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87 items found

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  • Henry Rushbury, St. Pauls from the North,

    £1,200 Stock code: AD1554 A
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    Henry Rushbury, St. Pauls from the North,

    A signed and dated, framed and mounted drypoint engraving by Sir Henry Rushbury showing St Pauls Cathedral viewed over the bomb damaged remnant of what was Paternoster Row and London's printing district after the 'Worst Raid' of the London Blitz on the 10-11th of May 1941. First exhibited at the Royal Academy, Summer Exhibition in 1944, the print is one of a series by Sir Henry documenting the destruction of London landmarks during the Second World War.
    Dimensions: 46cm (18") High, 37cm (14½") Wide, 1.7cm (0¾") Deep
    Stock code: AD1554 A
    £1,200
  • W. L Wylie R. A., Old Waterloo Bridge from the South Bank,

    £850 Stock code: AD1536 A
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    W. L Wylie R. A., Old Waterloo Bridge from the South Bank,

    An original dry-point engraving by British marine artist, painter etcher and illustrator W. L. Wyllie (1851-1931) showing Old Waterloo Bridge from the Surrey shore with three steam Toshers working on the Lambeth Reach of the River Thames. Mounted and in its original frame. Old Waterloo bridge, designed and built by the engineer John Rennie was built in 1827 and stood until 1924 when the increased scour of the river, caused by the removal of the many-piered Old London Bridge, made necessary its dismantling and replacement. Signed by the artist in pencil in he margin.
    Dimensions: 36.2cm (14¼") High, 51cm (20") Wide, 1.7cm (0¾") Deep
    Stock code: AD1536 A
    £850
  • W. L Wylie R. A., Sugar boats Greenwich Reach,

    £850 Stock code: AD1536 B
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    W. L Wylie R. A., Sugar boats Greenwich Reach,

    An original dry-point engraving by British marine artist, painter etcher and illustrator W. L. Wyllie (1851-1931). Signed in pencil by the artist "A view of Greenwich from the Isle of Dogs (i.e. the north-west) with figures, probably local boys, swimming off the beach in the foreground around a small lighter. The Royal Naval College is to the left and the Royal Observatory high in the background above the Park and the riverside town centre of Greenwich proper. In the centre cargo ships are unloading sugar into lighters alongside, in the deep-water mooring tier between Greenwich and Deptford. The atmosphere beyond over the shoreline is one of industrial haze through which a Thames barge, chimneys and a crane can be seen. Astern of the ships small steamers cluster off Greenwich Pier." National Maritime Museum listing.
    Dimensions: 29.5cm (11½") High, 47.8cm (18¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1536 B
    £850
  • Nathaniel Sparks, The Clock Tower, St. Pauls,

    £750 Stock code: AD1557 C
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    Nathaniel Sparks, The Clock Tower, St. Pauls,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the Clock Tower of St Paul's Cathedral viewed from Carter Lane. The first clock was inserted into the Great West Portico of St Paul's by Smith of Derby  in 1893 and is still maintained by them to this day. Signed by the artist on the plate.    
    Dimensions: 57cm (22½") High, 40.7cm (16") Wide, 1.7cm (0¾") Deep
    Stock code: AD1557 C
    £750
  • Nathaniel Sparks, St Mary-le-Bow, Cheapside,

    £570 Stock code: AD1557 A
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    Nathaniel Sparks, St Mary-le-Bow, Cheapside,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the steeple of St Mary le Bow viewed looking west up Cheapside. Signed by the artist.
    Dimensions: 59.1cm (23¼") High, 39.9cm (15¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1557 A
    £570
  • Frederick Farrell, St. Margarets Church, Westminster,

    £550 Stock code: AD1555 D
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    Frederick Farrell, St. Margarets Church, Westminster,

    A framed and mounted original etching by Frederick Arthur Farrell depicting St Margaret's Church Westminster from across Parliament Square. Hand signed by the artist in pencil.
    Dimensions: 45.5cm (18") High, 35.1cm (13¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1555 D
    £550
  • Charles Watson, Chelsea

    £550 Stock code: AD1559
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    Charles Watson, Chelsea

    A framed and mounted etching by the English artist Charles Watson (1846-1927) depicting the foreshore at Chelsea with two barges at low tide. In the distance is shown the tower of Chelsea Old Church and a part of Old Battersea Bridge, replaced in 1890. The vantage is from close to the current site of the Chelsea Yacht and Boat Yard. Signed on the plate.
    Dimensions: 31cm (12¼") High, 41cm (16¼") Wide, 1.5cm (0½") Deep
    Stock code: AD1559
    £550
  • Sydney R Jones, St. Mary le Bow, Cheapside,

    £450 Stock code: AD1555 B
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    Sydney R Jones, St. Mary le Bow, Cheapside,

    A mounted, framed and signed etching by the English artist Sydney R Jones (1881-1966) depicting the church of St Mary le Bow on Cheapside, London. Hand signed by the artist in pencil, bottom left, with a note that it is the '5th state' of the etching.
    Dimensions: 52cm (20½") High, 32.5cm (12¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1555 B
    £450
  • Sydney R Jones, St. Edmund King & Martyr from Lombard Street,

