4 items found
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Cast iron nineteenth century door knocker,
£260Cast iron nineteenth century door knocker,
The well cast nineteenth century door knocker, comprising of a lozenge shaped fixing plate with locking stud. The knocker section surmounted with scrolls and leaf details, centred by a personification of Autumn standing on further leaf and scroll details. An indecipherable registration mark to the reverse.£260 -
A Stylish Brass Door knocker. Early twentieth century.
£200A Stylish Brass Door knocker. Early twentieth century.
The brass door knocker, with a reeded circular fixing plate, and tapered reeded knocker flanked by smaller reeded decorative plates, and new strike plate.£200 -
Cast iron gothic letterplate,
£125Cast iron gothic letterplate,
with fleur de-lis-design to top and bottom, polished, with clapper.£125 -
Patinated Brass door knocker,
£90Patinated Brass door knocker,
The shaped backplate with leaf and scroll detail, incorporating a decorative striker ring, with stylized scallop shell to base. Stamped VCT Italy.£90
Featured Items
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Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
£800Head of a Girl by George Rouault, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
£800Printemps by Marc Chagall, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£800 -
18th Century French Engravings of Dogs
£175 each18th Century French Engravings of Dogs
Published for, Histoire naturelle, générale et particulière (1749–1804), which was the first modern attempt to systematically present all existing knowledge in the fields of natural history, geology, and anthropology.£175 each -
Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
£600Autumn by Abraham Rattner, Verve Vol. 1 / No. 3.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600