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A pair of George V stained glass church windows
£22,500 the pairA pair of George V stained glass church windows
each lancet-arched leaded window with an ogee header painted with a New Testament scene, one light depicting Christ "The Good Shepherd" relating to John 10:1–21, the other “Behold I stand at the door and knock” Revelation 3:20, the Christ figure standing at a threshold, a garden behind Him and holding a lit lantern; both lights with the figures set within an abundant garden within Gothic architectural borders, the original window dedication is given below to the Todd family of Sunderland in 1915 and 1922.£22,500 the pair -
A pair of George V stained glass church windows
£12,000 the pairA pair of George V stained glass church windows
each lancet-arched leaded window with an ogee header painted with an Angel, one light depicting "Faith", the standing figure holding attributes of the cross and a lily, the other light depicting, "Hope" , the standing figure holding an anchor and a palm frond, both figures set within an abundant landscape within Gothic architectural borders, the original window dedication was given to Sarah Grace in 1928 but was damaged on removal, *Signed "Atkinson Bros. N/C" in the bottom margin*£12,000 the pair -
A pair of good late Victorian stained glass church windows
£12,000 the pairA pair of good late Victorian stained glass church windows
each lancet-arched leaded window eloquently painted with an early New Testament scene, one light depicting The Annunciation - Mary being visited by the holy dove and an angel, the other light depicting Jesus learning joinery from St. Joseph and glancing at the wooden cross his unknowing father has created, Mary is depicted spinning wool in the house yonder,£12,000 the pair -
A pair of George V stained glass church windows
£11,000 the pairA pair of George V stained glass church windows
each lancet-arched leaded window with an ogee header painted with a New Testament scene, one light depicting "I will give unto thee a Crown of Life", Revelation 2:10, Christ standing and proffering the martyr's crown to a supplicant, the other light depicting, "I am the Light of the World" John 8:12, the angel indicating the Ascension of Christ, both lights with the figures set within an abundant garden within Gothic architectural borders, the original window dedication is given below to the Alder family in 1915 and 1922.£11,000 the pair -
A set of five Victorian leaded stained glass portrait windows,
£6,000 the five panelsA set of five Victorian leaded stained glass portrait windows,
each rectangular window with an arched top centred by a portrait oval of one of the great English poets, respectively: Spenser, Byron, Chaucer, Milton and Dryden, each within a strapwork cartouche - with a fruiting swag above and name-scroll below, each mounted in a later decorative scrolled steel frame,£6,000 the five panels -
An English neo-classical carved oak columnar screen – two columns and two pilasters
£4,125 the setAn English neo-classical carved oak columnar screen – two columns and two pilasters
the pair of fluted columns carved with entasis and headed with Roman ionic order capitals, raised on torus moulded footblocks, the pair of pilasters - rectangular in section - en suite to the columns£4,125 the set -
An Art Deco stained leaded-glass window,
£2,500An Art Deco stained leaded-glass window,
comprising geometric panels of stained glass in a painted steel frame, with eight lights forming an abstract design of textured and coloured glass,£2,500 -
A pair of large late Victorian stained glass windows
£1,800 the pairA pair of large late Victorian stained glass windows
each square window of leaded polychrome glass on an obscured glass field, centred with a large quatrefoil, with foliate painted ornament and inset with bullion roundels,£1,800 the pair -
A Victorian stained glass window
£525A Victorian stained glass window
the rectangular panel with a field of leaded polychrome textured glass diamonds, studded with crown bullions and centred with a painted roundel of a cedar and windmill in a river landscape, preserved in its original framing - with strengthening rods£525 -
An attractive narrow Victorian double-hung stained glass sash window
£495 the two sashesAn attractive narrow Victorian double-hung stained glass sash window
each rectangular pine sash with leaded polychrome glass painted with a stylised foliate ornament and a scarlet ribbon border - the design uniting the two windows,£495 the two sashes
Featured Items
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Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
£800Comets by Wassily Kandinsky, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800