    £450 Stock code: AD1555 C
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    Sydney R Jones, St. Edmund King & Martyr from Lombard Street,

    A mounted, framed and signed etching by the English artist Sydney R Jones (1881-1966) depicting the church of St Edmund King and Martyr viewed from a vantage in Lombard Street in the City of London. Hand signed by the artist in pencil at the bottom of the image.
    Dimensions: 46cm (18") High, 28.1cm (11") Wide, 1.7cm (0¾") Deep
    Stock code: AD1555 C
    £450
  • Nathaniel Sparks, Westminster from the Horseguards,

    £450 Stock code: AD1558 B
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    Nathaniel Sparks, Westminster from the Horseguards,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the North Door and Lady Chapel of Westminster Abbey viewed across Parliament Square. Signed proof impression from the only edition.
    Dimensions: 37.7cm (14¾") High, 46.5cm (18¼") Wide, 1.7cm (0¾") Deep
    Stock code: AD1558 B
    £450
  • Nathaniel Sparks, St. Botolphs Church,

    £450 Stock code: AD1556 B
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    Nathaniel Sparks, St. Botolphs Church,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing St Botolph's church on Bishopsgate in the City of London. The corner building in the middle foreground is the White Hart Inn which had existed as a hostelry continuously on the site since 1377 until it was closed for commercial redevelopment in 2014. Signed by the artist.
    Dimensions: 45.3cm (17¾") High, 50cm (19¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1556 B
    £450
  • Nathaniel Sparks, St. James Palace,

    £450 Stock code: AD1556 A
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    Nathaniel Sparks, St. James Palace,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the north gatehouse of St James's Palace viewed across Pall Mall from the east side of St James's Street. Signed by the artist.
    Dimensions: 49.5cm (19½") High, 55cm (21¾") Wide, 1.7cm (0¾") Deep
    Stock code: AD1556 A
    £450
  • Nathaniel Sparks, Waterloo Bridge,

    £450 Stock code: AD1558 A
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    Nathaniel Sparks, Waterloo Bridge,

    Mounted and in its original frame, an original dry-point engraving by the artist and painter-etcher Nathaniel Sparks showing the northernmost arch of Old Waterloo Bridge with Charing Cross and Westminster bridges beyond and the Palace of Westminster in the distance. Signed by the artist.
    Dimensions: 45cm (17¾") High, 43.5cm (17¼") Wide, 1.7cm (0¾") Deep
    Stock code: AD1558 A
    £450
  • Dorothy Woollard, St. Martin in the Fields,

    £350 Stock code: AD1555 E
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    Dorothy Woollard, St. Martin in the Fields,

    A framed and mounted original etching by Dorothy Woollard of St Martin-in-the-Fields church, Trafalgar Square. Signed in pencil by the artist.  
    Dimensions: 42.3cm (16¾") High, 29cm (11½") Wide, 1.7cm (0¾") Deep
    Stock code: AD1555 E
    £350
  • Still-life of Flowers

    £290 Stock code: AD1431 A
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    Still-life of Flowers

    .
    Dimensions: 37cm (14½") High, 32cm (12½") Wide, 3cm (1¼") Deep
    Stock code: AD1431 A
    £290
  • A Successful First Speech,

    £270 Stock code: AD1562 19
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    A Successful First Speech,

    Framed chromolithograph by SPY (Sir Leslie Ward) picturing Mr Fredrick Edwin Smith, later 1st Earl of Birkenhead, MP for Liverpool Walton and boon companion of Sir Winston Churchill until his early death. The subtitle, 'Moab is my Washpot', is from psalm 108 and is a proverbial declaration of total triumph over vanquished foes. F.E Smith is famed in Parliamentary history for his maiden speech in the House, known as 'I Warn The Government', described by the late Paul Johnson as "without question the most famous maiden speech in history, quite unprecedented, and never equalled since." In it he accused the Liberal government of arrogance, dishonesty and heavy handedness after their landslide victory at the election of 1906. He managed to catch David Lloyd George in a clear untruth and won the begrudging admiration of all sides of the house. He declared, in response to a suggestion by Lloyd George to the churches of Wales that the Tories wanted to 'introduce slavery to the hills of Wales' that: "I have no means of judging how heaven will deal with persons who think it decent to make such suggestions. The distinction drawn by the Right Hon. Gentleman is more worthy of the county court than of the Treasury Bench." He then went on famously to declare: "I venture to warn the government that the people of this country will neither forget nor forgive a party which, in the heyday of its triumph, denies to the infant Parliament of the Empire one jot or tittle of that ancient liberty of speech which our predecessors in this House vindicated for themselves at the point of the sword." He was a, according to the ONDB a 'champion of hard-drinking patriotic men' in the face of the temperance movement before his early death of cirrhosis of the liver.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 19
    £270
  • Tess,

    £250 Stock code: AD1562 32
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    Tess,

    Framed Chromolithograph by Spy (Leslie Ward) depicting Thomas Hardy, novelist author, poet and architect. Writer of controversial and socially engaged novels such as Tess if the D'urbervilles, Jude the Obscure and popular classics such as Far from the Madding Crowd and The Mayor of Casterbridge. He lived to be appointed to the Order of Merit and his ashes are interred in Poets Corner, Westminster Abbey.  
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 32
    £250
  • Cricket, Railways, and Agriculture,

