pair of Scottish soldiers in their regimental livery, in their original paint.£950 the pair -
Large Victorian Cherub and lion brass door porter,
£750Large Victorian Cherub and lion brass door porter,
stamped 'WTS' to the rear, along with diamond registration mark.£750 -
Victorian HMS Victory brass door porter,
£650Victorian HMS Victory brass door porter,
with medallion depicting Lord Horatio Nelson to the handle, the flagship set on stepped plinth, with lead weighting to the reverse.£650 -
Mid-Victorian brass door porter
£500 -
Mid-Victorian brass door porter
£500 -
Victorian Rococo door porter
£475 -
Early Victorian brass door porter
£450 -
Late nineteenth century brass door porter by Tonks,
£425 -
Victorian Pineapple door porter
£375 -
Victorian ‘A.Kenrick & Sons’ cast iron door porter,
£300 -
A late Victorian cast brass door porter
£285A late Victorian cast brass door porter
modelled as a winged cupid picking grspes with a foliate backdrop - flat-backed for the securing of an open door,£285 -
Nineteenth century brass door porter,
£280 -
Nineteenth century brass door porter,
£280 -
A Victorian cast iron door porter
£185A Victorian cast iron door porter
modelled as the Field Marshall mounted on horseback wearing a pith helmet, the regimental colours below, flat-backed for the securing of an open door,£185 -
A late Victorian polished cast iron door porter, modelled as Judy and Baby
£145A late Victorian polished cast iron door porter, modelled as Judy and Baby
flat-backed for the securing of an open door,£145
Featured Items
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Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800