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Large George III wrought iron fire grate
£14,500Large George III wrought iron fire grate
the standards formed of elegant urn-topped pierced obelisks standing on a group of Tuscan columns, united by pierced and engraved shaped apron, of unusually large size. Blacking or polishing can be arranged, if deemed necessary.£14,500 -
George III fire grate
£5,750George III fire grate
with urn finials and serpentine railed basket, the fretwork apron with bands of Vitruvian scrollwork, the tapered standards with ball feet, c.1780.£5,750 -
Nineteenth century engraved steel and iron fire grate,
£5,250Nineteenth century engraved steel and iron fire grate,
with pierced serpentine fret and bold urn finials.£5,250 -
Charming George III wrought iron fire basket
£4,500Charming George III wrought iron fire basket
hand-forged and pinned throughout, with ball finials and scrolled front legs.£4,500 -
Large bronze and iron urn grate
£3,500Large bronze and iron urn grate
the rim of the urn shaped basket with bronze bead detail and scrolled handles to either side, the plinth base with applied ram's head and swag decoration.£3,500 -
Victorian cast iron and brass fire grate,
£3,250Victorian cast iron and brass fire grate,
with female mask to the back-plate, the basket framed with brass foliage and surmounted by urn finials.£3,250 -
George IV cast iron register grate,
£3,000George IV cast iron register grate,
the cushion moulded frame with brass flowerhead paterae corner-blocks, the ribbed cheeks flanking bowed grate bars with delicate fret-cut apron below£3,000 -
Antique English wrought iron firegrate,
£2,800Antique English wrought iron firegrate,
the shaped rail basket centred by knopped finial, all raised on baluster feet.£2,800 -
English brass and steel fire basket
£2,650 -
Early twentieth century cast iron and brass fire basket
£1,450Early twentieth century cast iron and brass fire basket
the torchere supports flanking bars shaped as archers' bows. English.£1,450 -
Composition stone figure of a young boy
£750 -
Bohemian art glass basket vase,
£30
Featured Items
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Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
£600Portrait Fragment by Pierre Bonnard, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
18th Century French Engravings of Dogs
£175 each18th Century French Engravings of Dogs
Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.£175 each -
The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600