    £250 Stock code: AD1562 12
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    Cricket, Railways, and Agriculture,

    A framed chromolithograph by Spy (Sir Leslie Ward) picturing Charles George Lyttleton, 8th Viscount Cobham, Liberal MP for East Worcestershire. A first class cricketer who played 35 first class matches in his life, he was elected President of the Marylebone Cricket Club in 1888. Cobham was also a member of the Tennis Committee of the MCC and was responsible for framing standardised rules for the new sport of lawn tennis. These unified Laws of Lawn Tennis were published on 29 May 1875.  
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 12
    £250
  • The Bells,

    £220 Stock code: AD1562 31
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    The Bells,

    Framed Chromolithograph by APE (Carlo Pellegrini) picturing the stage actor and impresario Henry Irving. Born into humble circumstances in the West Country, Irving went on to establish himself as a giant of the West End. During his long residence at the Lyceum, beginning with his production of The Bells in 1871, he cemented his own and his theatre company's position as the keeper and type of the English classical theatrical tradition. Irving would later became the model for Bram Stoker's Dracula and was the first actor to be conferred the honour of Knighthood. Irving died on stage in 1905 after giving the final lines of Beckett by Alfred Lord Tennyson ''Into thy hands, O Lord, into thy hands". His ashes are interred in Westminster Abbey, the first cremation prior to internment permitted at the Abbey.  
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 31
    £220
  • The Intermezzo,

    £220 Stock code: AD1562 26
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    The Intermezzo,

    Framed Chromolithograph by WH (Wallace Hester) picturing the Italian composer Pietro Mascagni. In 1890 Mascagni delighted the Italian nation with his exquisite opera 'Cavalleria Rusticana'. Written in response to a competition for young composers in 1888, Mascagni had not actually intended to finally submit his work as he doubted it's quality. The composer's wife found the draft hidden in a draw and, seeing it's worth, illicitly submitted it on his behalf on the final day of the competition. The opera was an instant and unqualified success, earning Mascagni 40 curtain calls on the first night as well as first prize in the contest and receiving a standing ovation such as the Teatro Constanzo in Rome had not seen 'in many years'. The 'intermezzo' from Cavaleria Rusticana was particularly noted for its beauty and charm and has become famous in it's own right, appearing in the soundtrack of the Martin Scorsese film 'Raging Bull'.  
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 26
    £220
  • War And Peace,

    £220 Stock code: AD1562 25
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    War And Peace,

    Framed Chromolithograph by SNAPP picturing Leo Tolstoy, Russian moralist, novelist and social theorist, author of War and Peace and Anna Karenina. Tolstoy visited England only once in his life. For sixteen days from the 2nd May 1861 he lodged with the philosopher Alexander Herzen and took in the sights of London as well as attending a reading by Charles Dickens of A Christmas Carol at St James' Hall on Piccadilly. He returned to Russia on the 17th, immediately upon learning of the emancipation of the Russian serfs by the Emperor Alexander II.  
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 25
    £220
  • Shamrock,

    £220 Stock code: AD1562 23
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    Shamrock,

    Framed chromolithograph picturing Sir Thomas Lipton, self made man, tea-merchant and founder of Lipton Tea, philanthropist and yachtsman. Sir Thomas became admired as 'the best of all losers' for his gracious and gentlemanly manner of defeat as he contested and lost 5 straight Americas cups in his yacht 'Shamrock', a standing record for failure in that contest. Inducted into the America's Cup Hall of Fame in 1993 he also inaugurated the Sir Thomas Lipton trophy, a forerunner of the football World Cup. He was admitted to the Royal Yacht Squadron shortly before his death, a great achievement for the son of an itinerant labourer born in a Gorbals tenement.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 23
    £220
  • The Queen’s Lord Steward,

    £200 Stock code: AD1562 38
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    The Queen’s Lord Steward,

    Framed Chromolithograph by Spy (Leslie Ward) depicting Gavin Campbell 1st Marquess of Breadalbane KG PC JP DL. Scotch Nobleman and Liberal politician. Lord Steward to the Royal Household of Queen Victoria.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 38
    £200
  • Ficelle Dramatique,

    £200 Stock code: AD1562 30
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    Ficelle Dramatique,

    Framed Chromolithograph by T (Theobald Chartran) picturing Victorien Sardou, French dramatist, playwright of the original 'Tosca' and developer, along with Eugene Scribe, of the 'Well Made Play'. Much maligned by 'socially radical' playwrights, his method of composition which focused on concise plotting, compelling narrative and a solid structure shorn of intellectual or philosophical pretensions was nonetheless adapted for use by figures such as George Bernard Shaw, Oscar Wilde and J.B. Priestly. Shaw in particular affected to scorn Sardou's creations as 'Sardoodles' but still condescended to employ a Sardou structure on his breakout success, 'Man and Superman' in 1902.  
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 30
    £200
  • He insists that his pen is mightier than his sword,

    £200 Stock code: AD1562 9
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    He insists that his pen is mightier than his sword,

