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An Eighteenth Century Chinese Vase, Kangxi period.
£200An Eighteenth Century Chinese Vase, Kangxi period.
Having a flared wide rim with painted flower design, leading to slender body decorated with flower and leaf designs above stylised garden pagoda scene on a stepped base. Minor chips to the rim.£200 -
Large Ankara pattern wall charger
£200Large Ankara pattern wall charger
decorated by Charlotte Rhead and produced by Crown Ducal. Signed C. Rhead with pattern number 5983.£200 -
A Small Blue and White transfer printed gold fish bowl.
£120A Small Blue and White transfer printed gold fish bowl.
The late nineteenth century European made porcelain bowl, produced to mimic a Chinese gold fish bowl. The wide rim designed to stop fish escaping, is decorated with blue flower heads, above a bulbous body decorated with layered flower designs. The mark on the base in the form of a simple windmill could indicate the piece was produced in Holland.£120 -
A Staffordshire Crown Prince “flatback”
£95 -
A Staffordshire Robin Hood “flatback” spill-vase,
£95A Staffordshire Robin Hood “flatback” spill-vase,
the flamboyantly attired pair supporting the central vase,£95
Featured Items
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The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part I by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600