8 items found
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A pair of English cast and wrought-iron driveway gates
£2,950A pair of English cast and wrought-iron driveway gates
each leaf with square section uprights topped with foliate finials (some lacking), a frieze of opposed scrolls, braced with a diagonal and with dog-bars to the lower section,£2,950 -
An Art Deco stained leaded-glass window,
£2,500An Art Deco stained leaded-glass window,
comprising geometric panels of stained glass in a painted steel frame, with eight lights forming an abstract design of textured and coloured glass,£2,500 -
An English wrought-iron balustrade
£2,350An English wrought-iron balustrade
in two un-equal sections comprising rectangular wrought panels of parcel-gilt scrollwork with leaf-clasps; five flat rectangular panels incorporating two convex bays, capped with a brass handrail and mounted on a wooden curb,£2,350 -
A French wrought iron window grille
£630 -
Victorian wrought-iron well-head guard railing
£575Victorian wrought-iron well-head guard railing
circular in plan with triform spear-heads, alternate spear uprights with a wrythen section,£575 -
An Art Deco cast iron grille
£525 -
An Art Deco wrought iron grille
£475An Art Deco wrought iron grille
with pairs of parallel bars, linked with scrolled motifs, inset hinges to one long side,£475 -
A Country House gilt-painted steel nursery fender
£470A Country House gilt-painted steel nursery fender
formatted as a pair of gates within a frame, each leaf wrought as a lattice with rosettes ornamenting the intersections, secured with a double latch£470
Featured Items
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The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
£600The Four Elements, Earth by Francisco Bores, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Stars by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800