    Framed chromolithograph by Spy (Sir Leslie Ward) picturing Mr Egerton Castle MA FRSA, author, antiquarian and swordsman. He was an early practitioner of reconstrucred historical fencing he went on to be apponted British fencing and sabre captain in two Olympic Games. A keen collector of bookplates, he also published several novels, often in partnership with his wife Agnes Sweetman Castle, a number of which were turned into early motion pictures.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 9
    £200
  • Lord Justice Barry,

    £195 Stock code: AD1562 37
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    Lord Justice Barry,

    Framed Chromolithograph by LIB (Liberio Prospero), depicting Charles Robert Barry QC PC, Lord Justice of Appeal for Ireland. As Solicitor General he had been responsible for the prosecution of the men captured during and after the failed Fenian rising of 1867.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 37
    £195
  • Mr. Frank Crisp,

    £195 Stock code: AD1562 35
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    Mr. Frank Crisp,

    Framed Chromolithograph by Spy (Leslie Ward) depicting Sir Frank Crisp, 1st Baronet. Lawyer, forensic scientist, microscopist and horticulturalist. The owner of Friar Park, Henley-on-Thames, lately the residence of the Beatle George Harrison, he also drew up the contract for the cutting of the Cullinan Diamond in Amsterdam by Jospeh Asscher in 1893.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 35
    £195
  • East Birmingham,

    £195 Stock code: AD1562 34
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    East Birmingham,

    Framed Chromolithograph by Spy (Leslie Ward) depicting Sir John Benjamin Stone, Conservative politician, pioneer of photography, MP for Birmingham East and first Mayor of Sutton Coldfield. He was a prolific early documentary photographer and undertook photographic expeditions to Spain, Norway, Japan and Brazil where he captured the 1893 total solar eclipse. The National Portrait Gallery holds 62 of his photographic portraits and he was appointed the official photographer of the coronation of George V in 1911.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 34
    £195
  • The Master Builder,

    £195 Stock code: AD1562 24
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    The Master Builder,

    Framed chromolithograph by SNAPP picturing the Norwegian playwright and theatre director Henrik Ibsen, 'the father of realism' in the dramatic arts, writer of 'A Dolls House', 'Peer Gynt' and 'The Master Builder', three time Nobel Prize nominee.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 24
    £195
  • The Working Man Member,

    £190 Stock code: AD1562 21
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    The Working Man Member,

    Framed chromolithograph picturing Mr Henry Broadhurst MP. A leading early British trade-unionist, Mr Broadhurst worked his way up from a stonemason's apprentice to become leader of the Labour Representation League, a forerunner of the Labour Party. From working as a mason on the clock tower of the rebuilt Palace of Westminster he eventually secured a seat in the House of Commons as MP, firstly  for Stoke-on-Trent, as well as chairmanship of the forerunner of the TUC. Appointed Under-Secretary of State for the Home Department in the Liberal government he became the first person from a working-class or labour movement background to hold a ministerial post.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 21
    £190
  • A hard rider,

    £190 Stock code: AD1562 13
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    A hard rider,

    Framed Chromolithograph by SPY (Sir Leslie Ward) picturing 'Captain' David Longfield Beatty, infamous soldier and amateur sportsman of the late Victorian period. An Anglo-Irish horse dealer and trainer from County Wexford, Captain Beatty was considered a violent and unpleasant bully. After cuckolding a brother Officer in the 4th Hussars he was dismissed from his regiment although he continued to be referred to as 'Captain' - a rank he had never achieved and held only in an honorary capacity. His natural son, David Richard Beatty went on to become Admiral of the Fleet and the 1st Earl Beatty, Viscount Borodale and Baron Beatty of the North Sea and Brooksby sometimes described as 'Britain's last naval hero'.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 13
    £190
  • The Record Revolver Shot,

    £190 Stock code: AD1562 8
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    The Record Revolver Shot,

    A framed chromolithograph by SPY (Sir Leslie Ward) picturing Mr Walter Winans, American marksman, hunter, horsebreeder, sculptor and painter. A twice Olympic shooting gold medalist, he also won the gold medal for sculpture at the Stockholm Arts Competition in 1912 for his equestrian bronze 'An American Trotter'.  
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 8
    £190
  • Stay, Please,

    £190 Stock code: AD1562 5
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    Stay, Please,

    A framed chromolithograph picturing Mr Justice William Ventris Field, Baron Field of Wakenham. Queen's Council, later Queen's Bench, he oversaw the reorganisation of the court system following the Judicature Act of 1881 which established Judges Chambers in England and served (especially in the court of Chancery) to make trial without a jury the normal mode of trial, except in certain instances. In 1890, he retired from the bench and was raised to the peerage as Baron Field, of Wakenham in the County of Surrey, on 10 April 1890. He had been sworn of the Privy Council earlier the same year.  
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 5
    £190
  • Bill,

    £180 Stock code: AD1562 6
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    Bill,

    A framed chromolithograph by ELF picturing Robert Henry Foster, lawyer, author, poet, oarsmen and pioneering Romano-British archaeologist. His excavations at Roman Corbridge on Hadrian's Wall were seminal in the fledgling field of British archaeology. He wrote widely about Hadrian's Wall and the Roman presence in his native Northumberland. A keen oarsman, he rowed in the first boat of his college's Lady Margaret Boat Club and in the crew sent to Henley in 1888, winning both the Thames cup and Ladies plate. He later became joint secretary of the Thames Rowing Club in 1892. Starting out with a legal career in mind, he was called to the Bar in 1892, having been McMahon Law Student the year before. However, his writing soon took precedence, to be joined by his archaeological interests.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 6
    £180
  • Chess,

