8 items found
Page 1 of 1
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Contemporary double vanity basin
£4,000Contemporary double vanity basin
Carrara marble top with underslung porcelain basins, on chrome stand.£4,000 -
A Carrara marble slab cut with a decorative aperture
£295A Carrara marble slab cut with a decorative aperture
the rectangle cut with a circular aperture with four pointed indices,£295 -
Four hand painted delft tiles,
£220 the set,Four hand painted delft tiles,
typical blue and white tin glazed with rural scenes, slight losses commensurate with age,£220 the set, -
Four hand painted delft tiles,
£220 the set,Four hand painted delft tiles,
typical blue and white tin glazed with rural scenes, slight losses commensurate with age,£220 the set, -
A nickel-plated brass vacant/engaged lock
£115 -
A polished brass vacant engaged lock
£115 -
A hand painted delft tile
£55A hand painted delft tile
blue and white tin glazed painted with a rural scene, slight losses commensurate with age,£55 -
A quantity of 18″ black marble tiles
£20 each incl. VAT (approx £100 per sq m incl. VAT)A quantity of 18″ black marble tiles
each with gold veining and quartz inclusions, evenly distributed across a dark base,£20 each incl. VAT (approx £100 per sq m incl. VAT)
Featured Items
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Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800