27 items found
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Aesthetic period Kilkenny marble fireplace inset with Minton tiles
£18,500Aesthetic period Kilkenny marble fireplace inset with Minton tiles
the fossil stone surround with stop-canted moudings, inset with a series of Minton China Works tiles designed by John Moyr Smith illustrating the Waverley Novels by Sir Walter Scott.£18,500 -
George III inlaid Statuary marble fireplace
£18,500George III inlaid Statuary marble fireplace
the moulded breakfront shelf above central tablet depicting Diana the Huntress and her dog, set within oval panel with winged putti to either side, this relief flanked by Tinos marbled inlaid flutes and corner blocks showing the Young Bacchus, the Brocatello marble jambs with pilasters inlaid with further Tinos flutes, on block feet. Late eighteenth century, restored.£18,500 -
Georgian Statuary and Convent Sienna marble fireplace
£14,500Georgian Statuary and Convent Sienna marble fireplace
the shelf with a simple mould above frieze with plaque centred by a female mask, the corner blocks of putti above fluted panel jambs, the whole inset with panels of dramatically figured Convent Sienna marble, on block feet.£14,500 -
Nineteenth century Italian Carrara marble chimneypiece,
£12,000Nineteenth century Italian Carrara marble chimneypiece,
the frieze carved in relief and centred by a cornucopia flanked lyre, the with opposing urns and eagles to each end, the foliate blocks above jambs with carved panels, on block feet.£12,000 -
Unusual nineteenth century cast terracotta and Caen stone fireplace
£9,500Unusual nineteenth century cast terracotta and Caen stone fireplace
the canted corner shelf and plain frieze supported by a pair of elaborately modelled double-fired terracotta jambs in the Renaissance style, likely taking influence from 'The Door of the Frog' (Porta delle Rana), Como Cathedral.£9,500 -
Nineteenth century Verde Tinos fireplace,
£8,000Nineteenth century Verde Tinos fireplace,
the frieze centred with cartouche and trails of flowers carved in relief, raised on scrolled jambs.£8,000 -
George IV Radford Black fireplace,
£7,500George IV Radford Black fireplace,
the panelled frieze with shaped corbels to each corner, the boldly scrolled and moulded console jambs on block feet. One of a near pair.£7,500 -
Louis XV style Carrara marble fireplace
£6,500Louis XV style Carrara marble fireplace
the shaped frieze centred by stylised fleur-de-lys flanked by laurel leaves, the out-turned jambs with acanthus leaves to the foot, on block feet.£6,500 -
Large nineteenth century Carrara marble fireplace
£6,500Large nineteenth century Carrara marble fireplace
with plain corbels flanking the panelled frieze, the jambs with further arch-topped panels, on block feet.£6,500 -
William IV statuary marble chimneypiece
£6,500William IV statuary marble chimneypiece
the stepped frieze raised on double pilaster jambs on block feet.£6,500 -
Nineteenth century French Carrara marble chimneypiece,
£6,000Nineteenth century French Carrara marble chimneypiece,
with shallow arch to the opening, c.1870£6,000 -
Twentieth century Neo-Classical fireplace
£5,750Twentieth century Neo-Classical fireplace
with reeded shelf and Classical carved tablet and corner-blocks, the frieze and jambs inlayed with rich Sienna marble, on block feet.£5,750 -
Mid-nineteenth century Old English marble chimneypiece,
£5,500Mid-nineteenth century Old English marble chimneypiece,
the rectangular shelf raised on chamfered pilaster jambs, on block feet.£5,500 -
Louis XV fireplace in richly coloured Rouge Campan marble
£5,500Louis XV fireplace in richly coloured Rouge Campan marble
the elegantly shaped frieze panelled and centred with cabochon, on volute jambs, with generous moulding surrounding the aperture.£5,500 -
Early nineteenth century Regency fireplace,
£5,250Early nineteenth century Regency fireplace,
with cushion mould tablet to the centre, with reeded frieze and jambs. Shelf a later replacement.£5,250 -
Early Victorian Radford Black fireplace
£5,000Early Victorian Radford Black fireplace
the plain shelf and panelled frieze supported by jambs with unusual double corbels, on block feet.£5,000 -
French Louis XVI style carrara marble fireplace,
£4,850French Louis XVI style carrara marble fireplace,
with ropetwist frieze and scrolled jambs. Sold without hearth.£4,850 -
Nineteenth century French Carrara marble fireplace,
£4,750Nineteenth century French Carrara marble fireplace,
with stop-fluted console jambs, hearth not included.£4,750 -
Late nineteenth century French Rococo chimneypiece,
£4,500Late nineteenth century French Rococo chimneypiece,
with scallop shell to the centre of the shaped frieze, the out-turned volute jambs with further scallop shell clasps to the top. Sold with marble hearth as per the image. Hearth size 134.5 cm x 51 cm x 2 cm£4,500 -
Regency slate bull’s eye roundel fireplace
£4,250Regency slate bull’s eye roundel fireplace
with boldly fluted frieze and jambs, with convex moulded corner blocks.£4,250 -
English Regency marble fireplace,
£3,800English Regency marble fireplace,
of understated design, the rectangular shelf above plain frieze and jambs, with convex roundel corner-blocks, all in well figured Carrara marble with attractive dry surface.£3,800 -
French Pompadour fireplace in Carrara marble,
£3,500French Pompadour fireplace in Carrara marble,
early twentieth century in the Louis XV manner, the shaped and moulded shelf above panelled frieze with oval medallion to the centre, on angled volute jambs.£3,500 -
Nineteenth century Horton Stone Gothic fire surround or interior,
£2,750Nineteenth century Horton Stone Gothic fire surround or interior,
with shallow arch, in attractively figured stone.£2,750 -
Small French Rococo Carrara marble fireplace
£2,600Small French Rococo Carrara marble fireplace
with scallop shell to the centre of the shaped frieze.£2,600 -
A late George III Yorkstone chimneypiece,
£2,350A late George III Yorkstone chimneypiece,
the rectangular shelf over the plain frieze with central keystone, flanked by relief carved patera end-blocks, raised on plain jambs and square foot-blocks; carved in the solid and rough hewn to the reverse,£2,350 -
Carrara marble Pompadour fireplace,
£1,950Carrara marble Pompadour fireplace,
with arc-en-arbalète shaped shelf, the frieze of conforming profile, with incised channel moulds throughout.£1,950
Featured Items
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Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Henri Matisse, ‘The Last Works of Henri Matisse’
£900 eachHenri Matisse, ‘The Last Works of Henri Matisse’
From Verve Vol. IX No. 35/36 published by Tériade under the title 'The Last Works of Henri Matisse'£900 each -
Figure by Georges Braque, Verve Vol 2 / No. 5-6.
£800Figure by Georges Braque, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800