    £175 Stock code: AD1562 15
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    Chess,

    Framed chromolithograph by APE (Carlo Pellegrini) picturing Joseph Henry Blackburne, British chess master nicknamed 'The Black Death'. Despite only taking up the game at the age of 17 Blackburn became a world champion many times over and an icon of 'Romantic Chess'.    
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 15
    £175
  • Steam

    £175 Stock code: AD1562 14
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    Steam

    A framed chromolithograph by SPY (Leslie Ward) depicting Frederic Abernethy Coleman, writer, journalist, military historian & motoring pioneer. He popularised the White Steam Car in England and was a fierce opponent of the 'petrol car brigade' preferring and championing steam powered motorcars. Steam powered cars had the ascendancy in early British motoring, particularly in hill-climbs until they were banned from competition by advocates of the petrol engine,
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 14
    £175
  • Her Majesty the Queen Empress,

    £170 Stock code: AD1562 39
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    Her Majesty the Queen Empress,

    Victorian, framed chromolithograph
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 39
    £170
  • In His Military Capacity,

    £170 Stock code: AD1562 36
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    In His Military Capacity,

    Framed Chromolithograph by SPY (Leslie Ward) depicting Mr Montagu Williams QC, teacher, British Army officer, actor, playwright, barrister and magistrate. His succesful defence of Mr John Young in his manslaughter trial, after the death of an opponent in the boxing ring, established a legal precedent around the sport.  
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 36
    £170
  • Balliol,

    £170 Stock code: AD1562 33
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    Balliol,

    Framed Chromolithograph by Spy (Leslie Ward) depicting Edward Caird FRSA FBA. Scottish philosopher on the latter part of the 19th century, Caird is considered one of the fathers of the British Idealist school, a philosophical movement that was influential in Britain from the mid-nineteenth century until its overthrow by the Analytic Philosophy associated with Bertrand Russell. He served as Master of Balliol college until 1907.
    Dimensions: 36.5cm (14¼") High, 47cm (18½") Wide, 2cm (0¾") Deep
    Stock code: AD1562 33
    £170
  • First Violin,

    £170 Stock code: AD1562 29
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    First Violin,

    Framed Chromolithograph by Spy (Leslie Ward) picturing HRH The Duke of Edinburgh, Alfred Ernest Albert, later Duke of Saxe Coburg and Gotha. The second son of Victoria and Albert he joined the Royal Navy at 14, he rose through the ranks to attain the position of Admiral of the Fleet by 1893 having served as Cadet, Lieutenant and Captain of HMS Galatea which he commanded in the Pacific Ocean. He commanded both the Channel fleet and, later, the Mediterranean Fleet from his flagship HMS Alexandra. The Duke survived an assassination attempt while visiting Sydney Australia and went on to marry a Grand Duchess of Russia. Alfred was a musical enthusiast and took a leading role in the establishment of the the Royal College of Music in 1882. He was a particularly keen violinist although his playing was not of the first quality. After a dinner party given by one of his brothers where he was persuaded to play Sir Henry Ponsonby would write: 'Fiddle out of tune and noise abominable'
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 29
    £170
  • Eduard Strauss,

    £170 Stock code: AD1562 28
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    Eduard Strauss,

    Framed Chromolithograph signed EBN depicting the Austrian composer and conductor Eduard Strauss, brother of Johann II and Josef Strauss.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 28
    £170
  • Crystal Palace,

    £170 Stock code: AD1562 27
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    Crystal Palace,

    Framed Chromolithograph by Spy (Leslie Ward) picturing Sir August Friedrich Manns, German born British Composer and a key figure in the musical life of the Crystal Palace where he conducted a 90 piece orchestra.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 27
    £170
  • Jimmy,

    £170 Stock code: AD1562 22
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    Jimmy,

    Framed chromolithograph picturing the Revd. James Leigh Jones, English clergyman and schoolmaster at Eton College. Teacher of Swinburne and the Duke of Argyll. Famed for his application of the birching rod and his regular flogging of his pupils.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 22
    £170
  • Four in hand,

    £170 Stock code: AD1562 11
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    Four in hand,

    A framed chromolithograph by SPY (Sir Leslie Ward) picturing Adolph Wilhelm Reichmann, Baron of Prussia, Knight of the Iron Cross, German businessman and naturalised British subject he oversaw the banking house of Horstmann and Company. A keen carriage driver he was a member of many driving clubs including the Four In Hand and Carriage Clubs. His posterity became a subject of Parliamentary controversy as his sons left England to fight for the Kaiser in 1914 while his widow, the Baroness von Deichman, remained to steward his company which managed loans for prominent members of the German military and aristocracy.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 11
    £170
  • Patinated brass lion’s mask door pull,

    £150 Stock code: 79077
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    Patinated brass lion’s mask door pull,

    twentieth century,
    Dimensions: 10cm (4") High, 7.5cm (3") Wide
    Stock code: 79077
    £150
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 W
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 W
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 T
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 T
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 Q
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 Q
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 P
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 P
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 O
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 O
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 N
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 N
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 M
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 M
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 J
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 J
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 I
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 I
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 H
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 H
    £150 each
  • Woodcuts by Eric Fitch Dalglish,

