10 items found
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A rare English double-ended wrought-iron andiron,
£2,650A rare English double-ended wrought-iron andiron,
the singular rectangular-section billet bar terminating with a spear standard to each end, each pointed finial pierced with an eye suspending a spit-ring, each stem with apotropaic markings and three pairs of scrolls, the bar pegged in order to attach the pair of arched supports,£2,650 -
A pair of large English andirons
£1,720A pair of large English andirons
each with a tall, faceted standard embellished with incised hatching to the surface, spit hooks, applied ornament and scrollwork brackets and topped with a knopped finial, the square section billet-bars evidently bearing signs of centuries of use,£1,720 -
Georgian style steel and iron andirons
£1,400Georgian style steel and iron andirons
with urn finials and knopped stems, twentieth century.£1,400 -
Louis XVI style gilt bronze and iron chenet,
£950 -
Pair of nineteenth century French bronze andirons
£850Pair of nineteenth century French bronze andirons
finely modelled, with eagle mount to the front, raised on claw and ball feet.£850 -
Pair of wrought iron andirons, in the Gothic taste
£800Pair of wrought iron andirons, in the Gothic taste
The pierced fret work mead cup holders, above a square bar support section centred by quatrefoil gothic design leading to s-c scrolls supported on scroll feet with further pierced fret work decorated apron, L shaped support behind.£800 -
Pair of mid-twentieth century wrought iron andirons,
£285 the pairPair of mid-twentieth century wrought iron andirons,
with cressets and spit-hooks, on scroll supports.£285 the pair
Featured Items
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Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
£500Portraits Part II by Constantin Guys, Verve Vol 2 / No. 5-6.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£500 -
The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
£600The Four Elements, Water by Fernand Leger, Verve Vol. 1 / No. 1.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Moon by André Masson, Verve Vol. 1 / No. 2.
£600The Moon by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600 -
The Sun by André Masson, Verve Vol. 1 / No. 2.
£600The Sun by André Masson, Verve Vol. 1 / No. 2.
The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.£600