    £150 each Stock code: P01229 E
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish,

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 E
    £150 each
  • Woodcuts by Eric Fitch Dalglish

    £150 each Stock code: P01229 D
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 D
    £150 each
  • Woodcuts by Eric Fitch Dalglish

    £150 each Stock code: P01229 A
    Add to Wishlist

    Woodcuts by Eric Fitch Dalglish

    Eric Fitch Dalglish was a wood-engraver, painter, draughtsman, author, illustrator and naturalist. Born in London, he studied at university both in London and Bonn, Germany and after WWI was taught engraving by Paul Nash. He exhibited at the Redfern Gallery, with the Society of Wood Engravers, of which he was a member, and the New English Art Club. Examples of his work are held by the British Museum, V&A Museum, Manchester City Art Gallery, and British Council Collection.
    Dimensions: 30cm (11¾") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01229 A
    £150 each
  • Tracks and Triggers,

    £150 Stock code: AD1562 10
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    Tracks and Triggers,

    A Framed chromolithograph by WHO picturing Mr Walter Winans, American marksman, hunter and artist. Author The Art of Revolver Shooting, Winans owned hunting and shooting rights to 250,000 acres in the Scottish Highlands across Glen Strathfarrar, Glen Cannich and Glen Affric. In 1884 he attempted to prosecute a Scotsman, Muirdoch Macrae, for grazing a lamb on the ancestral lands of Clan McCrae but owned in law by Winans. The failure of Winans' prosecution established the right to roam which was a key element in opening British parklands to the public.  
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 10
    £150
  • Force No Remedy

    £150 Stock code: AD1562 4
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    Force No Remedy

    A framed chromolithograph by Harry Furniss picturing a prison warder, Charles Stewart Parnell and John Dillon pictured on remand in Kilmainham Gaol, Dublin. Parnell and Dillon were united in opposition to the Irish Land Act of 1881 which aimed to resolve landlord tenant relations in late 19th Century Ireland and neutralise the militancy of the Irish Land League. Accused of "sabotaging the Land Act", the pair were arrested on the 12th of October 1881 for their role in the declaration and propagation of the No Rent Manifesto, a radical proposal by the Land League calling for a campaign of passive resistance by the small tenant farmers of Ireland and the withholding of rent to landlords.

    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 4
    £150
  • The New Judge

    £150 Stock code: AD1562 2
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    The New Judge

    A framed chromolithograph by SPY (Sir Leslie Ward) picturing the Hon. Sir Arthur Charles who presided over the first trial of Oscar Wilde for sodomy and gross indecency in which the Jury failed to agree a verdict.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 2
    £150
  • Birth, Behaviour and Business,

    £145 Stock code: AD1562 17
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    Birth, Behaviour and Business,

    Framed Chromolithograph by T (Theobald Chartran) showing Her Majesty's loyal opposition. The front back consists of three survivors of Lord Salisbury's collapsed administration. Lord John Manners, once Postmaster General and later 7th Duke of Rutland, Sir Stafford Northcote, former Chancellor of the Exchequer and Richard Assheton Cross, former Home Secretary. All three were seen as emblematic of the lethargy and inertia of the Conservative party of the period.
    Dimensions: 36.5cm (14¼") High, 47cm (18½") Wide, 2cm (0¾") Deep
    Stock code: AD1562 17
    £145
  • The Cabinet Council, 1883,

    £145 Stock code: AD1562 16
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    The Cabinet Council, 1883,

    Framed Chromolithograph showing Gladstone's 1883 Liberal Cabinet. The second Gladstone administration was responsible for, among other things, the introduction of compulsory elementary education up to the age of 14 and the Married Woman's Property Act which returned to women the legal ability to own property in their own right. Depicted alongside the Prime Minister are his 13 cabinet colleagues including the MP for Birmingham Joseph Chamberlain, The 8th Duke of Devonshire, the 15th Earl of Derby and Sir William Vernon Harcourt.
    Dimensions: 36.5cm (14¼") High, 47cm (18½") Wide, 2cm (0¾") Deep
    Stock code: AD1562 16
    £145
  • 2nd Commissioner

    £145 Stock code: AD1562 1
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    2nd Commissioner

    A framed chromolithograph by SPY (Sir Leslie Ward) picturing The Hon. Sir John Charles Frederick Sigismund Day a High Court Judge and art collector. One of the first Roman Catholic judges to be appointed to the English bench since the Reformation, he was called to the bench in 1882. Well known for sentencing criminals to lashes, in his latter years, he would sometimes listen intently to cases with his eyes closed,  opening an eye suddenly if something significant were said, a mannerism which was jokingly referred to as "the peep of Day". He sat on the Parnell Commission, a judicial inquiry into allegations of crimes by Irish parliamentarian Charles Stewart Parnell which resulted in his acquittal and vindication. At the time it was said that it was on his insistence that Richard Pigott was put into the witness box and his forged letters, implicating Parnell in the Pheonix Park murders of 1882 exposed as fraudulent. He retired from the High Court of Justice in 1901, when he was granted an annuity of £3,500. In March the following year he was appointed to the Privy council. His portrait hangs in the Royal Courts of Justice.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 1
    £145
  • The Apples of New York, 1905

    £140 Stock code: P01223 Bethel
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    The Apples of New York, 1905

    The Apples of New York, published in 1905 summed up over two decades of horticultural research providing an insight into the varieties available to the consumer prior to the industralised farming of the 20th century.  
    Dimensions: 38cm (15") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01223 Bethel
    £140
  • The Apples of New York, 1905

    £140 Stock code: P01223 Black Ben Davis
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    The Apples of New York, 1905

    The Apples of New York, published in 1905 summed up over two decades of horticultural research providing an insight into the varieties available to the consumer prior to the industralised farming of the 20th century.  
    Dimensions: 38cm (15") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01223 Black Ben Davis
    £140
  • The Apples of New York, 1905

    £140 Stock code: P01223 Ben Davis
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    The Apples of New York, 1905

    The Apples of New York, published in 1905 summed up over two decades of horticultural research providing an insight into the varieties available to the consumer prior to the industralised farming of the 20th century.  
    Dimensions: 38cm (15") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01223 Ben Davis
    £140
  • The Apples of New York, 1905

    £140 Stock code: P01223 Blue Pearmain
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    The Apples of New York, 1905

    The Apples of New York, published in 1905 summed up over two decades of horticultural research providing an insight into the varieties available to the consumer prior to the industralised farming of the 20th century.  
    Dimensions: 38cm (15") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01223 Blue Pearmain
    £140
  • The Apples of New York, 1905

    £140 Stock code: P01223 Black Gilliflower
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    The Apples of New York, 1905

    The Apples of New York, published in 1905 summed up over two decades of horticultural research providing an insight into the varieties available to the consumer prior to the industralised farming of the 20th century.  
    Dimensions: 38cm (15") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01223 Black Gilliflower
    £140
  • The Apples of New York, 1905

    £140 Stock code: P01223 Cooper Market
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    The Apples of New York, 1905

    The Apples of New York, published in 1905 summed up over two decades of horticultural research providing an insight into the varieties available to the consumer prior to the industralised farming of the 20th century.  
    Dimensions: 38cm (15") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01223 Cooper Market
    £140
  • The Apples of New York, 1905

    £140 Stock code: P01223 Lawver
    Add to Wishlist

    The Apples of New York, 1905

    The Apples of New York, published in 1905 summed up over two decades of horticultural research providing an insight into the varieties available to the consumer prior to the industralised farming of the 20th century.  
    Dimensions: 38cm (15") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01223 Lawver
    £140
  • The Apples of New York, 1905

    £140 Stock code: P01223 Domine
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    The Apples of New York, 1905

    The Apples of New York, published in 1905 summed up over two decades of horticultural research providing an insight into the varieties available to the consumer prior to the industralised farming of the 20th century.  
    Dimensions: 38cm (15") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01223 Domine
    £140
  • The Apples of New York, 1905

    £140 Stock code: P01223 Collins
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    The Apples of New York, 1905

    The Apples of New York, published in 1905 summed up over two decades of horticultural research providing an insight into the varieties available to the consumer prior to the industralised farming of the 20th century.  
    Dimensions: 38cm (15") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01223 Collins
    £140
  • The Apples of New York, 1905

    £140 Stock code: P01223 Esopus Spitzenburg
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    The Apples of New York, 1905

    The Apples of New York, published in 1905 summed up over two decades of horticultural research providing an insight into the varieties available to the consumer prior to the industralised farming of the 20th century.  
    Dimensions: 38cm (15") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01223 Esopus Spitzenburg
    £140
  • The Apples of New York, 1905

    £140 Stock code: P01223 Buckingham
    Add to Wishlist

    The Apples of New York, 1905

    The Apples of New York, published in 1905 summed up over two decades of horticultural research providing an insight into the varieties available to the consumer prior to the industralised farming of the 20th century.  
    Dimensions: 38cm (15") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01223 Buckingham
    £140
  • The Apples of New York, 1905

    £140 Stock code: P01223 Baldwin II
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    The Apples of New York, 1905

    The Apples of New York, published in 1905 summed up over two decades of horticultural research providing an insight into the varieties available to the consumer prior to the industralised farming of the 20th century.  
    Dimensions: 38cm (15") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01223 Baldwin II
    £140
  • The Apples of New York, 1905

    £140 Stock code: P01223 Fallawater
    Add to Wishlist

    The Apples of New York, 1905

    The Apples of New York, published in 1905 summed up over two decades of horticultural research providing an insight into the varieties available to the consumer prior to the industralised farming of the 20th century.  
    Dimensions: 38cm (15") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01223 Fallawater
    £140
  • The Apples of New York, 1905

    £140 Stock code: P01223 Ewalt
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    The Apples of New York, 1905

    The Apples of New York, published in 1905 summed up over two decades of horticultural research providing an insight into the varieties available to the consumer prior to the industralised farming of the 20th century.  
    Dimensions: 38cm (15") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01223 Ewalt
    £140
  • The Apples of New York, 1905

    £140 Stock code: P01223 Baldwin
    Add to Wishlist

    The Apples of New York, 1905

    The Apples of New York, published in 1905 summed up over two decades of horticultural research providing an insight into the varieties available to the consumer prior to the industralised farming of the 20th century.  
    Dimensions: 38cm (15") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01223 Baldwin
    £140
  • The Apples of New York, 1905

    £140 Stock code: P01223 Lady Sweet
    Add to Wishlist

    The Apples of New York, 1905

    The Apples of New York, published in 1905 summed up over two decades of horticultural research providing an insight into the varieties available to the consumer prior to the industralised farming of the 20th century.  
    Dimensions: 38cm (15") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01223 Lady Sweet
    £140
  • The Apples of New York, 1905

    £140 Stock code: P01223 Boiken
    Add to Wishlist

    The Apples of New York, 1905

    The Apples of New York, published in 1905 summed up over two decades of horticultural research providing an insight into the varieties available to the consumer prior to the industralised farming of the 20th century.  
    Dimensions: 38cm (15") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01223 Boiken
    £140
  • The Apples of New York, 1905

    £140 Stock code: P01223 Gano
    Add to Wishlist

    The Apples of New York, 1905

    The Apples of New York, published in 1905 summed up over two decades of horticultural research providing an insight into the varieties available to the consumer prior to the industralised farming of the 20th century.  
    Dimensions: 38cm (15") High, 30cm (11¾") Wide, 2cm (0¾") Deep
    Stock code: P01223 Gano
    £140
  • Pridham

    £125 Stock code: AD1562 3
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    Pridham

    A framed chromolithograph by ELF showing Henry Pridham Wippell, a prominent Edwardian barrister.
    Dimensions: 45cm (17¾") High, 31cm (12¼") Wide, 2cm (0¾") Deep
    Stock code: AD1562 3
    £125
  • Collapse of the Conference,

    £120 Stock code: AD1562 18
    Add to Wishlist

    Collapse of the Conference,

    framed Vanity Fair chromolithograph
    Dimensions: 36.5cm (14¼") High, 47cm (18½") Wide, 2cm (0¾") Deep
    Stock code: AD1562 18
    £120
  • Felt Flags

    £95 Stock code: P01087 Germany
    Add to Wishlist

    Felt Flags

    It was between 1905 and 1910 that tobacco companies in America, began inserting textile items into their cigarette and tobacco products at a time when there was much competition between the tobacco companies and advertising was important to entice new customers, and  build brand loyalty. This may have been a direct marketing strategy to entice women into smoking cigarettes, as women were encouraged to gather up these small textiles inserts from spouses or friends and sew them into useful and beautiful items for the home, including quilts, pillows and table covers.
    Dimensions: 32cm (12½") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01087 Germany
    £95
  • Felt Flags

    £95 Stock code: P01087 Servia
    Add to Wishlist

    Felt Flags

    It was between 1905 and 1910 that tobacco companies in America, began inserting textile items into their cigarette and tobacco products at a time when there was much competition between the tobacco companies and advertising was important to entice new customers, and  build brand loyalty. This may have been a direct marketing strategy to entice women into smoking cigarettes, as women were encouraged to gather up these small textiles inserts from spouses or friends and sew them into useful and beautiful items for the home, including quilts, pillows and table covers.
    Dimensions: 32cm (12½") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01087 Servia
    £95
  • Felt Flags

    £95 Stock code: P01087 France
    Add to Wishlist

    Felt Flags

    It was between 1905 and 1910 that tobacco companies in America, began inserting textile items into their cigarette and tobacco products at a time when there was much competition between the tobacco companies and advertising was important to entice new customers, and  build brand loyalty. This may have been a direct marketing strategy to entice women into smoking cigarettes, as women were encouraged to gather up these small textiles inserts from spouses or friends and sew them into useful and beautiful items for the home, including quilts, pillows and table covers.
    Dimensions: 32cm (12½") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01087 France
    £95

Featured Items

  • The Sun by André Masson, Verve Vol. 1 / No. 2.

    £600 Stock code: P01272 B
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    The Sun by André Masson, Verve Vol. 1 / No. 2.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01272 B
    £600
  • Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 A
    Add to Wishlist

    Femme au Chapeau by Henri Matisse, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 A
    £800
  • Printemps by Marc Chagall, Verve Vol. 1 / No. 3.

    £800 Stock code: P01274 A
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    Printemps by Marc Chagall, Verve Vol. 1 / No. 3.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01274 A
    £800
  • Portrait by Andre Derain, Verve Vol 2 / No. 5-6.

    £800 Stock code: P01275 G
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    Portrait by Andre Derain, Verve Vol 2 / No. 5-6.

    The Verve Review was a purposefully luxurious. It ran from 1937 to 1960, but with only 38 editions available, due to the high degree of design and editorial work dedicated to each issue. Each edition contained unique lithographic prints, commissioned by the editor, and each cover a double-page lithograph elaborated by one of the artists contained within. It was the brainchild of its editor Stratis Eleftheriades, a Greek National who moved to Paris in the early thirties to take part in the growing Modernist movement, writing under the name of Teriade.
    Dimensions: 51cm (20") High, 40cm (15¾") Wide, 2cm (0¾") Deep
    Stock code: P01275 G
    £800